Los Angeles Times' Scores

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For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,697 out of 16522
  2. Mixed: 5,808 out of 16522
  3. Negative: 2,017 out of 16522
16522 movie reviews
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  1. The Princess and the Warrior
    A heady yet disciplined work, a dazzling fable of love, destiny and redemption.
  2. Dr. Dolittle 2
    Its successful moments (and they are only moments) remind us that this is a squandered opportunity.
  3. The Fast and the Furious
    The result is an intensely involving entertainment that can be enjoyed by viewers who scarcely know how their own cars work.
  4. Chain Camera
    On the whole, Chain Camera is encouraging.
    • 78 Metascore
    • 80 Critic Score
    A Huey P. Newton Story
    Lee and his top-notch production staff employ camera wizardry and lighting techniques to evocative effect, yet manage to never take away from Smith’s performance.
  6. Life and Debt
    The damning commentary and revelations about the perils of globalization, not just for Jamaica but developing countries the world over, do come across loud and clear.
  7. The Adventures of Felix
    An odyssey of self-discovery of much charm, humor and admirable subtlety.
  8. Down from the Mountain
    For fans of this kind of roots music, it was an event you would have given anything to attend. Down From the Mountain lets you do that and gives you terrific seats in the bargain.
  9. Auggie Rose
    Consistently imaginative and persuasive in its plotting and writing. Tabak makes substantial demands on his wonderful cast but rewards them with roles of exceptional depth and dimension.
  10. Songcatcher
    Has enough virtues to make it successful, including an unusual story and some fine acting, especially by the powerful Janet McTeer.
  11. Lara Croft: Tomb Raider
    Almost completely lacking in genuine thrills. Even the attractive presence of star Angelina Jolie can't keep this leaden, plodding, completely underwhelming film from playing like "Lara Croft: Yawn Inducer."
  12. Russian Doll
    Quickly becomes silly and tedious.
  13. Sexy Beast
    Though it can overreach for emotional effect and overplay its hand at times -- Sexy Beast brings considerable virtues to telling this tale, including a great eye for faces and director Glazer's palpable excitement at working in the feature medium.
  14. Let It Snow
    Opens and closes on a jaunty note: It's the tedious, relentlessly talky 80 minutes in between that's the problem.
  15. Atlantis: The Lost Empire
    Story line and characterization are decidedly old-fashioned, and a curious decision about production design gives this wide-screen cartoon some of the look and feel of a Saturday morning TV cartoon series
  16. Evolution
    Reitman's attempt to show he can re-create the success of his biggest comedy ever. What he proves instead is that, given time and money, a comedy director can devolve into a lower life form.
  17. Bride of the Wind
    Mildly entertaining, offering generous swaths of Mahler performed by the Bratislava Philharmonic, but it's also inescapably ponderous.
  18. The Anniversary Party
    Cumming and Leigh -- bring to their stylish, incisive and compassionate film an immediacy and a bracing snap.
  19. Erleuchtung garantiert
    As funny as it is nourishing, and it has stellar performances from Uwe Ochsenknecht and Gustav Peter Wohler, who play off each other like Jack Lemmon and Walter Matthau.
  20. Swordfish
    A kind of dirty fairy tale in which people with nasty attitudes inhabit a trash-talking, macho world of fast cars and complaisant women.
  21. Divided We Fall
    Not only is the film that good, it's also that wonderfully, inescapably Czech.
  22. La grande strada azzurra
    Besides Montand's splendid performance, The Wide Blue Road's other treat is seeing a film that's both old-fashioned enough to believe that social concerns can lead to satisfying drama and well-made enough to deliver on that belief. A film infused with that kind of passion never goes out of style.
  23. Big Eden
    An accomplished heart-tugger, a serious romantic comedy that tackles two dilemmas with honesty and compassion.
  24. Rape Me
    As has happened before in less extreme circumstances, filmmakers with purportedly serious intentions punish their viewers for watching their envelope-pushing depiction of sex on the screen by presenting it in the most profoundly negative context imaginable.
  25. The Animal
    An outrageous and imaginative summer comedy.
  26. What's the Worst That Could Happen?
    Laborious in the unfolding of its plot, and under Sam Weisman's brash direction the unabashed amorality of the material is crass rather than sly in tone.
  27. Himalaya
    Complexity and personality among key figures keeps Himalaya involving throughout its grueling journey and lifts the film above the merely ethnographic.
  28. No One Sleeps
    An adroit, ambitious, richly detailed and keenly observant piece of filmmaking by the director of the haunting Rio drama "Via Appia" (1990).
  29. The Man Who Cried
    There is even less going on between Ricci and Depp here than there was in "The Legend of Sleepy Hollow," mostly because Potter gives them nothing to play.
  30. The Road Home
    A gorgeous film with a vision strong enough to sustain heart-tugging, heightened by San Bao's romantic score, that verges on the sentimental.
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