Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
    • tbd Metascore
    • 70 Critic Score
    The film is surprisingly upbeat given the double heartbreak of the two through lines. Much of that can be attributed to Gaborno’s infectious stage presence and his storied sense of humor.
  1. Doleac’s forging a niche. His name on a picture is now an indication that genre fans will see something different … though it’s not yet a mark of quality.
  2. A lifeless demonic possession drama.
  3. Shanahan shows potential as the hunky but clueless leading man, and Dixon displays a solid point of view with a refreshing perspective centered around women’s success and choices.
  4. There’s little fun to be had for the audience other than in some nicely executed special effects.
  5. For a movie about so rabble-rousing a figure, it’s an unusually quiet portrait.
  6. The Legend of 420 captures a zeitgeist, but with so many facets to explore in this survey of contemporary American marijuana culture, it only scratches the surface.
  7. One doesn’t need to be into pugilism or well-versed in Gaelic to appreciate Rocky Ros Muc, a documentary that is as much about roots and identity as it is a portrait of Irish American boxer Sean Mannion.
  8. This gripping exposé of the dark side of the commercial dog sledding industry, particularly as it pertains to Alaska’s annual Iditarod Trail Sled Dog Race, is a horrifying heartbreaker.
  9. Vaughn’s performance is riveting in its containment, and he honors his character’s ethos by making sure that every word, glance, gesture and silence counts.
  10. Its intent is to show us how difficult it is to see clearly during times of crisis, how what seems as simple as black and white today was the source of uncertainty and soul-searching when it happened.
  11. Love of God and dog can be powerful things, but in this uncinematic telling, they fail to inspire.
  12. Beyond its style, Dementia 13 doesn’t innovate, but it’s a capably made indie that should please genre fans searching for a haunted diversion.
  13. The overstuffed production feels as tediously incessant as its endless winter.
  14. It’s a stunning feat of technology and artistry.
  15. While Cruz wins us over with her emotionally charged amateur sleuthing, the weight of a constant struggle to not just gain acceptance, but survive fighting for it, gives France’s documentary a stirring poignancy.
  16. Celebrating a great ranchera interpreter without sugarcoating her, this straightforward film honors her approach.
  17. I Am Another You is a remarkably sensitive and lovely portrait of an individual, a family, and a life that shines an uncommonly humane light on the issues of mental illness and homelessness.
  18. Beneath its quiet surface, the Austin, Texas-set drama Barracuda thrums with menace and mystery from first moment to last.
  19. There may be an intriguing, perhaps even profound story behind Smith’s growth as a singular artist and woman, but director Elvira Lind keeps too much on the surface, making it hard to invest in Smith’s often esoteric, self-centered journey
  20. George combines a wide array of strong, if at times grisly, archival footage and photos with remarkable interviews with two centenarian survivors of the killings, plus moving commentary from many Armenians whose relatives perished in that first massacre and/or more recent conflicts across Azerbaijan.
  21. It’s the tension between hardscrabble realism and buoyant fantasy — and the understanding that they are both, in fact, vital aspects of the same experience — that makes The Florida Project so powerfully unresolved.
  22. The Mountain Between Us is an uneasy hybrid of a film, and its successes and disappointments show the benefits and drawbacks of hitching your film to a pair of stars.
  23. Generational Sins does deserve praise for avoiding the saccharine tone that plagues so many other films about faith, though its script may fail to convert nonbelievers.
  24. The strong cast, including John Heard, Dash Mihok, Jacinda Barrett and Cloris Leachman, sells the warm, at times cloying material with earnest conviction.
  25. As shaped by Villeneuve and his masterful creative team, especially production designer Dennis Gassner and cinematographer Roger Deakins, this film puts you firmly, brilliantly, unassailably in another world of its own devising, and that is no small thing.
  26. Choked with clichés, joyless, and with a suspense meter on empty, this France-set caper about classic-car-thieving half brothers (Scott Eastwood and Freddie Thorp) mixed up with a pair of violent, automobile-collecting crime lords (Simon Abkarian and Clemens Schick) is only for those who think the “Fast and the Furious” movies aren’t white and charmless enough.
  27. While the storytelling, by Abbess and co-writer Brian Cachia, might lack novelty and, occasionally, coherence, visually the film consistently impresses with creative art direction and costume choices.
  28. From the shockingly raunchy dialogue to the ironic yuletide pop songs, this movie is a fun kind of nasty.
  29. Faith comes naturally, but complexity does not for Ty Manns’ script, which plays like a first draft, one written from a manual and riddled with two-dimensional characters and on-the-nose dialogue.

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