New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. That it all seems improvised on the spot (it was not) is testament to the power of a film that trusts its characters, its actors and its ultimate goal.
    • New York Daily News
  2. Harris convincingly creates one "Pollock" after another over the course of the movie.
  3. The intimate history of Doug Block's parents becomes fodder for a broader look at family secrets in this complex documentary.
  4. There’s an introspective quality here, and the gorgeous vistas tilt toward melancholy rather than educational. All on board are curiously resigned to mankind’s death by environment, and take the long view that another life form will one day take our place.
  5. As the story unreels, one can feel the warmth of the writers' and director's hearts for their subject and inspired playing of the cast.
  6. The direct translation of this deliciously devilish film’s Spanish title is “Savage Stories.” That’s a more fitting title.
  7. This terrific, full-meal chronicle of the men and their mouths lets us hear from them not only during debates, but also in subsequent interviews, memoirs and articles.
  8. This movie is not as intricately rewarding as Zhang's others. But because it is so Westernized, it could do even better at the box office. [21 Dec 1995, p.60]
    • New York Daily News
  9. These three films (adapted from David Peace's novels by different directors), each a singularly gripping work, together form a towering and emotionally complex achievement.
  10. Basinger gives one of her best performances as a woman too young, poor and overwhelmed to handle motherhood. And the uncommonly self-assured Murphy proves again that she is a cut above other actresses of her tender years.
  11. Once Were Warriors has more to say than the traditional TV-movie about spousal abuse. But some viewers will have to pay a price: This is a movie that requires strength and fortitude to sit through.
  12. Despite the packed plot adapted by Polanski and Robert Harris from Harris' novel -- the pacing feels oddly slack.
  13. Has the bare necessities, but not much more.
  14. The stories are horrifying, but essential to hear. Kirby Dick’s important documentary puts a personal face to the staggering numbers.
  15. Noah Baumbach’s sensational satirical drama While We’re Young is, finally, a movie for grownups to run out and see.
  16. As insightful as it is entertaining.
  17. If Woodroof is the movie’s guts, Rayon is its heart, and Leto (TV’s “My So-Called Life,” “Alexander”) is stunningly perfect, even when the story veers ever so slightly into expected territory.
  18. Notre Musique is a cry against war and man's inherent needs for tribalism and violence, a position that wouldn't start a good argument in a college cafeteria.
  19. The Cockettes epitomized a brief confluence of new possibilities, not so much in theater as in personal style, lending them a certain historical value that greatly exceeds their contribution to theater.
    • New York Daily News
  20. The striking directorial debut from fashion designer Tom Ford -- is so unusually beautiful it would be easy to dismiss it as superficial.
  21. Feels more respectful than real.
  22. The film is beautifully shot and edited, but these emotional snapshots won't stay long in the memory.
  23. Feuerzeig's film - everything a good documentary should be - is a story of family, friendship, art and fame, as seen through the prisms of exceptional beauty and deepest pain.
  24. The movie creates its own tightening vice grip.
  25. As Elle, Tomlin is Tomlin, which is to say great. Garner’s Sage is whiny, wise and winsome, which is to say an excellent 18-year-old.
  26. Breillat has made an important, even essential work about the exploitation of young women's sexuality, but is not she complicit as well?
    • 77 Metascore
    • 50 Critic Score
    Under that small but growing category of movies that break the mold but that no one but a masochist could sit through is Humanité.
  27. Critics are already comparing the two movies and largely agreeing that Tarantino?s story about a psychopathic stuntman who targets women for highway carnage is the best. I disagree.
  28. Smith ("American Movie") sees the poetry in everyday people, and lets his rambling story find its own rhythm.
  29. A gripping, sometimes dramatic, sometimes annoying collection of jerky images and subjective impressions.

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