For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Noel Murray
This movie is more like a gallery exhibition of moving portraits — each more astonishing than the last.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Michael Rechtshaffen
Seeing Sonia confidently gripping the leopard print-covered steering wheel of her late model Oldsmobile and getting on with her day serves as a potent and especially timely lesson about living a compassionate, vibrant life that doesn’t have any room for hatred and bitterness.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
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Reviewed by
Justin Chang
Harding’s story, in this overly broad retelling, is not especially strong on narrative density — or, for that matter, ambiguity.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Kenneth Turan
The Shape of Water is a wonder to behold. Magical, thrilling and romantic to the core, a sensual and fantastical fairy tale with moral overtones, it’s a film that plays by all the rules and none of them, going its own way with fierce abandon.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Kenneth Turan
What makes "Bombshell" intriguing is not just Lamarr's gift for invention, it's also what a fiery individualist she was, someone who had no regrets about her eventful life ("You learn from everything"), not even its racy, tabloid elements.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Sheri Linden
More than the story of an individual, the film is a stirring tribute to endangered folk traditions.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Justin Chang
Truths this scalding and plain-spoken need no such embellishment to be heard.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Noel Murray
There are limits to how much of an edge a movie gets from incompetence — as writer/director/producer Susannah O’Brien’s The Doll proves definitively.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Katie Walsh
The Dancer is such a bold and assured film, wildly creative and sensual, that it feels far more sophisticated than a debut, and signals Di Giusto as one to watch.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Gary Goldstein
As a perilous dog-and-mouse game ensues, Solet packs his script with tension, dimension and several vivid flashbacks recalling the characters’ seminal encounters with dogs. Cool camerawork too.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Robert Abele
Shadowman is at its unsettling, want-to-look-away best when tiptoeing around the question of what makes for success regarding artists like Hambleton: the hoopla that keeps the work in circulation, or the mysterious inner pilot light that keeps a self-destructive talent going?- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Katie Walsh
Kaleidoscope is brilliantly crafted and performed, but it’s a bit too taken with its own muddling of facts and form to truly hook into.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Robert Abele
The directors get some melancholic atmosphere out of their visuals but don’t have the scene sense to build their actors’ committed performances into compelling through-lines of seaside personality disintegration.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Noel Murray
Like “Winter’s Bone,” the film is at its best when it follows its heroine closely, letting the audience understand more about her life with each step closer to danger.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Robert Abele
At most, Naples ’44 makes a solid case for turning to Lewis’ prose and getting the full effect of his year there that way.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Gary Goldstein
Although the movie...could use some second-half tightening and a bit more objectivity (Georgia-Pacific and Koch Industries did not comment in the film), it remains a vital, eye-opening portrait.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Kenneth Turan
An intricate, dazzling cinematic dance, Foxtrot goes both deeper in and further out than standard-issue cinema. It's profound and moving and wild and crazy at the same time, simultaneously telling a specific story and offering an emotional snapshot of a country whose very soul seems to be at risk.- Los Angeles Times
- Posted Dec 7, 2017
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Reviewed by
Gary Goldstein
Forget the cheapo title, Badsville is a powerful, deeply felt crime drama about letting go of the past and getting out of Dodge — before it’s too late.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Noel Murray
Looking for bathroom humor, beer jokes, heavy metal, unapologetic smut and a dude in a furry monster suit? These movies are a one-stop shop for just that kind of good-natured vulgarity.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Katie Walsh
This debut effort from Hickman lacks the dramatic tension and connective tissue to truly compel, but his gritty, high-energy aesthetic can no doubt be applied to better results with a stronger script.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Michael Rechtshaffen
The blades of the brotherhood may be sharp, but the execution is exceedingly dull.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Gary Goldstein
The stirring, masterfully constructed documentary “Apache Warrior” makes intriguing use of three recovered flight tapes from a squadron of U.S. Apache fighter helicopters that launched a deep attack in Iraq at the start of the war in March 2003.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Michael Rechtshaffen
Despite Denison’s intentions, a very fine, uncomfortable line exists between being up-to-the-minute and opportunistic.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Sheri Linden
The clunky organization and very basic production values give way to something inspiring.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Katie Walsh
Ultimately, it feels irresponsible to remain unwilling to take a stand on this extreme abstract rhetoric in support of an all too real and immediate threat.- Los Angeles Times
- Posted Nov 30, 2017
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- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Kimber Myers
With its uninspired ending, Alien Invasion: S.U.M.1 squanders its cool concept and a compelling, nearly solo performance by Iwan Rheon.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
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Reviewed by
Kenneth Turan
While the conclusion to The Other Side of Hope is open-ended, Kaurismaki unashamedly believes in brotherhood, and among other things his film celebrates people who do the right thing without making a big deal about it.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Robert Abele
Love Beats Rhymes lacks its own ambition to be something different.- Los Angeles Times
- Posted Nov 30, 2017
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Reviewed by
Justin Chang
The story of how Wiseau turned his great cinematic lemon into zeitgeist lemonade is both heartening and instructive, but it also hints at darker secrets and unknowns that this movie’s upbeat dimensions can’t entirely capture.- Los Angeles Times
- Posted Nov 30, 2017
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