Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. The Price
    It’s the glimmers of penetrating observation that make the overload of clichés so frustrating in Onah’s first feature, and suggest better things for his second.
  2. Mayhem
    While Lynch has experience delivering breezy action, “breezy” can shade into “frivolous” — or even “forgettable.” As good as Yeun and Weaving are, there’s not a lot here that hasn’t been done
  3. Bill Nye: Science Guy
    As brainy, vital and captivating as its eponymous star, the documentary Bill Nye: Science Guy should warm the hearts and minds of science lovers, weather enthusiasts, environmental watchdogs and astronomy buffs, all while inspiring viewers to ask questions and seek answers.
  4. Félicité
    If the movie’s form is a rich weave of grotty realism and soulful musical, the story itself is remarkably simple.
  5. Gilbert
    Gilbert emerges as a tenderly observed, remarkably insightful keeper.
  6. Intent to Destroy
    It’s a masterful effort.
  7. Destination Unknown
    You can’t encapsulate the horrors of the Holocaust in 80 minutes, but what the 12 interviewed survivors accomplish in the documentary Destination Unknown is nevertheless a vivid portrait of genocide put into practice, and its everlasting effects on the living.
  8. A Bride for Rip Van Winkle
    Overlong yet alluring.
  9. Three Billboards Outside Ebbing, Missouri
    In the hands of uncommon writer-director Martin McDonagh and a splendid cast toplined by Frances McDormand in what could be the role of her rich and varied career, the how and why of those billboards becomes a savage film, even a dangerous one, the blackest take-no-prisoners farce in quite some time.
  10. Murder on the Orient Express
    As cinema or literature, Murder on the Orient Express may be little more than a clever parlor trick. But in its final moments, even this overstuffed, underachieved movie offers a morally unsettling reminder that — with apologies to Chandler — the art of murder isn’t always as simple as it appears.
  11. Thor: Ragnarok
    An excess of levity can quickly become its own kind of leadenness, and for long stretches between its genuinely amusing gags and set pieces, Thor: Ragnarok, credited to the screenwriting trio of Eric Pearson, Craig Kyle and Christopher Yost, is a bit too taken with its own breezy irreverence to realize when it’s time to rein it in.
  12. Uncle Gloria: One Helluva Ride!
    What director-editor Robyn Symon's entertaining documentary lacks in polish it makes up for with its uniquely charismatic lead subject and her stranger-than-fiction tale.
  13. Battlecreek
    Director Alison Eastwood ("Rails & Ties"), despite an evident affinity for the material, takes an overly stagy approach to the scenes, when a more lyrical, atmospheric style was in order.
  14. Bad Match
    Thanks to good performances by Cutmore-Scott and Simmons — and good writing by Chirchirillo — Bad Match effectively explores the everyday horror that comes from people treating their fellow human beings as interchangeable playthings.
  15. Repatriation
    Writer-director Douglas Mueller's tedious drama Repatriation seems unsure of what it wants to say or how to say it — much less how to effectively shoot or edit it.
  16. BPM (Beats Per Minute)
    The beauty of BPM, and what connects its hard-fought, well-remembered battles to those of the present, lies in its willingness to embrace life in all its messiness, its refusal to pretend that the personal isn't also political and vice versa. You may well weep at the end, but you might also feel like snapping your fingers.
  17. A River Below
    Vividly photographed by René Diaz and adroitly edited by Dan Swietlik, A River Below skillfully — and quite compellingly — navigates the murky complexities of contemporary reality filmmaking.
  18. Charged: The Eduardo Garcia Story
    Survival stories aren't rare in cinema, but Garcia's journey will make even the most jaded viewers drop their jaws.
  19. Blade of the Immortal
    Miike retains his twisted sense of humor, with mangling and disemboweling deployed for comic effect. And after 99 movies, he certainly knows how to make action memorable. When 300 brightly clad actors with sharp props come storming in for the story's climax, all a martial arts fan can do is sit back and salivate.
  20. Maya Dardel
    Olin could not be more commanding. It's a powerful performance in the service of a movie that's by turns off-putting, bracingly incisive and insufferable.
  21. Bunker77
    Bunker Spreckels was the real deal — a true original who was as entertainingly gonzo as Bunker77, the documentary that affectionately pays tribute to his brief but eventful life.
  22. Most Beautiful Island
    Anchored by Asensio's fearless and gripping performance, Most Beautiful Island directs an unflinching point of view toward an often invisible population.
  23. My Friend Dahmer
    The world may never tire of being fascinated with serial killers, but My Friend Dahmer avoids exploitation often enough to forge its own perceptive, tense, character-driven path.
  24. LBJ
    LBJ would have benefited from a more distinctive voice.
  25. Everybody Knows... Elizabeth Murray
    Within the concise running time, Zea brings a remarkable life and body of work into dynamic focus.
  26. 11/8/16
    Though smoothly edited and breezily humane, 11/8/16 is still little more than a depiction of parallel roller coasters, one of which many voters felt was headed into a shop of horrors.
  27. Last Flag Flying
    Beneath its off-color jokes and curse-laden rants, Last Flag Flying offers a pointed consideration of the hard choices that Americans of all generations have made to serve their country, and of the betrayal they have felt when that country has not risen to the level of their sacrifice.
  28. Lady Bird
    As warm as it is smart — and it is very smart — Lady Bird marks actor/screenwriter Greta Gerwig's superb debut as a solo director and yet another astonishing performance by star Saoirse Ronan.
  29. A Bad Moms Christmas
    What's offensive about A Bad Moms Christmas (and “Bad Moms”) is just how shoddily made it is.
  30. Jigsaw
    Jigsaw isn’t awful. It’ll do the job for anyone who must see a “Saw” movie in theaters on Halloween weekend. But a trip to a real-world escape room — or rewatching the original “Saw” — might be a better use of time and money.
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