New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. But while this terrific cast gets to strut and preen, it's difficult to make an emotional connection with most of them.
  2. It's an amazing slice-of-life story that will make you want to rush home and hug the kids.
    • New York Daily News
  3. It is remarkably, unsentimentally dramatized by Fred Schepisi, courtesy of the pitch-perfect performances of its ensemble British cast.
    • New York Daily News
  4. Chéreau keenly understands both his characters and their unwanted world, from the dehumanization that occurs the moment one enters a hospital to the hope and fear that take over when one leaves.
  5. Denis' slow, deliberate style shuns typical suspense techniques, relying instead on something far more effective: a stunning performance by Testud.
  6. Fascinating and, when you see Afghan versions of Simon Cowell and Co. reacting to tryouts, a reminder of how fame and the thirst for it is the same in any language.
  7. Eye-opening political documentary focuses on "the strange world of violence and fear, fantasy and deception, in which we now live."
  8. The tension and intrigue between the pretender and his would-be associates is as dense as the woods surrounding their hiding place.
  9. The cast is a hoot, too. Tatum is full of easy charm but Adam Driver is even better as his brooding brother (clearly they’re sons of different mothers). There’s also a nice, out-of-character appearance by Katie Holmes, playing Logan’s hair-sprayed, hard-edged ex.
  10. A handsome, entertaining though emotionally thin animated feature.
  11. Like Wong's past films, 2046 is lovely to behold, elegantly moody and rich in atmospherics. And the women caught in Chow's web are extraordinary beauties.
  12. The overly broad martial-arts comedy Kung Fu Hustle was obviously made with skill and affection for its many cinematic sources, yet I found the tone, timing and emotional involvement off by just enough to irritate rather than enchant.
  13. A small gem in the postholiday depression.
  14. A lush, panoramic, dizzyingly portrait of the many-tentacled entrepreneur Howard Hughes. Unfortunately, though it may finally gain an Oscar for director Martin Scorsese, it is not his best work. The movie is disappointingly flat.
  15. A grim, poetic, heart-wrenchingly fine ode to the lost children of Glasgow's forgotten class.
    • New York Daily News
  16. It is full of goodness of purpose, sweetness and nobility of character. [05 Aug 1954, p.38]
    • New York Daily News
  17. The combination of old-time Hollywood valor and ahead-of-its-time surprises makes this restoration a big event.
  18. The film moves at a leisurely pace at first, but it accelerates as it moves towards its exciting climax.
  19. DeGeneres and company make Finding Dory memorable.
  20. There is a great movie in Werner Herzog's Vietnam saga, Rescue Dawn. Unfortunately, it's about 30 minutes long.
  21. His film may offend (it very nearly makes one nauseous) but there is no doubting the fact that it is the end product of a brilliant, highly original mind.
  22. In the year of the animated movie, this one soars above them all.
  23. An urgent, stirring story made all the more inspiring by the very ordinary nature of its subjects.
  24. The documentary plays it down the middle, neither condemning nor romanticizing the political outlaws, but making sense of who they were and what they did.
  25. An extraordinary morsel of a movie, and yes, you'll want sushi afterward. But it won't taste like Jiro's.
  26. It’s fun to see Bateman channel his inner prick. But the gaslighting husband/cruel high school tormentor subplot is so underwritten that it feels tacked on.
  27. It’s rare when a psychological drama gets us into a character’s head without tricks or a voiceover. This drama from Alex Ross Perry burrows so deep that it’s scary.
  28. Cute, mostly well-mannered and just a bit off-center.
  29. Has a great deal of empathy for that excruciating limbo that is female adolescence.
  30. Director Andrew Dosunmu’s film is big-hearted and rich, frequently using slow motion to underscore an artful intimacy.

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