Despite its excessive backtracking and hard-to-follow story, Afterimage is hands-down the most enjoyable Metroidvania I’ve played since Hollow Knight. With an engrossing world to explore, superb combat, and a plethora of fun abilities to master, it’s a game that’s almost impossible to put down once it gets its hooks in you. Even if you feel like you’ve had your fill of Soulslike Metroidvanias in recent years, you owe it to yourself to make time for Afterimage.

Coffee Talk Episode 2: Hibiscus & Butterfly may not change much from the first game, but that’s because it doesn’t have to. Perfection was already achieved the first cup around — the second cup tastes just as good. With that being said, the new faces and teas bring a unique flavor to the table, and we’re all the richer for their inclusion. If you’re ready for a cup of something warm to go along with relaxing lo-fi beats and thoughtful conversation, Coffee Talk Episode 2: Hibiscus & Butterfly has a seat at the bar with your name on it.

Despite my gripes, Trinity Trigger is a charming little JRPG that successfully provides a role-playing fix for anyone who may want something a little less intense from the genre. For me, the success of a JRPG is largely based on two factors – the strength of the narrative and how engaging the combat is. On both these fronts, Trinity Trigger is a resounding success, and the fact that it’s playable from start to finish in local co-op, with online soon to follow, is a fantastic touch that should elevate the experience further. With fast-paced combat that manages to stay interesting if you’re willing to dig into the customizable nature of each weapon and a narrative that does a great job of establishing a universe with a complex and storied past, Trinity Trigger is proof that there is absolutely space for these more scaled back experiences, and I hope this is just the beginning of FuRyu tailoring to this particular niche in the market.

I’m not sure if I’ve ever played a game like Smile for Me before; I’m equally certain I don’t want to play another one like it ever again. My skin has not stopped crawling since putting down the controller, and I know there are some key moments from Smile for Me that will randomly haunt me for years to come. For a game that isn’t scary, Smile for Me is incredibly creepy in all the right ways; with that being said, it’s somehow still alluring — even welcoming. If you’ve chanced upon a frowny face in the mirror recently and believe a smile will cure what ails you, consider checking into the Habitat — Smile for Me might do the trick (for better or worse)!

Given how ambitious and unique the premise of Inifite Guitars is, it pains me to say that what should be a refreshing marriage of RPG and rhythm-based gameplay has turned out to be a bit of an exercise in tedium that is held back massively by issues with input recognition and repetition. It looks beautiful, and, with a few patches aimed at tightening up the gameplay, this may turn into something that is worth experiencing for that fantastic soundtrack alone, but, as it stands today, Infinite Guitars doesn’t feel like it was quite ready to take to the stage.

Out of the Park Baseball 24 is one of the most compelling sports simulations I’ve ever played. It offers enough guidance to help players get past the initial hurdle of complexity and really engage with the absurd number of systems and options on offer here. If you’re the sort of person whose favorite part of sports is often the numbers behind it, welcome to your new obsession.

Zoeti is a beautiful game with a steep challenge. While I don’t mind some difficulty, I do find the balance more than a bit skewed against the player. And I say that as a fan of the rogue genre. That said, if you don’t mind the challenge and can put up with some minor glitches, this is a game that is well worth your time.

Everspace 2 scratches that glowing itch inside your brain that demands a casual space simulator experience. It’s a love letter to a simpler time in video games, a time when player engagement statistics weren’t a thing and there wasn’t an endless cadence of updates, microtransactions, and downloadable content. Instead, Everspace 2 is a 30-hour romp through a serviceable, but not stellar, story. Indeed, the star of the show is the arcade-like flight controls, accessible combat, and endless degree of customisation options for your ship. If you accept Everspace 2 for what it is and recalibrate your expectations, you’ll have a great time.

If you’re a fan of Hotline Miami and roguelites, you owe it to yourself to add OTXO to your Steam library. While it’s true the busy visuals can occasionally lead to some frustrating deaths and the soundtrack repeats itself a bit too often, these minor gripes are easy to overlook when you consider just how much the game does right. Offering punchy and gratifying combat, a meaty challenge, and an addicting progression system that makes each loop feel fresh and exciting as you experiment with its engrossing perk system, OTXO will kick your ass and leave you begging for more.

The prolonged gestation period of Dead Island 2 has finally ended with a familiar sequel, eschewing the unpredictable and uncomfortable pastures of Banoi for a monstrous version of Los Angeles. Dead Island 2 will be a pleasing romp for fans of the original with its cavalcade of chaos-causing weaponry, its adrenaline-packed wars with the undead, and its cool new modifications and traps to keep the zombie slaying fresh. Before long, though, it becomes apparent how Dead Island 2 suffers from some frustrating design problems, like trapping you inside an area until you’ve cleared all undead, as well as coercing you to perform one of a small handful of utterly tedious tasks like tracking down keys to open doors and transformers to open/close gates.

God of Rock has some solid ideas with some really cool gameplay elements that will certainly interest the fighting genre fans; however, I fear there wasn’t enough attention given to the rhythm aspect to equally draw the music games crowd. I’d be curious to revisit God of Rock after several rounds of updates to see how it improves over time, but as it stands I don’t think it’s going to be anyone’s favorite game right off the bat. Once God of Rock gains its balance, however, it’s over for us bitches.

While Ib is not as fully fleshed out as many of the other pixel horror games, it’s certainly a strong entry in the genre. Its creepy atmosphere, well-timed and executed jump scares, and a delightfully unique setting make for an engaging, addicting game. There’s a decent amount of replayability as well, with a post-game bonus dungeon, multiple endings, and the True Guertena Exhibit, where you can examine every piece of art you discovered while playing the game. It’s not a perfect game by any stretch; it’s a little too short for my tastes, and it’s not very clear how to select answers to questions posed by the others trapped in the museum with you to get different endings, and I felt it was perhaps a little too easy. Still, Ib is a delight if you’re looking for a couple of hours to get your horror on.

There was a time when Gorn’s over-the-top melees were pretty amusing. However, six years since it first slugged its way onto headsets, the physics-based brawler genre has seen numerous impressive offerings that vastly improve upon the foundation it laid, making its addition to the PSVR2 library seem mostly unnecessary. Hobbled by a disappointing lack of variety and questionable design choices that feel rooted in the early days of home VR, Gorn's gladiators fail to entertain.

Bloodborne meets Legend of Zelda worked out much better than I would’ve ever hoped. The bosses can have quite the malicious edge to them, especially a supremely sadistic second boss, and the platforming can be, quite literally, hit or miss. Nonetheless, the combat is so fluid but focused that it’s hard not to fall in love with how it handles. Cleaving apart zombies, then immediately whipping around to pistol-snipe a wolf all set to a firm and punchy soundtrack is just icing on the cake, especially with the added flavor the better bosses bring to the table.

There are a ton of games in the Mega Man Battle Network Legacy Collection, but because the six titles have so little to differentiate them from each other, it’s hard to see anyone but the most hardcore of fans wanting to run through the entire series. I enjoyed revisiting these games from my youth but came away ready to leave them in the past. For those who just want to dip their toes in, Capcom has provided the option to purchase only the first or second half of the series separately instead of buying the entire larger collection. While it’s not quite as good of a deal on a per-game basis, for those who just want a quick nostalgia hit, that may be the way to go.

Despite launching in a state that could really use an injection of some new content already, Deceive Inc. is a genuinely fresh and fun take on the asymmetrical multiplayer space. The tension and paranoia of the opening stages of each match are unlike anything else offered by the genre right now, and even though the tension of those initial moments is belittled slightly by the frequently chaotic endings, the gameplay hook remains strong enough that I’m keen to keep playing and getting familiar with the rest of the roster of agents. If you can look past the cash shop and are okay with buying a product on the basis that it serves as a strong foundation for something that could become pretty special, then Deceive Inc. might just be worth your time.

Ghostwire Tokyo’s Xbox release is a triumph. Not content to rest on their laurels, the hardworking developers over at Tango Gameworks have taken a year to evaluate what didn’t work with the original release, and in turn, have done a commendable job that not only adds a substantial amount of new content but also fixes a lot of the issues that dragged the 2022 release down. Ghostwire: Tokyo may still suffer from a couple of legacy issues with regards to the pacing and overall movement, but they’re small blemishes on an otherwise impeccable re-release that’s absolutely worth investing in, regardless of whether you’re stepping into Akito’s shoes for the first time, or intending on making a return trip to the demonic streets of Tokyo.

If you think about what Frogwares had to go through this past year in Ukraine, it’s an amazing feat that Sherlock Holmes The Awakened came to fruition. Sure, the game doesn’t break any new ground, but the team did it, and it just works! This crossover between Lovecraft and Sherlock is a dream come true for a detective and horror fan like myself. Even though The Awakened re-uses many of the same assets and engine and suffers from some of the same frustrations as Chapter One, it still remains a compelling detective experience from start to finish. There’s plenty of madness to lose your sanity to and lots of cases waiting to be solved.

In games of Guns N’ Runs’ ilk, it’s ok to fight against the odds. But the major difference that separates this game from similar titles is that time and time again, Guns N’ Runs proves itself able to entertain for a few minutes, before devolving into a gnawingly rote annoyance that constantly battles against players with its terrible tutorials, minimal health bar, lack of power-ups, dearth of weaponry, paint-by-numbers design and a chugging framerate. There is clearly a love for the retro classics, which the presentation and soundtrack evoke lovingly, but the frustrations inherent in the gameplay are a bit too much to ignore. Give Guns N’ Runs a try and you may like it for a spell; just be warned that you will likely grow bored of it sooner rather than later.

Overall, Remnant: From The Ashes is a perfect entry point for those who are wanting to take their first steps in dabbling in the soulslike genre. Gunfire Games took me by surprise with this one. I was skeptical going in and doubted the third-person shooter mechanics would blend so seamlessly with the genre. Remnant 2 is due to be released later this year, and frankly, I can’t wait.

EA Sports PGA Tour lays the foundation for what could be a really strong golf game, with a lot of content, deep mechanics, and excellent presentation. Its UI issues, though, are a significant problem that shouldn’t have made it into the final release, and its swing mechanics, while easy to pick up, never feel particularly comfortable. In future years there’s definitely potential to win the tour, but for the moment, I still think the competition offers a more compelling experience.

Sixtar Gate: StarTrail does an incredible job of bringing IIDX-like scaling note rhythm gameplay to the Switch while injecting some unique tweaks to give this game a feel all its own. Having been passed over by the likes of PM Studio’s DJ Max series, it feels great to finally have this style of rhythm game available for playing on the go. The songlist, while not as robust as the Steam version, is still superb and bares room for growth by way of DLC and future software updates, of which at least some of them will be free, according to the developer’s Twitter page. I’ve been having an absolute blast with this title and will likely continue to do so for months to come.

Despite releasing in 2023, playing Lunark feels like opening a perfectly preserved time capsule. It’s unashamedly old-school in its approach and attempts to recreate an experience that we just don’t see enough of these days, and for that reason, I absolutely adore what Canari Games has created here. The art style may be a little too busy at times, which can actually be gameplay-impacting, but it’s easy to forgive when it looks this good, especially when given a chance to shine on the Switch OLED. Lunark is absolutely a game that won’t be for everyone, but it doesn’t need to be. Canari Games’ mission was clearly never to create something that appeals to a huge audience. The mission statement was obviously to deliver a passion project that speaks to fans of cinematic platformers, and Flashback more specifically. On that front, they can consider this a job very well done.

Enriched lovingly with scenic qualities and bolstered by the delightful day/night contrast to which it excels at evoking a juicily contradictive atmosphere, Dredge may not look like a meaty steamboat-empowered expedition, but when you find yourself supplementing your vessel with new hulls and boosts, as well as interacting with the various personalities sequestered on each of the islands you visit, Dredge may look like shallow waters, but it’ll surprise at how quickly it can submerge you in its depths. No, Dredge did not need the horrors of the nighttime, and banging into suddenly-appearing rocks can prove a hassle, but Dredge is otherwise a splendid offering that’s certainly worth checking out.

Overall, I absolutely loved The Pillars of the Earth. With its beautiful score, deeply developed cast of characters, excellent voice acting, and stunning artwork, this massive work of historical fiction has been brought to life in incredible, addictive detail. While slow at times, it’s nowhere near as slow as the several decades the story encompasses, and the slow burn is more than worth it. Trust me. I’m a historical fiction convert now. In fact, I have to head off now to finish reading the novel. And then on to the rest of the trilogy.

Despite the shallow narrative and somewhat redundant progression systems giving rise to doubts about the overall mass-market appeal, there’s no denying that Behaviour Interactive Inc. has absolutely stuck the landing here with Meet Your Maker. The tension fuelled raiding, accessible base building, and a steady stream of new content coming in via the user-generated levels result in a package that’s fiendishly addictive and incredibly difficult to put down. If you aren’t someone who needs a constantly dangling carrot on a stick to chase, and, like myself, still find gameplay to be king, then this is one trip to the wastelands you certainly won’t want to miss.

While The Walking Dead: Saints & Sinners – Chapter 2: Retribution doesn’t squash all the bugs that festered within the Meta Quest 2 release last year, it’s a significant improvement that fans of the series should check out; just don’t go in expecting a full-on sequel. With its fantastic, physics-based brawls that make excellent use of the PSVR2’s Sense controllers, sending the undead back to the grave has never felt better. If you’re a fan of the series or survival horror games (with an emphasis on survival) in general, this one’s worth adding to your PSVR2 library.

Melon Journey: Bittersweet Memories is reminiscent of the wacky RPGs of yesteryear that captured our hearts as children with its cute aesthetics and humorous writing, but it also surprisingly delves into some more serious material. Although I wish I had been able to better grasp the intricacies of its storyline, the overall picture was painted in well enough and the throwaway NPC lines were entertaining enough in their own right. If you miss the silliness of retro RPGs and need a dose of nostalgia juice, Melon Journey: Bittersweet Memories invites you to take a melon-flavored sip.