New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
    • 78 Metascore
    • 100 Critic Score
    This is a great and glorious movie, and its makers have a right to be proud of themselves.
  1. Here is something great and startling -- not necessarily the kind of comforting, consensus-creating film that wins Oscars, but unquestionably a movie that will live in the history of the medium.
  2. Acclaimed filmmaker Ken Loach is a master at capturing the day-to-day of British life, and this film, which won the coveted Palm D'Or award at the Cannes Film Festival, is no exception. That said, it may be easier for some to decipher the heavy British accents than others.
  3. It was a true media circus, and despite Polanski's work before and since, the film shows how it will forever be his first association in the public consciousness. In the U.S., at least.
  4. The characters may suffer once the bride walks down the aisle, but Bier, Jensen and their first-rate cast work together like a match made in heaven.
  5. While director Christopher Nolan and star Christian Bale's epic of criminality and all-consuming conviction ultimately falls a bit short - missing, for instance, a villainous face a la Heath Ledger's Joker - their Batman trilogy ends with a suitably thrilling mix of guts and glory.
    • 78 Metascore
    • 80 Critic Score
    Aside from the captivating cinematography, the narrative is adventurous and existential. Not only does it examine the ethos of the early 20th century — including wartime — it also surveys humanity as a whole. It aims to dispel a superiority complex but manages to stay bold and progressive throughout.
  6. In Bahman Ghobadi's heart-tugger about Kurdish orphans, those wide eyes are too often used as a manipulative device.
  7. A brilliantly spare and poignant tragicomedy that projects such savage self-criticism of China's "economic miracle" that the film has been banned at home.
  8. McDonagh indulges in too many '90s affectations, from blaring chapter titles to philosophizing gangsters. But he captures his misty setting's insular atmosphere beautifully.
  9. Saulnier accomplishes something rare here. He has an ability to convey depth of feeling and ominousness without tricks or even musical cues.
  10. This exquisitely acted, genuinely creepy minimalist drama does spin its wheels a bit before a cool conclusion. But the movie has a spark of creativity not seen in “Chappie” or “Eva,” two of the recent robots-among-us flicks.
  11. This hunt for revenge is really a quest for self-discovery. The story, acting and brilliant directing elevate Oldboy into a human struggle to know yourself and your place in the universe, and to live with that sometimes terrible knowledge.
  12. It's a smartly surreal little movie, and again shows why, whenever there's a role that calls for an actress who can speak volumes without much dialogue (as in "Minority Report" and "Sweet and Lowdown"), the call goes out to Morton.
  13. A fascinating, damning picture of bourgeois boredom that manages to be both epic and intimate at the same time.
  14. Have we come a long way since Wright's world was upended because he spoke undeniable truths? Watch this essential American story, and decide for yourself.
  15. Despite the movie's intimate nature, Siegel deftly broadens his view to observe the culture and conditions of contemporary American farming. Don't be surprised if, by the finish, you wind up fantasizing about your own rural homestead.
  16. As for the ever-impressive supporting cast, neither a delightfully befuddled Jim Broadbent nor a wild-eyed Helena Bonham Carter can upstage Alan Rickman, who again proves invaluable as the slithery Prof. Snape.
  17. Zootopia is so well done I forgot it was animated.
  18. When it's funny, Best is hilarious.
  19. A visually lush and eerily enigmatic parable of female sexuality, Lucile Hadzihalilovic's ominous fairy tale raises questions you'll be wondering about for days.
  20. Chariots of Fire reasserts the importance of the so-called old-fashioned virtues of moral courage and personal integrity and, as such, it is a movie that, with the help of Vangelis Papathanassiou’s wonderfully stirring music, lifts the spirits to a new high. The actors seem to have been born to play their roles.
  21. The movie is both wonderfully tender and wryly funny. [05 Feb 1992, p.31]
    • New York Daily News
  22. An absolute delight, as merry as the day is long.
  23. The screenplay is chock-full of political and social observation tarnished by uneven ­acting and editing. The clumsy humor doesn't translate well.
  24. Though Argento and Aattou lack the searing chemistry needed, the social politics are consistently intriguing, and everything - not to mention everyone -looks absolutely stunning.
  25. If only there were a surefire way to describe Guy Maddin's films without scaring off viewers. The quirky Canadian is a genius who produces haunting, exquisitely droll movies that defy explanation.
  26. Weary and overworked to her very bones, Dora nevertheless has a heart of gold and a spine of steel. The movie does, too.
  27. The scenery is stunning and the story compelling, but some viewers will find it easier to admire Tracks than to engage with this meditative tale of Robyn Davidson (played beautifully by Mia Wasikowska).
  28. The cast and crew render every detail so exquisitely that there's almost too much to take in at once. Repeat viewings will be required.

Top Trailers