Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. The juxtaposition of formal beauty and surpassing human ugliness is hardly the least of “Wiener-Dog’s” numerous internal contradictions, some of which are more resolvable than others.
  2. No filmmaker better understands the revelatory properties of small talk and soju, and few could make the art of repetition seem so rife with possibilities.
  3. Languorously paced and literally dressed to kill, the movie is a corrosive attack on beauty — or at least our soulless, corporatized definition of the term — but it is also, above all else, a hypnotically beautiful object.
  4. On its own unpretentious, unapologetically pleasure-seeking terms, “The Shallows” has enough to recommend it — not least the fact that you could watch it twice in roughly the same amount of time it would take to watch “The Revenant,” and with little appreciable loss in adrenaline or poetry.
  5. Its strength lies in the way it continually collapses the distance between people and cultures, forcing its characters to reckon with what they perceive as strange and unfamiliar.
  6. The strength of The Witness lies in its recognition that the truth is often not just elusive but unattainable.
  7. Though Art Bastard is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it’s not terribly cohesive.
  8. There’s much to admire about this alternately tough and tender film, including a fine turn by Caton, some striking outback scenery, and many resonant thoughts about living — and dying.
  9. Refreshingly dark and sick, this is a movie for those who like cinematic monsters that hit so hard they leave a mark.
  10. Bourek is well-meaning but woefully lacking in dimension or urgency, the movie equivalent of a scenic tourist trap.
  11. While it has a sharp hook — and is reasonably diverting — it never rises above the routine.
  12. Thanks to Ifans, though, this remains a watchable film, one that, perhaps like Len himself, falls short of its potential.
  13. Few will likely embrace the insufferably chirpy, high-concept rom-com that struggles to stretch a mighty shallow premise into a feature-length proposition.
  14. Though indulgently overlong, “Raiders!” manages to unearth the inner geek in all of us.
  15. Leena Yadav’s Parched is a bright jewel of a film, surprisingly funny, fresh and upbeat in the way it takes on the complicated and often dark topic of sexual politics in rural India. T
  16. By the end you may feel moderately relieved and more than a little creeped out, but you may also wish that this undeniably compelling documentary had done more than lightly brush the surface.
  17. Husson’s film details the consequences of such free love, but it celebrates sex too — the kind based on intimacy and love. Teens and sex: it’s a tale as old as time but this take is surprising, invigorating and sharply frank.
  18. They both saw themselves, "Dying to Know" posits, as adventurers exploring alternate realities, and hearing where they ended up is a trip all by itself.
  19. A trapeze enthusiast himself, Moore is not shy about displaying his passion. His shambling, amiable film has a tendency to wander and digress, sometimes effectively, sometimes not. But its core of balletic trapeze footage is always gripping.
  20. A tightly coiled, beautifully acted relationship study that occasionally swerves in the direction of a gangland thriller.
  21. Because no one compensates for a thin concept like the people at Pixar, there is a lot to admire in the animated “Dory,” including stunning undersea visuals and an ocean full of eccentric and engaging aquatic creatures. But, as the 13-year gap between “Nemo” and “Dory” indicates, this was not a concept that cried out to be made.
  22. Central Intelligence is dumb in all the right ways, and also a bit smarter than you might expect.
  23. Gray and listless, the Anthony Hopkins/Ray Liotta-starrer Blackway is a vengeance tale set in a cold, foggy Pacific Northwest logging town where clichés are as prevalent as trees.
  24. A compendium of genre clichés — or, more charitably, “homages” — Queen of Spades offers little that fright fans haven’t seen before.
  25. Writer-director James Bird took inspiration from real-life experiences, and the story is obviously heartfelt. But despite a stylized, edgy surface, Honeyglue doesn’t stray from the well-worn weepy narrative.
  26. Remains intriguing despite its troublesome issues.
  27. For a movie seemingly concerned with clarity and enlightenment, it’s woefully lacking in both.
  28. The movie’s physicality is never pushed to suggest suffering. It’s like a constant meditation, something to absorb and exhale.
  29. While the intended dramatic payoff proves a letdown, it doesn’t undo the allegorical power of the movie’s searing depiction of groupthink and its fallout.
  30. Unfolding elliptically, the new film can feel abrupt and unsatisfying, but it’s filled with sharp commentary on class and servitude, and the actress delivers another extraordinary performance.

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