For 16,523 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16523
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Mixed: 5,808 out of 16523
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Negative: 2,017 out of 16523
16523
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Gary Goldstein
"Mother" is definitely worth a look as an involving exercise in parental indiscretion, unexamined and over-examined lives, and a nostalgic look at East Coast Jewish culture.- Los Angeles Times
- Posted Apr 9, 2016
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Reviewed by
Gary Goldstein
Daddy is the strained, at times cringe-worthy film adaptation of Dan Via's stage play, which ran off-Broadway in 2010 and the next year in Los Angeles. Based on the show's largely good reviews, something was clearly lost in translation.- Los Angeles Times
- Posted Apr 9, 2016
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Reviewed by
Gary Goldstein
It's unfortunate that Brown and company were unable to bring stronger narrative and filmmaking skills to this vital subject.- Los Angeles Times
- Posted Apr 8, 2016
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Reviewed by
Robert Abele
A Space Program may find cheeky humor in our quest for meaningful science. But it certainly hints that there's something worshipful in the details.- Los Angeles Times
- Posted Apr 8, 2016
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Reviewed by
Katie Walsh
Kusama reveals and conceals the geography of the house, parceling out just enough information to understand its logic, while leaving certain dim recesses mysterious.- Los Angeles Times
- Posted Apr 8, 2016
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Reviewed by
Martin Tsai
Directors Jonathan Yi and Michael Haertlein put the focus on the standard reality-TV repertoire like "Making the Band." Their repeated disregard for Hioki's pleas to go off the record smacks of opportunism and exploitation rather than revelation.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Robert Abele
By the umpteenth disruptive shock-cut and patiently framed shot of Carter staring us down, Darling has worn out its welcome even as a mood piece.- Los Angeles Times
- Posted Apr 7, 2016
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Noel Murray
At its best, the film has the quality of a nightmare, one that keeps happening whether the characters are asleep or awake.- Los Angeles Times
- Posted Apr 7, 2016
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Sheri Linden
Beneath the well-worn dysfunctional-family setup are bracing observations of the human coping mechanism. Startling expressions of longing and denial go off like detonations within the quietest of exchanges.- Los Angeles Times
- Posted Apr 7, 2016
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Mark Olsen
The movie isn't fantastical enough to sustain itself outside the bounds of reality, yet every time something real creeps in, the movie stumbles and cowers.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Michael Rechtshaffen
In the end, you'll either succumb to the silliness of it all and cheer Johnny B. on to his green card or, more likely, be in desperate need of your own exit visa.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Michael Rechtshaffen
Shalini Kantayya's debut documentary feature never stays in any one place long enough to make a sufficient impact.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Katie Walsh
It feels at once overwritten and thematically thin, coasting on a cutesy concept before descending into relentless, and therefore meaningless, violence.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Katie Walsh
Rosenmeyer and Shaw have an easy charm and chemistry together, but the been-there, done-that material doesn't match their talents.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Katie Walsh
Though the craft is exceptional, there are some storytelling missteps.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Gary Goldstein
Many fine small moments pepper the family dramedy One More Time, but they don't add up to a satisfying enough whole.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Robert Abele
Hardcore Henry is a single-gear novelty that never achieves real liftoff.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Kenneth Turan
Demolition is a well-meaning misfire, terribly earnest but unconvincing for all of that.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Robert Abele
The shared love of the movie's featured racers for their long-rebellious sport makes for a unifying energy, but their individual experiences — and different attitudes toward the future — provide an underlying complexity.- Los Angeles Times
- Posted Apr 7, 2016
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Reviewed by
Noel Murray
The twisty plot mostly comes together via flashbacks, following an opening armed robbery. Too often though, Yang opts for brute force over brains, defaulting to violent fights that don't quite fit with the film's overall lightness.- Los Angeles Times
- Posted Apr 1, 2016
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Gary Goldstein
If we have to work a little harder to invest in Cloro's transporting story, so be it. For serious filmgoers, it will be worth it.- Los Angeles Times
- Posted Apr 1, 2016
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Michael Rechtshaffen
While we may have been locked up with these characters before...Cohen's unwavering commitment nevertheless commands attention.- Los Angeles Times
- Posted Apr 1, 2016
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Sheri Linden
If director Emmanuelle Bercot's feature isn't always dramatically satisfying, it is fueled by the fine, flinty chemistry of Catherine Deneuve, Benoît Magimel and newcomer Rod Paradot.- Los Angeles Times
- Posted Apr 1, 2016
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Reviewed by
Katie Walsh
It’s appropriate that the Natural Born Pranksters take their name from the film “Natural Born Killers,” because this group of YouTube stars just murdered prank-based humor. RIP pranks.- Los Angeles Times
- Posted Apr 1, 2016
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Reviewed by
Gary Goldstein
Minn's homegrown filmmaking style creates an absorbing intimacy and urgency. But placing Leyzaola's story within a broader national, even international context may have helped further illuminate Mexico's complex, at times contradictory system of crime and punishment.- Los Angeles Times
- Posted Mar 31, 2016
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Reviewed by
Gary Goldstein
A sensitively wrought profile in courage, hope and self-respect that's truly transfixing.- Los Angeles Times
- Posted Mar 31, 2016
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Reviewed by
Michael Rechtshaffen
Those taking in Someone Else, an unconvincing, nonlinear drama about a pair of dramatically different Korean American cousins who are attracted to the same woman, will soon likely be wishing they had chosen to watch something else.- Los Angeles Times
- Posted Mar 31, 2016
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Reviewed by
Gary Goldstein
There's lots of throwback fun to be had from Kill Me, Deadly, a lovingly mounted and performed film noir spoof that evokes "The Big Sleep" by way of "The Naked Gun" and "Dead Men Don't Wear Plaid."- Los Angeles Times
- Posted Mar 31, 2016
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Reviewed by
Noel Murray
They Will Have to Kill Us First doesn't offer much of a primer on Mali's political or cultural histories — which is the movie's biggest weakness. But Schwartz did capture some remarkable footage of musicians who've spent the last few years taking tentative steps to reclaim what makes their nation special.- Los Angeles Times
- Posted Mar 31, 2016
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Noel Murray
Baskin won't be for everybody, but it's well made and imaginatively upsetting.- Los Angeles Times
- Posted Mar 31, 2016
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