For the hardcore fans of the franchise that just wanted a 1:1 remake of the original without anything added or removed, Gothic Remake is a dream come true. But even the avid Gothic fans are not safe from the performance horrors caused by the Unreal Engine 5, and that makes the Gothic Remake not everybody’s cup of tea.

If you liked 2021's 'Unpacking' you will probably enjoy the first couple of hours of One Move Away. A 3D First-Person puzzle game where you pack boxes and goods into whatever container the developers limited you with, featuring a hint of story and some physics.

Bluey’s Quest for the Gold Pen is ultimately a delightful sandbox that treats its license with genuine respect. It introduces younger gamers to classic adventure mechanics through a creative, heartfelt lens. While the lack of true couch co‑op is a real head‑scratcher and the pacing may feel slow for older players, its warm narrative and imaginative levels make it a standout family title for the school holidays, but be aware that it lacks substantial voice acting and, on PS5, we encountered several crashes.

It Reaches delivers a tense descent into a collapsing nightmare where every hallway feels unpredictable and unsafe. Its immersive camera presentation and oppressive atmosphere make even simple exploration feel stressful in the best way. While the story stumbles at the finish line, the journey itself still offers plenty of unsettling moments that horror fans will appreciate.

Overall Dramacar will not set the world on fire with its gameplay but if you are looking for a fun and cosy platformer to play over a long weekend or you are looking for something to get a younger child into gaming with a fun cute artstyle then Dramacar is for you.

Overall I think Nitro Gen Omega is going to click deeply with a small group of players. Others who dip their toes in will probably enjoy the novelty before bouncing off to something else. If you choose to spend your time here, please consider that this is definitely not Into the Breach meets anime. It does not feel like combat chess (yet), and the similarity of each combat encounter over time slowly erodes the beautiful graphic art style. Keep an eye out, maybe DESTINYbit will introduce a more varied roster of combat scenes or rebalance enemy encounters in a way that deepens strategy.

For the most part this is a cosy laid back game. There’s no real threat in it (you can get injured but even falling from a decent height is unlikely to kill you… you have to try really hard to do any real damage). I love the idea of being able to use renewable resources, sun, wind, rain etc. The recycling mechanic could have been better implemented and fast travel would be a welcome addition… but overall it’s a decent bit of fun and you can even adopt a dog (though once you do… it’s with you for the rest of the game… even if you tell it to stay somewhere, it will inevitably end up by your side again). Good for those who like gentle gaming.

WILL: Follow the Light is a powerful narrative that offers a combination of realism and some failed ambition.

Set in a world shaped by old folklore, this narrative-driven adventure leans into exploration and discovery. Its time-shifting structure encourages you to piece together events from different moments, creating a sense of curiosity that builds as you go. While it has a few rough edges, its atmosphere and unique approach make it stand out in a genre that rarely explores this kind of setting.

A sloppy port sullies what is otherwise a solid survival horror experience.

The kind of cosmic horror that makes you ponder your place in the universe.

The Shore: Enhanced Edition delivers a visually striking and atmospheric take on Lovecraftian horror, supported by strong music design and an intriguing premise. Its early focus on exploration and mystery builds a solid foundation, but a shift toward action and simplified mechanics weakens the overall experience. While it’s easy to appreciate the ambition and artistry behind it, the uneven storytelling and gameplay make it more of a curiosity than a must-play.

Despite its many foibles, I still found it hard to put Starfield down. It’s a Bethesda game like no other, in that it’s actually best experienced by sticking to the main path rather than picking a direction and seeing what trouble you get into. The fragmentation of its narrative and structure over dozens of small maps robs it of the same spirit of manifest destiny that Fallout and, to a lesser extent, The Elder Scrolls. You’re not drawn to towers in the distance, to dragons on the horizon; it’s more a case of I wonder what Earth is like now, or if that ship in the distance will open fire on me, and is there anything worth stealing in its hull? It’s this fractious nature and the sheer drudgery of space travel that make it a tough sell to even fans of other Bethesda RPGs. But if you’re a sucker for secret sects and a cosmological mystery, chances are Starfield will be a trip into the bleak emptiness of space you’ll want to take.

The Day I Became a Bird is a short, cozy narrative adventure that tells a simple but heartfelt story about childhood feelings and imagination. You move through small, relaxed interactions and light puzzles that focus more on atmosphere than challenge. While it doesn’t offer much depth or replay value, its charm, visuals, and tone leave a gentle, lasting impression.

Devil Jam is a fun chaotic few hours enjoyed with cold a beer in hand after a long day's work, just don't expect it to be anything more than that.

Under Par: Golf Architect captures the charm of Sid Meier’s SimGolf with satisfying course design, but inconsistent simulation systems and technical issues hold it back. It’s a promising experience that gets a lot right, just not consistently enough yet.

Dragonkin makes a mild attempt to walk among giants. With moments of great potential and elements of great design but poor implementation and lacklustre performances, this game only manages to be 'okay'

The long awaited reunion of Max and Chloe brings some of the series best scenes, but they forgot to build a compelling game around them.

The first DLC for Powerwash Simulator 2 is an ambitious, nice homage to Adventure Time more flash than substance.

Ariana sets out to restore lost magic by diving into enchanted books and repairing the worlds inside them. Along the way, you build up a versatile set of spells and take on a mix of platforming challenges and strategic battles. It’s a straightforward but enjoyable adventure that balances style, action, and steady progression.

If it’s on special, it’s not bad for a quick pick up and play a round or two… but the random nature of the power cards and boosts and the ludicrously steep starting point for some levels, either via score or play space… means it can get frustrating quickly. I’m pretty near completing it and am quite sure I could with perseverance and more focused strategy… I’ve just lost all interest in doing so. If you like Balatro and think it would be interesting in a Scrabble setting, then I’d say grab a copy.

Super Meat Boy 3D is a game where the old Jurassic Park adage rings true: the devs were so preoccupied with whether they could, they didn’t stop to think if they should. It’s enjoyable enough at times, but it lacks the level of reinvention necessary for Meat Boy to make a meaningful leap to 3D. Instead, playing it constantly feels slightly off, thanks to the 3D, which, rather than building on the experience, comes across as more of a gimmick that diminishes the otherwise tough but fair principles that made its predecessor a classic.

A dying world of sand sets the stage for a challenging adventure that blends exploration with deliberate, skill-based combat. Progress comes from mastering layered systems and steadily building your character through discovery and experimentation. It’s a rough-edged but rewarding experience that grows more engaging the deeper you go.

A relatively accessible rail simulator that pays homage to Thomas and his friends. I would strongly recommend IF you are already familiar with Dovetail's previous rail simulators - but only cautiously recommend if you are a Thomas & Friends fan looking for a more traditional gameplay mechanics.

If you've the time and patience for a game that's almost two and a half decades old in remastered form, then you can do a lot worse than Legacy of Kain: Defiance. Defiance is a throwback to the simpler days of action adventure games that some may struggle to tolerate in this day and age, but if you grew up playing it and want to schedule a revisit all these years later, then go right ahead. If you demand more from your action adventures, you certainly won't find anything here that rivals the modern bigwigs of the genre, but ultimately you will still find this remaster to be worth several hours of your time.

EMOTIONLESS: The Last Ticket is a slow-paced psychological horror experience set in a surreal, abandoned amusement park where you search for answers about your missing father. It focuses heavily on exploration, atmosphere, and environmental storytelling, though its narrative can feel unclear and its gameplay lacks tension. While strong visuals and sound design help carry the experience, technical issues and repetitive design choices keep it from fully delivering on its potential.

Hunt the Night is a dark fantasy action-RPG where you play as Vesper, a skilled Stalker fighting to reclaim a world overrun by monsters. You explore interconnected environments, solve light puzzles, and battle both standard enemies and challenging bosses using a mix of melee and ranged attacks. The game combines fast-paced combat with atmospheric pixel art and a haunting soundtrack to create a tense, immersive experience.

Unsealed: The Mare is a tense, task-driven horror experience that thrives on constant pressure and smart resource management. Its simple structure is elevated by strong sound design, effective lighting, and mechanics that keep each run feeling unpredictable. While it can feel repetitive and a bit short, it delivers a consistently engaging and genuinely unsettling experience.