Los Angeles Times' Scores

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For 16,531 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,702 out of 16531
  2. Mixed: 5,812 out of 16531
  3. Negative: 2,017 out of 16531
16531 movie reviews
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    • 71 Metascore
    • 70 Critic Score
    Dracula
    Despite having been directed by Tod Browning, the classic 1931 version of the oft-told horror tale suffers from a poor script, a deservedly forgotten supporting cast and a stately pace better suited to silent films. But it does have the suavely sinister Bela Lugosi and superb cinematography by Karl Freund. [09 Sep 1990, p.22]
    • Los Angeles Times
  2. The Manxman
    The point of the film is to strike a blow for truth regardless of consequences, but it's hard to believe in this seduction. [11 May 2000, p.F36]
    • Los Angeles Times
    • 78 Metascore
    • 80 Critic Score
    Wings
    Certainly, Wings soars beyond human experience. [17 Jan 1928, p.11]
    • Los Angeles Times
    • 82 Metascore
    • 70 Critic Score
    The Lodger: A Story of the London Fog
    If Alfred Hitchcock's 1926 "The Lodger" lacks the intense suspense and dynamic fluidity of the Hitchcock classics, it is nonetheless a remarkably assured third film and the first he considered truly his own. [13 Aug 1996, p.F10]
    • Los Angeles Times
  5. Easy Virtue
    Although there's no suspense, it is in fact a real Hitchcock movie in that in it, his fifth picture, he already displays his unique grasp of the camera's storytelling possibilities. [13 May 1996, p.F6]
    • Los Angeles Times
  6. Sunrise
    Sunrise reminds us that the silent film was reaching its artistic heights just as sound was arriving. [29 Apr 1985, p.2]
    • Los Angeles Times
    • 71 Metascore
    • 80 Critic Score
    The Ring
    Alfred Hitchcock's 1927 "The Ring" reveals that Hitchcock began to be a master of his craft early on, already adept at manipulating his audience's emotions and in creating suspense. [25 Nov 1996, p.F8]
    • Los Angeles Times
  8. Battleship Potemkin
    The most bravura 69 minutes in film history. [18 Mar 2011, p.D9]
    • Los Angeles Times
    • 99 Metascore
    • 100 Critic Score
    Intolerance
    As a medium for expressing art, moving pictures may not stand the test of time, but Intolerance is greater than any medium. It is one of the mileposts on the long road of art, where painting and sculpture and literature and music go jostling eagerly along together.
  10. The Accused
    Although the role requires Espósito to be a necessary enigma in order for the “did she or didn’t she?” conceit to work, the actress-singer gives a compellingly spare, tight-lipped performance that handily carries this incisively observed character study — one in which the notion of guilt is collectively split among many a bloodstained hand.
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