For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
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Reviewed by
Joe Neumaier
A charming indie that combines dreamy aspiration with mucky, hilarious reality.- New York Daily News
- Posted Jun 3, 2011
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Reviewed by
Jack Mathews
There is a hint of sentimentality among the pals at the end, but not enough to offset the film's harmless combination of camaraderie and wished-for - oh, how they wish for it - debauchery.- New York Daily News
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Reviewed by
Jack Mathews
Sophie Scholl is the subject of a feature film that has earned an Oscar nomination for a Germany she would have loved to live in.- New York Daily News
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Jami Bernard
This Asian-flavored Hitchcock is a complicated tale with no easy answers.- New York Daily News
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Reviewed by
Jami Bernard
Matt Damon's performance isn't bad, but it pales in comparison with Law's.- New York Daily News
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Reviewed by
Jami Bernard
The performance of the movie is Liev Schreiber as Shaw, a man howlingly uncomfortable in his own skin.- New York Daily News
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Reviewed by
Jami Bernard
Farmiga is excellent as a woman who is like the mouse she feeds to her son's pet snake - trapped and about to be eaten alive by ordinary circumstance.- New York Daily News
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- Critic Score
Despite visual nods to dozens of classic Westerns, the film cannot break through with its own vision.- New York Daily News
- Posted May 2, 2013
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Reviewed by
Elizabeth Weitzman
Grohl has a longstanding reputation as one of the nicest guys in rock. So it should come as no surprise that this may be the most positive music documentary you'll ever see.- New York Daily News
- Posted Jan 31, 2013
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Reviewed by
Joe Neumaier
The movie may wear its shagginess on its sleeve, but Stiller knows exactly what he’s doing.- New York Daily News
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- New York Daily News
- Posted Aug 19, 2015
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Reviewed by
Elizabeth Weitzman
Director Niels Arden Oplev keeps the action relatively tight. But he revels in the story’s sadism to an uncomfortable degree, especially in a needlessly vile rape scene. Two more sequels are coming. Here’s hoping there’s just a little less hate in each.- New York Daily News
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Elizabeth Weitzman
A generation-spanning journey that feels both comfortingly familiar and excitingly original.- New York Daily News
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Elizabeth Weitzman
It’s worth seeing Robert May’s vital judicial expose — not only to learn about the titular scandal, but also to appreciate both the highs and lows of human resilience.- New York Daily News
- Posted Feb 27, 2014
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Jack Mathews
Kempner demonstrates how the star's success and dignified bearing inspired a generation of Jews to fight through the ethnic barriers in all fields.- New York Daily News
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Jami Bernard
Impressionistic and open to interpretation, which is a kind way of saying that there's no way to figure out the ending.- New York Daily News
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Reviewed by
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- New York Daily News
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- New York Daily News
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Reviewed by
Joe Neumaier
Full of smarts, sly insight and New York personality. As a feather in its jaunty hat, the movie also reinvigorates the art of screwball comedy.- New York Daily News
- Posted Aug 13, 2015
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Reviewed by
Elizabeth Weitzman
One of the most delightful movies to come along this year.- New York Daily News
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Reviewed by
Elizabeth Weitzman
The latest collaboration between Verbinski ("Pirates of the Caribbean") and Johnny Depp is sharp-edged, surreal, and often astonishing in its giddy creativity. What it is not, however, is a family film.- New York Daily News
- Posted Mar 3, 2011
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Reviewed by
Elizabeth Weitzman
Argott treats Barnes' story as an intellectual crime thriller, uncovering each new surprise -- and a seemingly endless parade of villains -- with a deadpan flourish.- New York Daily News
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Elizabeth Weitzman
Though he's working with an unavoidably sentimental story, Kon embraces the dark underside of his characters' lives, giving this animated film a satisfyingly three-dimensional feel.- New York Daily News
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Jami Bernard
A marvelous cross between "Secretary" and "Lost in Translation."- New York Daily News
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Reviewed by
Jami Bernard
One of the small pleasures of the movie is likely to escape American audiences. The bank robber is played by Johnny Hallyday, a pop icon of great magnitude in France, and the old man is played by Jean Rochefort, an acting staple of that country's cinema. The mere juxtaposition of these two personalities forms a comic set of expectations.- New York Daily News
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Reviewed by
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- New York Daily News
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- Critic Score
This heartbreaking documentary should be shown in every high school and college — and everywhere intolerance is suspected.- New York Daily News
- Posted Feb 4, 2015
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Reviewed by
Joe Neumaier
If Hitchcock had done a coming-of-age drama, it might have resembled this haunting, nervous, sad movie about an early twentysomething.- New York Daily News
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Reviewed by
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Reviewed by
Elizabeth Weitzman
Coogan and Brydon make terrific companions for us partially because, at least as they appear onscreen, they’re so amusingly incompatible themselves.- New York Daily News
- Posted Aug 14, 2014
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Reviewed by
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Reviewed by
Jack Mathews
By turns cheerful, funny and melancholy, and at all times honest, Nicole Holofcener's Lovely and Amazing stands out in the current run of ensemble women's films.- New York Daily News
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Reviewed by