Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
    • 75 Metascore
    • 80 Critic Score
    Nimbly documents the rise and fall of a Web company through its charismatic leaders.
  1. Stylish and gritty, The King Is Alive lacks the impact of revelation that might have made the journey worth taking.
  2. Nothing quite works about The Trumpet of the Swan, one of those animated films that make you realize how hard it is to strike the right tone for a family film.
  3. Bread and Roses" hits home when one of Maya's co-workers observes, "When we put on uniforms, we become invisible." It's a truth as uncomfortable as it is undeniable.
  4. As advertised, A Knight's Tale does try to rock you. The problem is, it doesn't rock you nearly enough.
  5. A sly romantic comedy made with wit and style.
  6. Can never rise above the melodrama of a past era, despite a splendid, impassioned portrayal by Willem Dafoe and an affecting one by Luo Yan.
  7. Requires careful attention at its abrupt finish. Close concentration on the final shots yields a meaning not possible should a viewer's attention wander or turn away a few moments too soon.
  8. The filmmakers' special triumph lies in the inspired way that in the nick of time it draws its story to a close, with Nora and Joyce struggling toward a new level of understanding.
  9. To watch this film, in short, can be a transforming experience.
  10. Visually, the film is a stunner with its impossibly mobile camera work. It is also all but impossible to hold on to the story line.
  11. Both pleasantly old-fashioned and packed with up-to-date computer-generated special effects, the film's constant plot turns, cheeky sensibility and omnipresent action sequences have no trouble attracting our attention and holding on.
  12. At times awkward and under-inspired, creating a question as to whether so gloomy and repugnant a tale was worth telling simply for its own sake.
  13. Skip it. Just fill in the blanks and you too can brew the same bland, goopy mixture, right down to such clunker lines as "There is a Santa Claus, Ma. He just doesn't come to Brooklyn anymore."
  14. A gracious, eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past forever lost.
  15. One Night at McCool's is one night too much.
  16. Harlin's skill compensates for a lot of narrative preposterousness, even it is overmatched this time around.
  17. Yet another Merchant Ivory triumph.
  18. Seems merely tired and stale, the opposite of fresh, marked by ideas for jokes rather than things that are actually funny. Then, without warning, it goes from inept to complete disaster, sinking from indifferent to fiasco in the blink of an eye.
  19. Carefully made, involving and old-fashioned, the superior work it's inspired gives it an impact that lingers even when the endgame is over.
  20. Thraves is skillful at evoking mood and atmosphere and at depicting transitional periods in a person's life with a mildly wistful humor.
  21. Hidden Wars is less dependent on talking heads than "Plan Colombia" and has the advantage of distance from some of the key events.
  22. Where there was a modicum of charm to Mick Dundee's earliest exploits in New York City, the joke has withered as markedly as Hogan's face.
  23. Moll, in only his second feature, evokes a sense of foreboding, playing the routine against the unnerving, the humorous against the sinister, with a wit and deftness that might have impressed Hitchcock.
  24. Even the movie finds itself asking when it'll end. Not soon enough.
  25. All this sadness becomes so depressing to watch, testing the limits of the patience of even a viewer prepared to take Wang's underlying concerns seriously.
  26. Lakeboat requires its audiences to embrace it as lovingly as Mamet and Mantegna embrace its men, but it's a lot to ask.
  27. Despite a premise that's provocative, to say the least, this one's a dud.
  28. Restrained yet powerful, devastating in its emotional effects.
  29. Cheerful, cheeky entertainment, a clever confection.

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