Directed by George Marshall, Destry revived Dietrich's waning screen career, and her barroom brawl with Una Merkel is a classic. [25 Aug 1996, p.74]

Third in the series, the effortlessly effervescent Powell and Loy and a sharp supporting cast are all but overwhelmed by a tedious, impenetrably complicated plot, involving the murder of Nora's late father's business partner (C. Aubrey Smith). [14 Jul 1996, p.4]

Charles Boyer and Irene Dunne are perfectly cast in this four-hankie weepie. [03 Dec 1998, p.F48]

This 1939 William Wyler version of Emily Bronte's passionate and inspired novel of l'amour on the lightning-lashed moors and gloomy heaths is the best and most successful on screen. [16 Oct 1994, p.65]

Misunderstandings and hilarity ensue, as does a largeness of spirit that typifies Leisen's approach. [15 Nov 2012, p.D3]

The wonderful British character actor Reginald Owen hits all the right notes as the ultimate miser, Scrooge. Equally fine are Gene Lockhart and his real-life wife, Kathleen, as Bob and Mrs. Crachit. [21 Dec 2000, p.F36]

Some of the subsequent Disney features--notably "Pinocchio"--are technically superior, but the animators never surpassed the emotional depth they achieved in Walt's "folly." "Snow White" carries her 50 years very lightly.

McCarey and his team of Dunne and Grant bring a patina of slapstick to this high-society story based on Arthur Richman's play and adapted for the screen by Vina Delmar. [03 Oct 1991, p.12]

The production values are incredible; in both drama and visuals, I'd put this sea tale up against the unsinkable "Titanic" any day. It's emotionally engaging too, though it's a different kind of love story. Director Victor Fleming (before "The Wizard of Oz" and "Gone With the Wind") makes chopping fish heads seem romantic. [04 Mar 1999, p.F18]

Michael Curtiz directed this enjoyable story starring Wayne Norris in his film debut as a naive young man who is turned into a top fighter by a promoter (Edward G. Robinson). [27 Dec 2001, p.22]

This movie is as wrenching as it is eruptive. Hitchcock never went further beyond pop than he did with Sabotage.

While After the Thin Man offers Powell and Loy plenty to drink and lots of fine banter, it doesn't hold up as well as the first picture. [13 Nov 1997, p.F15]

Anyone who loves a classic 1930s-style screwball comedy should check out My Man Godfrey. [25 Feb 1999, p.F16]

When Fred Astaire and Ginger Rogers go into their dance, everything else fades into insignificance. The pair made 10 films together, and, with sequences like Pick Yourself Up and Never Gonna Dance, this is the consensus pick for their best. [03 Apr 2020, p.E1]

It is a stylish, durable piece of epic Americana, replete with some of the most beloved songs in musical theater and rich in its sense of period. [15 Jul 1985, p.2]

Desire represents Hollywood at its timeless, beloved best. A stunning blend of European and American sensibilities -- Marlene Dietrich and producer Ernst Lubitsch on the one hand, Gary Cooper and director Frank Borzage on the other -- it is the epitome of glittery escapist entertainment. Yet the emotional honesty at its core gives it a reality that is deeply involving. [12 May 1986, p.2]

In an era when AIDS research still seems in its infancy and bacteria and viruses seem to now be able to outwit science's most powerful arsenal, there may be lessons to be learned here. And they're told with great feeling and fine craftsmanship. [15 Apr 1994, p.F24]

Endearing, sumptuous 1935 adaptation of Dickens' sweeping epic set against the French Revolution. [15 Oct 2006, p.E10]

In between the semi-funny slippings and slidings of the plot are a handful of memorable dance routines, reaching an apex with the well-known "Cheek to Cheek" sequence near the movie's end. Rogers is no Astaire, but she keeps up smartly enough, even in those tall heels. [21 Jul 1994, p.18]