Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. Head Over Heels
    Although Head Over Heels moves swiftly, has an appealing cast and a serviceably diverting plot, it is nevertheless hard to fall head over heels over it.
  2. In the Mood for Love
    The result is a kind of ultimate romantic film, joining an almost Jamesian sadness and discipline to that extraordinary visual sensibility. It's not the kind of thing you see every day.
  3. Nico and Dani
    An exceptional coming-of-age film--subtle, humorous, compassionate, acutely perceptive.
  4. Trolösa
    Complex, challenging and richly rewarding, it glows with the kind of wrenchingly selfless portrayals that are the hallmark of the Bergman classics.
  5. Glamour
    An elegant, poetic fable of endurance.
  6. Two Ninas
    It is amazing how writer-director Neil Turitz, a seasoned journalist, has taken the familiar ingredients of the spiky New York dating game movie and made them seem so fresh and original, filled with individuals acutely detailed and compassionately observed.
  7. Sugar & Spice
    Amusingly subversive, thanks to sharp writing and direction, by Mandy Nelson and Francine McDougall, respectively.
  8. The Wedding Planner
    The picture is never less than pleasant -- but it's not more than that often enough.
  9. Amy
    A skilled heart-tugger from Australia that verges on rock opera.
  10. The Amati Girls
    Has plenty of warmth, affection and conventional wisdom, but too much of the time it plays out in routine fashion with moments of contrivance.
  11. The Pledge
    A forced march toward certain disaster, a scenario only passionate believers in predestination are likely to savor.
  12. Snatch.
    Even if it's not quite as lighter than air as its predecessor, Snatch remains a lethal diversion.
  13. Zheng hun qi shi
    Director Chen Kuo-fu adds a refreshingly wry humor to this view and then deftly throws in some wrenching moments and an ultimately astounding final twist.
  14. Panic
    A lot of this is quite well done, but Bromell has a tendency to have too schematic an aesthetic agenda for his story: treating film noir like kabuki is not necessarily the best way to go, no matter how beautifully you do it.
  15. Antitrust
    It is ultimately more routine than provocative, despite the timeliness and seriousness of the issues it raises.
    • 25 Metascore
    • 60 Critic Score
    Double Take
    An even-handed mixture of suspense and comedy that aims to play fair with the audience on both fronts.
  17. Save the Last Dance
    The story comes full circle in a way that might seem overly schematic did it not have the courage to wear its heart on its sleeve without losing its head.
  18. Chunhyangdyun
    Im Kwon Taek's exquisite Chunhyang brings to the screen one of Korea's most cherished folk tales, a timeless romance in which the lovers are challenged by differences in class.
  19. The Claim
    Sadly the film is so elusive, so distant, that it never seems more than half-alive.
  20. Shadow of the Vampire
    Willem Dafoe's performance in Shadow of the Vampire is so irresistible it not only breaks that cycle but turns an otherwise just adequate film into something everyone will want to take a look at.
  21. Traffic
    So though it takes important steps in that direction, the film pulls back from what seems to be its own logical conclusion.
  22. All the Pretty Horses
    In an odd way Pretty Horses has been too faithful to the spirit of this somber, fatalistic, melancholy romance, too much a stubborn ode to stoicism, to light any emotional fires.
  23. Vatel
    Boldly distinctive in its depiction of individuals caught up in a veritable infernal machine designed solely to give pleasure to a monarch, Vatel is a timeless tale of love and sacrifice in a world as opulent as it is cruel.
  24. Thirteen Days
    Dealing with all these crises and decisions gives Thirteen Days a surprising amount of tension and watchability for a story whose outcome we already know.
  25. An Everlasting Piece
    This late-in-the-year gem glows with Levinson's characteristically warm embrace of a wide range of people and his superlative sense of time and place.
  26. Malèna
    Malena the film is as beautiful and seductive as its heroine, with its ravishing Lajos Koltai cinematography and sweepingly romantic Ennio Morricone score.
  27. Before Night Falls
    Anchored by a charismatic and accessible performance by Javier Bardem as star-crossed Cuban writer Reinaldo Arenas, this florid examination of an artist's coming of age, of cultures in collusion and conflict, is difficult to resist.
  28. Injeong sajeong bol geot eobtda
    For all his mastery of his medium, Lee is no less effective in directing actors than in creating images.
  29. The House of Mirth
    Above all else expresses the timeless impact of Lily Bart's plight.
    • 26 Metascore
    • 50 Critic Score
    Dracula 2000
    Dracula 2000 is at heart a solidly old-fashioned cloak-and-fangs vampire flick. It honors the central traditions of the form a lot more often than it skewers them.
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