For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
The Wave adds credible writing and effective acting to gangbusters special effects, resulting in a white-knuckle experience a bit higher on the plausibility scale than what we're used to from Hollywood versions of the genre.- Los Angeles Times
- Posted Mar 4, 2016
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Reviewed by
Gary Goldstein
The operatic tragedy of Marguerite and Julien's plight proves an effectively creepy dramatic engine.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Sheri Linden
New Orleans locations and stirring tunes lend texture, intermittently breaking through the film's overriding flatness.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Noel Murray
Even by the shaggy standards of found footage, The Final Project is amateurish.- Los Angeles Times
- Posted Mar 3, 2016
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Michael Rechtshaffen
Bell proves to be one tough cookie, but she's ultimately taken down by all the stiff, under-developed dialogue and iffy supporting performances.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Kenneth Turan
Colliding Dreams is a film of ideas and a film of history, a thorough and engrossing look at the root causes of the tortured relationship between Israel and the Palestinians.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Michael Rechtshaffen
Irish actress Bolger plays her psychopath with cool, calculating intimidation, while first-time feature director Michael Thelin, sharing screenplay credit with Rich Herbeck, lays a solid foundation of suburban domesticity on which to build all the mounting menace.- Los Angeles Times
- Posted Mar 3, 2016
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Robert Abele
As long as there are enemies in Islamic lands, we'll probably have to endure risible time-wasters like London Has Fallen, designed to justify blinkered foreign policy attitudes and stoke jokey hatred.- Los Angeles Times
- Posted Mar 3, 2016
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Katie Walsh
While the situation seems at times dire, Trapped contains a distinct hopeful streak that is at once defiant and singularly human.- Los Angeles Times
- Posted Mar 3, 2016
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Katie Walsh
Ava's Possessions is powered by an amusing conceit that configures demonic possession as a metaphor for addiction. But the metaphor alone is not enough to sustain this minor effort, which wears thin over the course of a feature length.- Los Angeles Times
- Posted Mar 3, 2016
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Gary Goldstein
Bursting with a rich blend of timely themes, superb voice work, wonderful visuals and laugh-out-loud wit, Walt Disney Animation Studios' Zootopia is quite simply a great time at the movies.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Kenneth Turan
The only thing that keeps Knight of Cups from terminal artistic overreach as it follows Rick around town is the knockout cinematography of three-time Oscar winner Emmanuel Lubezki, who does superb work showing us contemporary Los Angeles in a most magical way.- Los Angeles Times
- Posted Mar 3, 2016
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Reviewed by
Katie Walsh
There are a few inventive battles on a frozen pond and atop the tiled roof of a temple, but they are so CGI-enhanced as to seem cartoonish, not marvelous.- Los Angeles Times
- Posted Feb 26, 2016
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Reviewed by
Katie Walsh
An effective and unsettling neuro-psychological thriller, They Look Like People creates a creepily mundane sense of dread in its depictions of a schizophrenic's paranoid delusions.- Los Angeles Times
- Posted Feb 25, 2016
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Noel Murray
While everyone involved with Backtrack is a polished pro, the movie's tastefulness gets in the way of the suspense.- Los Angeles Times
- Posted Feb 25, 2016
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Sheri Linden
By turns earnest and profane, the story of three twentysomethings' Sin City sortie contains flashes of wit.... But this road is lined with clichés and blunt dialogue, the emotional shifts all too neatly underlined by Death Cab for Cutie tracks.- Los Angeles Times
- Posted Feb 25, 2016
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Noel Murray
A paint-by-numbers indie that barely uses its most vivid hues.- Los Angeles Times
- Posted Feb 25, 2016
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Gary Goldstein
There's a poignant, powerful story lurking at the edges of Jack of the Red Hearts but, as is, the film proves a strained, implausible family drama.- Los Angeles Times
- Posted Feb 25, 2016
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Reviewed by
Kenneth Turan
Only Yesterday is a realistic, personal story made universal in a delicate way.- Los Angeles Times
- Posted Feb 25, 2016
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Katie Walsh
With a stacked cast and skillful filmmaking, Triple 9 proves to be a satisfying crooked-cop heist thriller, imbued with complicated topical issues that last long after the adrenaline rush.- Los Angeles Times
- Posted Feb 25, 2016
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Robert Abele
[A] poignant, funny and well-seasoned portrait of autumnal fervor.- Los Angeles Times
- Posted Feb 25, 2016
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Michael Rechtshaffen
The film traces Cernan's career trajectory, going back to his days in San Diego as a hot-shot naval aviator, blending terrific archival footage with contemporary perspectives to quietly poetic effect.- Los Angeles Times
- Posted Feb 25, 2016
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- Los Angeles Times
- Posted Feb 25, 2016
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Reviewed by
Gary Goldstein
Director Dexter Fletcher ("Sunshine on Leith") keeps things enjoyably hurtling forward, even when the otherwise engaging script by Sean Macaulay and Simon Kelton overworks a cliché, shorthands certain practical and financial matters, or proves a bit one-note.- Los Angeles Times
- Posted Feb 25, 2016
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Martin Tsai
Crass and macabre, yet big-hearted, it makes a wonderfully adult bedtime story.- Los Angeles Times
- Posted Feb 24, 2016
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Reviewed by
Kevin Crust
By concentrating on the early projects, we get a richer sense of the development of Nichols the artist in his own words and illustrated with photos and extended clips of performances.- Los Angeles Times
- Posted Feb 18, 2016
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Noel Murray
It's a treat to see Kiefer and Donald side by side, and both give fine performances. But a pairing this special deserved a story more unique than "reluctant killer reaches for his guns."- Los Angeles Times
- Posted Feb 18, 2016
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Reviewed by
Michael Rechtshaffen
Generally leaving the weightier political stuff to others, Mitch Dickman's lively documentary functions as both a handy pot primer and a telling portrait of the volatile, adapt-or-die climate that continues to hover over the newspaper industry.- Los Angeles Times
- Posted Feb 18, 2016
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Reviewed by
Charles Solomon
Directors Jean-François Pouliot and François Brisson fail to organize the material into a coherent story or strike a consistent emotional tone.- Los Angeles Times
- Posted Feb 18, 2016
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Katie Walsh
The film itself is a bit rudimentary, with amateurish titles, and editing choices that bloat the already extended length, but the interviews with band members and fans are insightful and engaging, with archival footage that truly rocks.- Los Angeles Times
- Posted Feb 18, 2016
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