One of the best in its class. It is a game that encapsulates the spirit of horror in any form of media and offers suspense, terror, panic and a mystery to solve. The procedurally-generated levels and fantastic design not only make the game challenging, but create an intense and energetic atmosphere, aided by the sparse resources that must be painstakingly preserved for that crucial, life-or-death moment.

Gomo does have some real charm in its simple yet appealing visuals and its strange sense of humour, but it is seriously lacking in the gameplay department.

The story could have done with a little bit more fine-tuning and the actor playing Conrad would have done a bit better if he hadn’t been channelling every single cheesy 80′s movie star simultaneously, but the gameplay, the bit that’s most important when it comes to an actual game, is enjoyable from beginning to end.

Invizimals: The Lost Kingdom is not only a bad game, it’s also the sort of lazy, badly-executed tripe that you would have seen during the last days of the original PlayStation.

Ultimately, how much you like Narco Terror will be down to a few key factors: how sophisticated your taste in games really is, what decade you grew up in, and whether you would rather sit down in front of a Dolph Lundgren movie or a highbrow talkie indie movie fresh off the critics’ hot-list at the Sundance Festival.

A frustrating, often ugly game that fails to impress on almost every front.

Divide could have been an interesting, indie sci-fi game, but poor design decisions hold it back.

Despite giving the player an excess of control over shots themselves, the movement in order to set up those shots is almost completely absent. Add to this a list of unrecognisable names and you’ve got a tennis game that feels pretty darn hollow.

A tedious slog that sullies the legacy of its vaunted predecessors.

As with any good Zombie film, in Chaos Rising it is the other survivors you should fear more than the undead themselves. But Chaos Rising does seem to relegate the Zombies almost entirely to the backdrop. This content could have almost been in any game, and doesn’t fit the Dead Rising world all that well.

A wonderful claymation art style and a unique soundtrack aren’t enough to save this point-and-click adventure from its own monotonous puzzles and uninteresting story.

Unfortunately, I had issue hitting targets at times because of the issues lacking in this department. Still, there are plenty of collectables and a lot of missions, so if you’ve always fancied playing the Tiny Troopers series, this might not be a bad place to start.

There’s an intriguing and intelligent story to Those Who Remain, but poor checkpointing and awkward chase scenes often spoil the experience.

Let’s Go, Photo!’s biggest stumbling block is the Nintendo 3DS itself. Its poorly spec’ed camera has always been pretty useless, even for taking pictures – trying to use it for a game is a mostly fruitless endeavor.

If you love the Apes movies, this is a lovely little VR tie-in, and if you're looking for your next VR kick, I'd definitely give this a go.

As a Switch port, this is very good but as a game it is not worth your time unless you’re a die hard for a Sin City like aesthetic and need a new match 3 game with it.

Pokémon Rumble U is a very simplistic game, but a very fun one.

The platforming can be tough at times and the camera only makes thing worse. The poor story and voice acting, straight out of a Saturday morning cartoon, will alienate the older audience, too, which really leaves Pac-Man and the Ghostly Adventures with no real market – which is a shame, as some of the ideas and platforming sections made for some of the best fun I’ve had in years.

Blue Estate’s gameplay is actually really good: the motion controls work well and the simple control scheme makes it easy to play, if a little basic.

It has beautiful visuals and interesting gameplay, but Yestermorrow's frame drops and visual glitches make it incredibly hard to play on the Switch.

A good little shooter that could have been great, L.A Cops is like a nicer version of Hotline Miami that's a bit on the blander side.

Vane has some good ideas, but in stretching them out for too long across a pretty empty world, it soon becomes tiresome and frustrating.

Simply put, Light is just a joy to play and experience.

Let me put it to you this way. I actually stopped playing The Amazing Spider-Man 2 to do some other work. I’d play a mission, decide I couldn’t take any more and go do something else instead, just to get away from it. Quite frankly, that’s the opposite of what a game should be.

An ambitious venture for a low-budget indie studio, but one that manages to stand out in the crowd despite its flaws.

There’s an enjoyable time to be had Gangs of Sherwood, especially with others, but it just doesn’t do anything well enough to stand out from the crowd.

Ares Omega provides a challenge, but it lacks anything outside of its vanilla campaign and repetitive combat.

Calling All Units is a fairly basic expansion to The Crew, offering very little in the way of content. But its new PvP chases help turn it into the MMO it was originally meant to be.