Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. Margarita with a Straw
    Koechlin gives such a remarkably warm, expressive performance (she and Gupta are non-disabled) it’s hard not to be captivated by much of this tender, if choppy film.
  2. Manhattan Night
    It’s not a great movie but a welcome one, if only for how it attempts to revive a whole genre.
  3. A Monster with a Thousand Heads
    Although the title might suggest cheesy sensationalism, A Monster With a Thousand Heads serves as a sobering, all-too-relatable indictment of the bureaucratic Hydra that is the medical insurance industry.
  4. Welcome to Happiness
    While its heart is in the right place, Welcome to Happiness is too fixated on its twee peccadilloes to truly succeed.
  5. The Measure of a Man
    Sensitively handled yet unafraid to elicit squirming, and boasting a seriously affecting turn by Lindon — who won last year’s Cannes award for Best Actor — it’s a miniature portrait of quotidian desperation that nevertheless speaks to the collective psychic moan of job-seekers and those barely holding on everywhere.
  6. Weiner
    Once again, truth proves stranger than fiction in the raucous and provocative documentary Weiner.
  7. Almost Holy
    Almost Holy captures something meaningfully urgent in the brutal day-to-day of tough love amid a world of tougher indifference.
  8. Maggie's Plan
    The writing crackles, and Miller doesn’t waste time getting right at the meat of the story.
  9. Neighbors 2: Sorority Rising
    Title IX has finally hit the college party movie genre and the result is just as goofily funny and mind-bendingly stupid as its testosterone-driven predecessors.
  10. The Nice Guys
    Though the plot here may be a confusing, multi-threaded mess (which may in fact be the script’s truest homage to Chandler), it’s occasionally offset by the exuberance with which Black blends splatter and slapstick, and the leeway he grants his two very game leads.
  11. Serial Killer 1
    While a film like Serial Killer 1 may disappoint anyone expecting “Bullitt” or “Lethal Weapon,” its focus on legwork and motivation could well appeal to fans of “Law & Order” — the TV show and the social construct.
  12. The Asian Connection
    Generically directed by Daniel Zirilli, who shares story credit with Tom Sizemore, the listless Asian Connection may be set in Bangkok and Cambodia but it feels about exotic as an order of take-out Thai.
  13. A Bit of Bad Luck
    Cursed with obnoxiously broad characters and nonsensical plotting, A Bit of Bad Luck is an intended backwoods satire that runs hopelessly off-course from the outset.
  14. Crush the Skull
    Easily the most thrilling thriller in recent memory, Crush the Skull seems destined for cult status.
  15. Most Likely to Die
    The biggest problem with Most Likely to Die, though — beyond it being unimaginative, unfunny and frightless — is that it has no sense of place or time.
  16. Starcrossed
    Barton is a standout as the alluring, broken young woman who hides as much as she reveals.
  17. Divine Access
    It isn’t terribly exciting as a movie — director/co-writer Steven Chester Prince mistakes drab pacing as a stylistic match for the laconic charm of his lead actor — but the serious-minded humor has a probing sincerity that carries you along.
  18. Under the Gun
    Director Stephanie Soechtig’s passionately contended, slickly produced film may not sway the most fervid 2nd Amendment defenders, but in its problem-solving vigor could spur a lot of others who believe in change to make that call, join that group, or vote a certain way.
  19. The Darkness
    While McLean and company admirably aim for some relevance by tying the Taylors’ haunting to their personal demons, ultimately The Darkness is just the same old show: things that go bump in the night, and the tasteful decor they defile.
  20. Sundown
    Sundown is a distressingly sexist and tone-deaf spring break sex comedy cobbled together from references to other classic party films and sounds as though it was written by aliens approximating teen speak.
  21. The Congressman
    Earnest and well-meaning, The Congressman devolves into predictable schmaltz.
  22. The Curse of Sleeping Beauty
    The Curse of Sleeping Beauty is a hard-working but dreary horror-thriller inspired by the classic Grimm’s fairy tale.
  23. Kill Zone 2
    Mostly, just as “SPL” did with Yen, this sequel serves as an ideal showcase for talented martial artists. Kill Zone 2 watches with awe as Jaa and Wu move with balletic force. There’s grace within their violence.
  24. Queen Mimi
    Offering more than a portrait of a woman about town, Rokah gradually exhumes the hardship of surviving the streets of Los Angeles for four decades and the associated stigma and shame that have prevented Haist from reaching out to family.
  25. Search Party
    This spectacularly dumb and unfunny film will likely bore even the staunchest fans of the “Hangover” movies, of which “Search” is a kind of distant, fatally impoverished cousin.
  26. Belladonna of Sadness (1973)
    Belladonna of Sadness is an interesting curiosity from the early days of modern anime, but material that may have seemed daring and adult in the era of Disney's “Robin Hood” and “Snoopy, Come Home” looks exploitative and misogynistic 43 years later.
  27. Last Days in the Desert
    At times a beautiful wandering, at other times an admirable character study, but rarely a powerful whole.
  28. How to Plan an Orgy in a Small Town
    The film ends up as a heartwarmingly raunchy celebration of unabashed and diverse sexuality without shame or hang ups. And somewhere along the way, writer-director Jeremy LaLonde manages to squeeze in some romance too, turning this sex comedy into a rom-com.
  29. I Am Wrath
    Travolta, who took over the role from Nicolas Cage, and Meloni, who’s looking more and more like Robert De Niro every day, have a loose, easy chemistry that goes a long way to enliven all that overworked familiarity.
  30. The Trust
    For reminding us all that Cage has a peculiarly gifted way with erratic types, The Trust has merit, but the rest of it strains to hold one’s interest.
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