Enslaved provides a rollercoaster adventure wrapped up in a brilliantly told story, which sees you grow as attached to the characters as they do to each other.

Given the lack of subtlety Gears titles have shown so far, the way Gears 5 seeds these ideas into a knockabout action-adventure is impressive. Admittedly, few of the ideas are new, but how the Coalition brings them together under the skull-and-cog banner is surprising and refreshing, making this the most well-oiled Gears in a decade.

It's clear that, like Sam, Ubisoft has a plan. They want a Splinter Cell that builds on Conviction but is truer to the series' heritage – and with Blacklist they've achieved that, albeit imperfectly. If the next game can refine the formula and give it a proper plot, then just maybe Ubisoft can deliver a classic the next time Sam is the man with the plan.

It's rarely an enjoyable experience, but within that, Catherine perhaps poses its greatest puzzle of all: does a video game always need to be enjoyable to be worthwhile?

Burnout Paradise isn’t just an interesting piece of history. It feels modern, generous and thrilling, and makes you want to hit the boost button on a Hawker Solo, turn up Avril Lavigne on the in-car radio and plunge through the city all night.

Lego Star Wars: The Skywalker Saga is a well-made and highly entertaining addition to this long, long series. It’s not doing anything radically new with the recipe, but it doesn’t really need to – this is a game about nostalgia, not just for Star Wars but for the Lego games themselves. These games have always sought to conjure our favourite family movie franchises as we choose to remember them, shorn of all the boring, indulgent and problematic bits. My god, even The Phantom Menace is bearable here. For this feat alone, the game deserves the attention of fans and families throughout the galaxy.

A game as unexpected and compelling in its message as in its moment-to-moment challenge.

Torment: Tides of Numenera is more than a nostalgic homage to Planescape: Torment – its own innovations will mark the genre as much as its spiritual predecessor did.

It might be too short and a bit clunky, but Blendo Games’ newest effort finds joy in the weird and wonderful retro-future world of 1980s coding.

Despite its 90s origins, Live a Live feels novel, revitalising a genre that often feels too conservative. It’s a constantly shifting, time-travelling bonanza that foreshadows what Takita would perfect in 1995’s Chrono Trigger; 90s role-playing fans are now praying that it receives the same lavish remake treatment, alongside other classics of the time such as Final Fantasy VI. Live a Live is not without its faults, but in an age of fast-food entertainment that satiates without leaving a taste, this compendium is a curio that’s certainly worth your time.

It’s into this rich version of Sea of Thieves that the PlayStation 5 embarks – the latest in a series of Microsoft first-party titles coming to Sony’s machine. And what newcomers will find is an absolutely perfect translation of the current Xbox version, retaining the mannered visual splendour, with its stunningly authentic water physics, luminous sunsets and enticingly tropical islands. Experienced players will be able to quickly and seamlessly link to their Xbox accounts, while cross-play between the consoles and the PC is similarly painless. At the start of the game, you chose a boat (sloop, brigantine or galleon), invite friends from the list or select an open crew to play with strangers (Rare runs its own message boards to help players meet up and organise a voyage together), and you’re off.

Few other games have done such a good job with this setting, as you run through lush bamboo forests before scaling ancient castle walls and sneaking inside to steal treasures. These moments of brilliance more than compensate for its weaker points.

Splatoon is a breath of fresh air – or more accurately “splodge of fresh ink” – for those who like to shoot stuff, but have grown tired of the endless bloody churn of gritty, realistic shooters. It is the coolest game on the market.

Once these tools are mastered, however, not only is it tremendous fun role-playing as a stadium-filling DJ, it’s also technically possible to stage a crowd-pleasing performance at an actual party – an opportunity that will, for now, have to wait for more communal times.

Indeed, one of the best things about Sunless Sea, apart from its beautifully crafted elder-horror stories, fantastically drawn artwork and generally creepy atmosphere, is the feeling that the decisions you make within the game are shaping the narrative, and that by playing, you are writing yourself into that story.

Few game franchises have ever gripped like this one, and its symbiosis with the real sport remains rather staggering. For those who recall the heady days of Championship Manager, but who became alienated by the increasing complexity of its Football Manager replacement, FM 2016 represents an opportunity to come back. Your loved ones and work mates, however, may regret it.

If you have a Switch, Tokyo Mirage Sessions is an essential purchase – and if you harbour a fondness for anime and its aesthetic, it is worth buying a Switch for. This is, simply, the first cult-classic game of 2020.

Saltsea Chronicles will doubtlessly win over players of cozy indie games and tabletop RPGs this autumn. The story is involving, challenging and builds out the tale of a missing leader – and partner, and friend – with elegance. The sunken, oceanic world runs on radios and astral plane sailing for technology and prayer - the characters simply do not always get on, despite their shared quest. This is a sophisticated adventure, taking the medium of the narrative game to new horizons.

There’s a parable for sports franchises to follow here: taking a year off (as WWE did in 2020) can be a good thing. From the hilariously detailed character creator to the sensation of administering a German suplex, 2K24 hits its marks.

There’s nothing so gauche or straightforward as a Miss Marple denouement reveal, where you discover whether or not your conclusions were correct. In Paradise Killer the truth is more complicated and, counterintuitively, all the more satisfying for it.

Moonloop Games pulls off its artful attempt to elevate the humble twin-stick shooter.

Borderlands 4 is a big game – the main storyline takes 20 to 30 hours to complete, and there’s plenty to do afterwards. It is not entirely frictionless: sometimes you need to traverse huge distances in its missions, and the directional indicator that helps you along the way is annoyingly erratic. And it has been buggy at launch: playing on PC, it has occasionally crashed on me, even after a huge patch, and early players have reported problems with stuttering and other performance issues. But Borderlands needed to grow up a bit, and that’s exactly what it has done, without losing its essential charm. Its top-quality shooter action might be comfortably familiar, but it’s also an awful lot less annoying than it used to be.

Only two or three hours long, Goose Game doesn’t overstay its welcome, though there is an expanded list of small mischiefs to accomplish post-credits, if you still wish to continue terrorising the innocent. Certainly not fowl, most definitely worth a gander, it’s a whimsical little game full of charm and joy and a wonderful experience for just about anyone.

This trek across forbidding crags and through crumbling caves demands resilience and determination, but rewards it with a wonderfully rich and atmospheric sense of place.

The most fully featured Skylanders offering to date. The combination of new modes, online play and backwards compatibility is unparalleled in this sector. It seems competition really is a good thing.

Serious puzzlers will plough through the levels in a matter of hours (although there's some family-pleasing, inter-generational mileage in the two player option) but, for the price, it's hard to grumble. It's also hard to grumble about any game that can leave such a big, goofy smile on your face.

This comfortable but clunky reboot of the part farming simulator, part dungeon crawler, part life sim is very much a product of its time.

It may lack the precision of, say Witcher 2's combat, but it makes for a style that can be picked up in seconds, customised to your own particular style of play and crowned with impressive arcade-style finishes... Kingdoms of Amalur: Reckoning is a triumph that makes the prospect of a future MMO based on the same world and engine all the more enticing.