For 16,520 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16520
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Mixed: 5,806 out of 16520
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Negative: 2,017 out of 16520
16520
movie
reviews
- By Date
- By Critic Score
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- Los Angeles Times
- Posted Oct 19, 2017
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Reviewed by
Kimber Myers
The romance lacks the depth that can make a love story feel real, but the performances charm, as does the film’s well-meaning take on culture clashes.- Los Angeles Times
- Posted Oct 16, 2017
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Reviewed by
Michael Rechtshaffen
The end result comes across less as a bona fide, issue-oriented documentary than a package of company profiles.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Michael Rechtshaffen
Based on the dubious, and occasionally eye-rolling responses from the majority of those being pitched, the plan would appear to be as ill-conceived as Surviving Peace itself.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Kevin Crust
Though it lacks the sophistication and depth its subject merits, Angels Within does suggest the possibility of reconciling some of the cultural divisions that face the nation if we are willing to drop the labels and judgments and see one another as human beings.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Noel Murray
As a morality tale, Haze is old news. But as an in-the-moment explanation of how hazing happens, it’s so fresh, it’s raw.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Noel Murray
There’s barely enough plot here to fill a feature, but this energetic throwback’s DIY effects and general looniness should appeal to horror mavens.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Robert Abele
Paradise and its predictable waltz of suffering, choked consciousness and monstrosity adds little to the problematic subset of camp-themed World War II movies, which feel like nostalgia for hell.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Katie Walsh
Coltrane displays a range he hasn’t shown before onscreen, dipping into darker realms as the romantically spurned blue collar townie Victor. But Fitzgerald runs away with Blood Money as femme fatale Lynn.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Katie Walsh
Tonally, M.F.A is sometimes jarring, as these outrageous, fantastical killings are motivated by authentic, grounded emotions. But at the center, Eastwood is absolutely riveting, inhabiting a true violent vigilante worth rooting for.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Kimber Myers
Directed by Michael Achilles Nickles, the movie can’t maintain a consistent tone, veering from earnestness to silliness like a bad slice.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Robert Abele
The archival footage, the impassioned interviews, and the inspiring story of how warriors for solutions can overcome entrenched views on poverty and health, make for something genuinely stirring.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Michael Rechtshaffen
The skillfully assembled documentary Wasted! The Story of Food Waste proves as eye-opening as it is mouth-watering.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Gary Goldstein
Input from a broader range of chefs and food experts, as well as sociologists and scientists, could have better fleshed out this brief study.- Los Angeles Times
- Posted Oct 12, 2017
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Sheri Linden
There’s a thrilling friction between the smoothly assembled pieces of Anthony’s narrative, and often sparks.- Los Angeles Times
- Posted Oct 12, 2017
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Justin Chang
Faces Places turns out to be a road movie in more than a merely literal sense. It is at once a roving journey into environments we rarely see in cinema and an incomplete but invaluable map of Varda’s memories.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
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Reviewed by
Justin Chang
If you do see the movie, by all means surrender to its portrait of an earlier era of toxic celebrity culture, and also to the bracing nastiness of the central performances.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Gary Goldstein
Take My Nose … Please! is a lively and enjoyable documentary about comedians, plastic surgery, female self-image, aging in Hollywood, and other facets of facial politics.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Robert Abele
Movies can warp any urgent issue into disposable melodrama, and what’s cringe-worthy about Trafficked, directed by Will Wallace, is how unnecessarily eroticized it is, like something from the made-for-video bin in a ’90s-era Blockbuster.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Robert Abele
In leaving out the rasp of life from this unusual story, Breathe too often feels like a mechanized exhale.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Kenneth Turan
Made with passion, integrity and skill, Blood Stripe is American independent filmmaking at its most effective. It takes on a difficult subject and treats it with an honesty that can't help but capture us from start to finish.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Michael Rechtshaffen
While Harnett’s a real trooper and stuntman-turned-filmmaker Scott Waugh (“Act of Valor”) establishes an effectively bone-chilling milieu heightened by an immersive sound design that keeps those whipping winds and howling wolves in uncomfortably close proximity, the embellishments fail to create crucial suspense.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
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Reviewed by
Gary Goldstein
The film rarely soars with the kind of authentic spirit and passion needed to fully sell this decidedly old-fashioned material.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Justin Chang
The Smiths may be working on a comparatively modest scale, but it’s precisely that modesty that gives their work its bone-deep authority and humanity, along with a refusal to indulge in violence for its own sake.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Katie Walsh
It’s at once talky yet emotionally remote, and while posing a risky set of questions about sexual abuse, power and relationships, the experience is an unsatisfactory and draining slog.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
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- Critic Score
If you’re looking to enjoy some scares while trying to figure out a clever mystery, don’t miss Happy Death Day.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Justin Chang
You may long for a more disreputable, less buttoned-up telling, but there is something about this one’s sleek, streamlined conventionality that feels both appropriate and pleasing.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
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Reviewed by
Kenneth Turan
While the film is constructed from top to bottom for maximum popular entertainment, it is unwilling to let us leave the theater without reminding us that these battles are far from over.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
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Reviewed by
Gary Goldstein
From the mundane to the eventful, the movie takes a fairly unflinching, yet respectful view of Dina and Scott’s world.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Kenneth Turan
"Meyerowitz” feels very much from the heart. It has an unexpected maturity and warmth, a compassion that seems to reflect Baumbach’s desire to dig as deeply as he can into the myriad conundrums of family life. And, as noted, it is often quite funny.- Los Angeles Times
- Posted Oct 11, 2017
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Reviewed by