New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A charming indie that combines dreamy aspiration with mucky, hilarious reality.
  2. There is a hint of sentimentality among the pals at the end, but not enough to offset the film's harmless combination of camaraderie and wished-for - oh, how they wish for it - debauchery.
  3. Sophie Scholl is the subject of a feature film that has earned an Oscar nomination for a Germany she would have loved to live in.
  4. This Asian-flavored Hitchcock is a complicated tale with no easy answers.
  5. Matt Damon's performance isn't bad, but it pales in comparison with Law's.
  6. The performance of the movie is Liev Schreiber as Shaw, a man howlingly uncomfortable in his own skin.
  7. Farmiga is excellent as a woman who is like the mouse she feeds to her son's pet snake - trapped and about to be eaten alive by ordinary circumstance.
    • 76 Metascore
    • 40 Critic Score
    Despite visual nods to dozens of classic Westerns, the film cannot break through with its own vision.
  8. Grohl has a longstanding reputation as one of the nicest guys in rock. So it should come as no surprise that this may be the most positive music documentary you'll ever see.
  9. The movie may wear its shagginess on its sleeve, but Stiller knows exactly what he’s doing.
  10. A terrific, quirky New York-set character piece.
  11. Director Niels Arden Oplev keeps the action relatively tight. But he revels in the story’s sadism to an uncomfortable degree, especially in a needlessly vile rape scene. Two more sequels are coming. Here’s hoping there’s just a little less hate in each.
  12. A generation-spanning journey that feels both comfortingly familiar and excitingly original.
  13. It’s worth seeing Robert May’s vital judicial expose — not only to learn about the titular scandal, but also to appreciate both the highs and lows of human resilience.
  14. Kempner demonstrates how the star's success and dignified bearing inspired a generation of Jews to fight through the ethnic barriers in all fields.
  15. Impressionistic and open to interpretation, which is a kind way of saying that there's no way to figure out the ending.
    • New York Daily News
  16. Surely no other has done it quite like this group.
  17. Gently hilarious comedy.
  18. Full of smarts, sly insight and New York personality. As a feather in its jaunty hat, the movie also reinvigorates the art of screwball comedy.
  19. One of the most delightful movies to come along this year.
  20. The latest collaboration between Verbinski ("Pirates of the Caribbean") and Johnny Depp is sharp-edged, surreal, and often astonishing in its giddy creativity. What it is not, however, is a family film.
  21. Argott treats Barnes' story as an intellectual crime thriller, uncovering each new surprise -- and a seemingly endless parade of villains -- with a deadpan flourish.
  22. Though he's working with an unavoidably sentimental story, Kon embraces the dark underside of his characters' lives, giving this animated film a satisfyingly three-dimensional feel.
  23. A marvelous cross between "Secretary" and "Lost in Translation."
  24. One of the small pleasures of the movie is likely to escape American audiences. The bank robber is played by Johnny Hallyday, a pop icon of great magnitude in France, and the old man is played by Jean Rochefort, an acting staple of that country's cinema. The mere juxtaposition of these two personalities forms a comic set of expectations.
  25. To Devlin's great credit, he keeps us rapt throughout.
    • 75 Metascore
    • 80 Critic Score
    This heartbreaking documentary should be shown in every high school and college — and everywhere intolerance is suspected.
  26. If Hitchcock had done a coming-of-age drama, it might have resembled this haunting, nervous, sad movie about an early twentysomething.
  27. Coogan and Brydon make terrific companions for us partially because, at least as they appear onscreen, they’re so amusingly incompatible themselves.
  28. By turns cheerful, funny and melancholy, and at all times honest, Nicole Holofcener's Lovely and Amazing stands out in the current run of ensemble women's films.
    • New York Daily News

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