For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Rechtshaffen
The film, narrated by comedian Christina Pazsitzky, raises some interesting observations about the climate on many of today’s college campuses, where the former havens for free speech (it’s noted that Bruce lectured at UCLA in 1966) have become especially vulnerable in regard to violated comfort zones.- Los Angeles Times
- Posted Jul 28, 2016
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Gary Goldstein
The Childhood of a Leader is a chilly — and chilling — political thriller by way of a provocative domestic chamber piece. Strikingly mounted, lighted, shot and scored, this tense, decidedly arty film marks a bravura feature directing debut for young American actor Brady Corbet.- Los Angeles Times
- Posted Jul 28, 2016
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Noel Murray
The Cleveland locations — along with some memorable visual flourishes via skateboard tricks — show that Caple has a unique eye and a strong sense of place. Here’s hoping that next time he applies them to a fresher story.- Los Angeles Times
- Posted Jul 28, 2016
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Reviewed by
Katie Walsh
Rozema has a careful but unflinching eye when it comes to presenting the physical and emotional traumas the sisters experience. Even when some of the events escalate to operatic, nearly mystical levels, the direction feels assured and solidly rooted.- Los Angeles Times
- Posted Jul 28, 2016
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Kenneth Turan
Indignation tells a very particular story, one that’s bittersweet, heartbreaking and bleakly comic all at once, and it gets it right.- Los Angeles Times
- Posted Jul 28, 2016
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Reviewed by
Kenneth Turan
Made with a palpable sense of urgency, this tense, propulsive motion picture is a model of what mainstream entertainment can be like when everything goes right.- Los Angeles Times
- Posted Jul 28, 2016
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Reviewed by
Kenneth Turan
Rather than being a film about an artist, it’s an attempt to show us what it's like to actually be an artist.- Los Angeles Times
- Posted Jul 28, 2016
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Reviewed by
Mark Olsen
Like husbands who think that carrying in the groceries is really pitching in, Lucas and Moore have their hearts in the right place, but their efforts have little real insight or impact.- Los Angeles Times
- Posted Jul 28, 2016
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Gary Goldstein
Although Iranian filmmaker Mohsen Makhmalbaf says The President was inspired by the turbulent events of the Arab Spring, there’s also a timeless quality to this absorbing and powerful fable that provides added resonance.- Los Angeles Times
- Posted Jul 21, 2016
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Sheri Linden
Some legs of the journey are detours, and the film can feel overlong and diffuse, but as a capsule history it offers revelatory insights, particularly in its emphasis on the role of distance running in the women’s movement.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Charles Solomon
Like their Oscar-nominated “A Cat in Paris” (2010), Phantom Boy by Jean-Loup Felicioli and Alain Gangol is a modest, engaging film that reminds viewers of the intimate pleasures of drawn animation in an era of CG blockbusters.- Los Angeles Times
- Posted Jul 21, 2016
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Robert Abele
The key to the fun is that Yeon eschews lookie-loo gore for thrilling set pieces: his fleet, imaginative action scenes recall Brad Bird’s crisp transition to real people in peril when he made his “Mission Impossible” movie.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Michael Rechtshaffen
D’Souza might be preaching to the choir, but at least this voter recruitment tool could have aspired to something more challenging than an amateurishly slapped-together rehash.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Michael Rechtshaffen
Even as you recognize echoes of Woody Allen, Noah Baumbach and Todd Solondz here, Pritzker has a good ear for authenticity, and he draws terrific performances from a cast.- Los Angeles Times
- Posted Jul 21, 2016
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Kenneth Turan
Artfully calculated and authentically felt, the unexpectedly effective Summertime combines the conventional structure of classic movie romance with a sensual same-sex frankness that couldn't be more up-to-date.- Los Angeles Times
- Posted Jul 21, 2016
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Noel Murray
The emphasis on Blackout’s therapeutic qualities gets overly repetitive and banal — a little like listening to strangers analyze their dreams. But like Blackout itself, The Blackout Experiments is often chilling and hard to shake.- Los Angeles Times
- Posted Jul 21, 2016
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Katie Walsh
"Collision Course” is simply a perfunctory, watered-down entry in the series that feels like it should have been released on home video.- Los Angeles Times
- Posted Jul 21, 2016
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Katie Walsh
The whole thing has a very seedy, late-night cable feel, which is where you should catch this film — and only if you’re a die-hard UFC fan.- Los Angeles Times
- Posted Jul 21, 2016
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Kenneth Turan
No matter which way you come down on the nuclear power issue, watching Indian Point will clarify your thinking.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Gary Goldstein
Despite the tale’s potential for an overly broad and crass approach to its loaded setup, Branciforte’s sly, incisive writing and even-handed take on his authentic characters instead errs on the side of wit, candor and a kind of hip sophistication.- Los Angeles Times
- Posted Jul 21, 2016
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Rebecca Keegan
Absolutely Fabulous: The Movie is a raucously funny, often endearing, subversively feminist, bloody good time.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Justin Chang
Bello gives a tremulous wacko-mom performance from which she has eliminated every whisper of camp. She’s both sympathetic and infuriating, and her scenes with her daughter hint at a more painful, complicated emotional history than the movie has time to explore, though it’s nice that it bothers to explore it at all.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Kenneth Turan
Fun but in a careful way, the film lasts just two hours, but it can seem much longer than that.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Michael Rechtshaffen
The unfocused Undrafted ultimately possesses all the dramatic intrigue of an intentional walk.- Los Angeles Times
- Posted Jul 14, 2016
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Reviewed by
Glenn Whipp
An insightful and wildly entertaining look at the wrestlers who ply their trade south of the border.- Los Angeles Times
- Posted Jul 14, 2016
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Reviewed by
Kenneth Turan
One of the most fascinating things about Under the Sun is the contradictory thoughts it inspires.- Los Angeles Times
- Posted Jul 14, 2016
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- Los Angeles Times
- Posted Jul 14, 2016
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Reviewed by
Noel Murray
While Mollner elicits some strong performances — especially from Francesca Eastwood as a vengeful farmer’s daughter — Outlaws and Angels can’t overcome its distractingly showy camera moves or its tendency toward scenes that drag on interminably.- Los Angeles Times
- Posted Jul 14, 2016
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Reviewed by
Glenn Whipp
For a movie about the creator of some of the most pointed, controversial comedies in television history, Norman Lear: Just Another Version of You has a curious habit of sidestepping some of the thornier and more interesting aspects of its subject’s life.- Los Angeles Times
- Posted Jul 14, 2016
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Robert Abele
Men Go to Battle isn’t always effective, in that way DIY filmmaking sometimes irritates by deliberately avoiding “moments.” But as an offbeat lens through which to view an oft-mined era, it has a quiet pull.- Los Angeles Times
- Posted Jul 14, 2016
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Reviewed by