Only two or three hours long, Goose Game doesn’t overstay its welcome, though there is an expanded list of small mischiefs to accomplish post-credits, if you still wish to continue terrorising the innocent. Certainly not fowl, most definitely worth a gander, it’s a whimsical little game full of charm and joy and a wonderful experience for just about anyone.

Those new to Borderlands will find some aspects confusing at first – Borderlands 3 is minimal when it comes to tutorials – but if they persist, they will end up luxuriating in the joyous, tongue-in-cheek, comic book-influenced fun it provides. Sure, it fails to turn the franchise into something new and futuristic in gameplay terms. But why would it, when its original conception was already immaculate?

Link’s Awakening is a fantastic remake of a game that was fantastic in 1993. Fans must decide for themselves if those two things combine to make it a fantastic game in 2019 – particularly when the glorious Cadence of Hyrule is also on the Switch to scratch the itch you may have for 2D Zelda – and at a third of the price.

Sony has sold millions of its PlayStation VR headsets and until now it’s been tough to recommend one experience as a killer app. Soulful, technically proficient and at times almost tearfully beautiful, No Man’s Sky Beyond is as close as we’ll get.

Given the lack of subtlety Gears titles have shown so far, the way Gears 5 seeds these ideas into a knockabout action-adventure is impressive. Admittedly, few of the ideas are new, but how the Coalition brings them together under the skull-and-cog banner is surprising and refreshing, making this the most well-oiled Gears in a decade.

Knights and Bikes captures the nostalgia of British childhood holidays in worn-down caravan parks and small-scale adventures in seaside towns. Designed to be played with a friend, with both of you tapping a button to careen around on extremely 80s bikes, it is energetic and charming enough to make you laugh all the way through.

It’s as though Remedy challenged itself to cram every preposterous paranormal concept it could think of into a single game. But remarkably, it all manages to hang together, providing a meaty, exciting and utterly unforgettable video game experience.

Oninaki’s sin, then, is to be so achingly close to quality and yet so far; to have almost everything needed for a top-tier role-playing game – an interesting premise, hauntingly evocative aesthetics, a deep and complex approach to combat – only to be betrayed by fundamental issues that keep it tied to this earthly realm.

There’s plenty of intrigue here, and in better circumstances you’d want to spend more time with the characters in order to understand their perspectives. But by the fifth time you’ve opened a lock that could have so easily have opened automatically, all you really want to do is find the quickest possible route to the exit.

Telling Lies requires a deliberateness from its players that turns us from viewers to active plot participants. It’s a game that doesn’t hold your hand, and ultimately it’s down to you to decide the truth – another secret of a good mystery done well.

This is a game from another time, best enjoyed with your brain switched off, some friends to laugh with, and perhaps a bottle of extremely cheap spirits.

An absorbing thriller with a splash of They Live and The Goonies, this spooky multiplayer game has you investigating paranormal goings-on in suburbia.

It all adds up to a new lease of life for one of Nintendo’s younger series, bolstered by revised combat and a gorgeous new look that endows these 3D characters with the grace and style of older games’ portrait art. By turns grandiose and silly, but always engrossing, this bubbling school soap opera is a game to spend a summer with.

Youngblood is adolescent in all the right ways, anarchic and ferocious on the surface with thoughtful design running underneath. Characters Jess and Soph are loud, goofy and annoying, but that’s exactly as they should be. Some of the writing is a little iffy, and you won’t find much in the way of nuanced storytelling, but to be honest it isn’t required. This a game about two young women blasting racists into goo – for me, that equals a bloody good time.

Euphoric is the best word for Tetris Effect. It makes my skin tingle and my mind sink into a state of receptive bliss. It is, somehow, a puzzle game about the extraordinary experience of being alive on this Earth. And if that sounds totally insane: try it. You’ll soon understand.

This is a very slow game, and while I enjoyed the gentle journey, the constant stream of new things to learn sometimes made me feel as though I were trapped in an endless tutorial. But breaking up your list of tasks with some independent creation and exploration time makes it a lot more tolerable. After completing a long series of main missions, I unwound by creating my own dream cabin and garden, as the villagers built a huge pyramid. (It was not lost on me that this division of labour seemed entirely unfair.) That gentle back-and-forth between idle creative play and world-saving missions makes Dragon Quest Builders 2 absorbing and likable.

This has clearly been a work of catharsis for its designer, blending the two to say something personal and important. By opening up about the lived experience of depression and focusing on the causes rather than the solutions, Cornelia Geppert and the team at Jo-Mei have created something that truly resonates.

The intrigues that play out between its often bizarre but always interesting characters and factions, and underwater sequences that see Reed in a 1920s diving suit, are highly absorbing. Its narrative puts the boot into religious cults, and Lovecraft would surely not have approved of its ruminations on racism. It also tackles Depression-era deprivation, which is pretty apposite in today’s world. The Sinking City is original, commendably thought-provoking and deliciously gothic, but aspects of it feel either half-finished or ill thought-out. Had it pruned just a little of its ambition, it could have had more than cult appeal.

As befits the official Formula One game, F1 2019 is certainly up there with the very best serious motorsport games. You won’t find one that looks better or provides more convincing car-handling, and yet its optional driver aids mean you don’t need to be as skilled as a real F1 driver to feel like the next Lewis Hamilton.

My Friend Pedro offers the syrupy concentrate of Hollywood’s most epic fighting movies, with you as the star stunt performer.

Cadence of Hyrule is a potent combination of nostalgic looks, creative takes on emotionally charged Zelda music and unusual, rhythm-powered moment-to-moment play. Stylish and excellent fun, this tribute captures the excitement and sense of discovery that makes Zelda what it is: a real adventure.

Like the sport itself, it is modest, yet dignified.

This game is an idiosyncratic joy – a brash, clever, juvenile head-trip, messy at the edges but all the more likable for it. It is loaded with brilliant pop-culture references, channeling not just Adams, 2000AD and Tank Girl, but also anime and 90s industrial dance music. Void Bastards is Cowboy Bebop meets Trainspotting, on a night out, in a galaxy of death.

There are still moments when you unfairly plummet from first to sixth in three seconds, but that frustration is as much a part of this genre as cartoonish platforming heroes looking for a lucrative side gig. Just go with the flow.

It’s unsettling and unconventional, and I was totally unable to turn away.

It successfully pays homage to a fondly remembered old game while adding something meaningful, making you think like a con, plan your crimes and improvise escapes when those plans go awry.

Total War: Three Kingdoms is a wonderfully torrid period epic that understands the greatest stories are written about people, not empires.

Rage 2 suffers the same fate as many other open-world games. It tries to lure the player in with the size of its world, then needs to conjure an abundance of content to fill it. But, when you mix up every colour, you always end up with brown, and the impact of Rage 2’s scintillating shooter action is dulled as a result.