Tomodachi Life: Living the Dream delivers on its promises. It’s a fun way to design a world with characters you’ve envisioned. Whether you want to base your creations on existing people or make something original, the Mii creation screen is detailed enough to make your wildest dreams come true. The city builder is also intuitive and easy to use, making city management feel great in practice. While interaction between Miis is clearly the star of the show, the lack of goals or quests can sometimes make the game feel a bit repetitive. However, if you are intrinsically motivated and able to set your own goals in a sandbox world, I have no doubt that you will be able to lose yourself in Tomodachi Life for hours on end.

2XKO is a fun arcade fighter and a great introduction to the genre for newcomers. The Fuse tag-team mechanics offer a fresh take on the existing formula and provide plenty of strategic depth, whether you’re playing alone or with a friend. Match and lobby creation is seamless, even when playing cross-platform. The free-to-play model doesn’t restrict access to major content. Everything can be unlocked by playing; it just takes longer to unlock characters this way. However, if you enjoy playing it as much as I do, spending time on it won’t be an issue. If you want to try out 2XKO, it’s available on PC, PS5 and Xbox Series X/S.

Project Songbird starts off feeling like it could be a new entry in Life is Strange, but quickly takes a much darker turn, evolving into a focused and unsettling psychological horror experience. Over the course of its roughly 5–7 hour runtime, it delivers a journey that leans heavily on atmosphere, introspection, and a constant sense of unease...Fans of psychological horror will appreciate both the subtle and more direct nods to genre staples, while the game’s more personal themes help it carve out an identity of its own. It’s not without its rough edges, but Project Songbird still stands as an impressive achievement from Fyre Games… and a strong reminder of what a solo developer can deliver.

Kena: Bridge of Spirits feels right at home on Nintendo Switch 2 and still offers an adventure that’s well worth experiencing. While there are some minor technical hiccups and a noticeable visual downgrade compared to PlayStation 5, none of it takes away from the charm, atmosphere, and satisfying gameplay.

Xenoblade Chronicles X is still a fantastic RPG, and the jump to 60fps on Switch 2 genuinely makes a huge difference. Sadly, the strange upscaling in handheld holds this version back from feeling truly definitive. Docked looks great, portable less so. With a patch, this could easily be fixed, but right now it feels like an upgrade with rough edges, and that’s a shame for a game this iconic.

Crimson Desert is an ambitious and visually impressive sandbox that excels in delivering exciting combat, player freedom, and a richly interactive, immersive world. Its bold vision and emphasis on exploration and player choice stand out as its greatest strengths, offering a unique and experimental experience with countless ways to approach the world. However, clunky mechanics, sometimes overwhelming systems, and a weaker narrative hold it back from greatness. While it may not satisfy those seeking a deep RPG or story-driven experience, it remains a rewarding adventure for players who highly value freedom and immersion, even if it won’t appeal to everyone.

Screamer is a unique racing game that makes bold promises about its gameplay and storyline. The twin-stick approach to drifting and driving makes the cars feel like no other, and you can sometimes feel the adrenaline pumping through your veins during races. However, the story has a slow build-up, and while it is unique to have every character speak in their native language, it can also be tiring. A smaller selection of languages would have been a better choice. It’s also strange to include offensive driving and leave it out of most of the story mode. This wouldn’t matter much if it weren’t for the difficulty spikes in the opponent AI, which made me want to see them crash and burn in a fiery explosion. But when it’s just me and my car on the asphalt, the high-octane action even manages to bring a smile to my sometimes frustrated face.

Invincible VS is more than just an arcade fighting game. It’s a tribute to the original material. The characters have been given great animation, and even feature (most of) the original voice actors. While some are missing from the roster, the replacement voice actors do a remarkable job. The combat and most modes are what you would expect from an arcade fighter, but the story mode is a great addition that puts all the characters in the spotlight. It is somewhat short, though. It’s more like an episode of a show instead of an entire campaign. A good fighting game needs a strong community to succeed, so the coming months will show if Invincible VS will be a hit. But if what I played is anything to go by, I think most players who come to this release because they love the show, will stick around because they will also fall in love with this game.

The Division Resurgence had every reason to be a compromise. A lighter version. A stripped-down experiment. Instead, it’s something far more ambitious; we got a mobile game that genuinely understands what makes The Division work, and manages to translate that into a portable format without losing its identity. No, it’s not perfect, and yes, the monetization lingers. But, we got touch controls, while solid, they can’t fully replace a controller. And performance will vary depending on your device. But the core experience? It’s shockingly intact. Ubisoft successfully brought The Division to mobile devices. There’s just one problem. My phone battery didn’t sign up for this (so keep that in mind when playing games like these). If you look past that small hiccup, you get a bold, content-rich mobile adaptation that captures the essence of The Division remarkably well, even if your battery life may never forgive you.

If you’re buying a Switch 2 primarily for family play and social sessions, this is a top-tier pick. It’s one of those rare Nintendo titles that comfortably spans age groups: kids giggle and learn quickly; adults find the depth keeps giving. If you’re a competitive player, the ranked mode and crisp core mechanics offer a rewarding ladder to climb, though the lack of lab-grade analytics might push power users to third-party tools for deeper study. In short: Mario Tennis: Fever is easy to learn, hard to master, and, most importantly, built to be played with other people. It preserves Mario’s charm while delivering actual mechanical depth. Whether you want short bursts of chaotic couch fun with your kids, a mini-tournament with friends, or a longer grind in ranked matches, the game gives you all of it with Nintendo’s usual polish. It’s charmingly domestic, deceptively deep, and a multiplayer delight, making it a solid must-play this year. Just ask yourself this: Do I want to fork over 60-70 bucks for a tennis game? Because it’s still a tennis game, even though it’s one of the best tennis games Nintendo has ever put out.

Replaced is a seamless experience that grabs your attention from the outset and doesn’t let go. The seamless platforming and combat make you feel like an action star in one of your favorite blockbusters, a sensation enhanced by the excellent 2.5D visual style, which sometimes uses camera angles inspired by movies to heighten the action. There’s no doubt that REPLACED will become a go-to reference for anyone wanting to show that pixel graphics can be just as beautiful as realistic 3D. This modern-day classic has already made its way to the top of my Game of the Year list, and it will be hard to dethrone.

The Day I Became a Bird is a wonderful adaptation of a delightful children’s graphic novel. The gameplay isn’t challenging, but it perfectly supports the concept of putting the story front and centre. The additional story elements that extend the gameplay also deepen the player’s connection with the story; they don’t feel like filler. I didn’t expect that a book could be adapted into a game with so much care for the original text while still creating something new. This is even true when the art style is changed to something more befitting of a game.

OPUS: Prism Peak is not a game that tries to win you over right from the start. It takes its time to develop, and you’ll need some patience. In return, it offers something that feels personal, sometimes uncomfortably so. It’s a game about looking back, about the things we carry with us, and the ways we choose to frame them. That doesn’t mean it’s without flaws. The lack of clear direction can occasionally break immersion rather than enhance it, leaving you momentarily disconnected from the experience. There are stretches where the pacing dips, where the balance between exploration and progression feels slightly off. But those moments don’t define the game. In a landscape where games often feel the need to constantly guide, inform, and validate (or throw you off the deep end over and over again), something is refreshing about a title that’s willing to step back and let you find your own way. Even if that means getting a little lost along the journey, because that’s what being on a journey is all about, no?

ANTHEM#9 doesn’t chase mainstream appeal. It complicates the familiar, bends genre expectations, and asks players to think more deeply rather than just play harder. It’s smart, it’s stylish, and it’s proudly distinctive, which are qualities that will delight some and frustrate others. There are rough edges: the UI occasionally buries information you want to see, and the early learning curve can feel opaque. But these are the trade-offs for a game that dares to be smarter than its peers. In a climate that often favours easy accessibility, ANTHEM#9’s refusal to dumb down its systems is both its greatest asset and its biggest barrier. For strategy lovers, deck-build aficionados, and anyone who enjoys the sweet tension where puzzle and combat collide, ANTHEM#9 is a gem worth digging into.

High on Life 2 is bigger and louder than the first game, but it also feels more considered. Movement finally matters and feels tight while exploration feeds back into progression in meaningful ways. The humor is still relentless, but it’s paced better, and the world gives you more space to exist between jokes. It’s not flawless. I ran into performance hiccups on Xbox, and not every gag lands. Some fights still drift into visual overload. But I never felt bored, and I never felt like the game was coasting on novelty alone. If you enjoyed the first game’s energy, this gives you more of that but with better flow and stronger structure underneath. If you already hated the talking guns, you won’t last long here.

Yakuza Kiwami 3 definitely succeeds in what it set out to do: bringing a beloved entry in the series to a new generation on the current systems while giving longtime fans a polished reason to revisit Kiryu’s story. The visual improvements, detailed recap system, and fluid/simple combat make the experience welcoming and entertaining, while the series’ signature blend of intense drama and absurd humor remains as charming as ever. At the same time, some elements, like the Dark Ties chapter and main character development, feel like missed opportunities to dig deeper into the emotional core of the story. Still, thanks to its engaging combat, memorable characters, and improved presentation, the remake stands as a solid entry in the franchise. It may not reach the heights of the very best Yakuza titles, but it’s a worthwhile journey for both newcomers and returning fans.

Whether you’re revisiting the game from 2004 or you’re a young trainer who would like to know how the pinnacle of classic Pokémon plays like, FireRed or LeafGreen is the way to go. You’ll find them on the eShop for $20 each. The price is up for discussion, and I leave that up to you on some forum, but I do understand that the decision raises some eyebrows. The reason they’re not included in the NSO is probably because that system allows “rewinds and save states”. Something GameFreak isn’t keen on. And with the addition of the Pokémon Home compatibility, which will be able to receive Pokémon from these re-releases, it’s only fair. Home will probably be able to send Pokémon to the upcoming Pokémon Champions game, which will be a competitive game in the series, so I understand the fairness in teambuilding that is implied with this decision. Now we need Pokémon Emerald to complete the set of Advance games to fully explore the classic Pokémon feel.

Darwin’s Paradox! doesn’t always get the basics right, but it makes up for it with creativity and character. It’s rough in places, yet hard to put down once it gets going. A flawed but enjoyable game.

Tales of Berseria Remastered brings one of the best stories in the franchise to modern consoles, but the Nintendo Switch version never quite feels like a true remaster. Content-wise, there are some welcome quality-of-life improvements, yet graphical hiccups and a capped framerate prevent it from fully living up to that label. It’s still one of the strongest stories the series has to offer, but sadly not the best remaster.

Directive 8020 is a major step forward for The Dark Pictures Anthology. The story is engaging, the production values are excellent, and the added gameplay mechanics make this the most interactive entry in the series so far. The stealth sections can become a bit repetitive, but they never get in the way of what is still a tense and highly entertaining sci-fi horror survival adventure.

Adorable Adventures is indeed very adorable, but could have been a bit more adventurous with its mechanics. It has a very clever core mechanic, but it could have used a bit more variation to really stand out. Even so, it’s still a fun little adventure, especially for younger players.

My Hero Academia: All’s Justice packs in a lot of content and lets fans play through the final arc of one of the biggest anime and manga series around. There’s plenty here to keep fans busy, unfortunately, the overall quality doesn’t always keep up. Recommended for fans but not for everyone.

Life is Strange: Reunion wraps up the story of Max and Chloe in roughly 9 hours. It’s best experienced in one or two sittings to maintain its emotional momentum. While it never quite reaches the high standard set by the original game, it remains an enjoyable and worthwhile conclusion. Just don’t expect particularly challenging choices or complex time-bending puzzles.

Tides of Tomorrow introduces one of the most interesting gameplay mechanics in years, but it’s not without its flaws. The story lacks some depth, and the gameplay loop can become repetitive a bit too quickly. That being said, it still stands out as one of the more unique games out there and deserves credit for that. If you’re looking to try something different, this might be worth your time.

Super Meat Boy 3D is a return to form for the cube of meat brought to life. The levels are exactly what you’d expect: challenging platforming sequences that demand your maximum effort as a gamer. The gameplay is smooth, and Meat Boy himself is a joy to control, with the addition of a dash being particularly notable, while the wall run feels somewhat underwhelming. The transition to 3D works well, supported by a vibrant visual style and strong level design, despite a lack of musical variety. If you enjoy demanding platformers, Super Meat Boy 3D might be the perfect torture device.

Styx: Blades of Greed successfully brings the goblin anti-hero back into the spotlight with refined mechanics, strong vertical level design, and flexible stealth gameplay. The addition of Quartz abilities adds fresh tactical options, and the semi-open environments encourage exploration more than ever before. However, while the game plays smoothly and offers a consistently enjoyable stealth experience, it rarely dares to surprise. The core loop begins to feel repetitive, and the innovation expected after such a long hiatus simply isn’t fully realised. For fans of the series, this is a worthy continuation. For the genre at large, it’s a solid entry rather than a defining one.

Legacy of Kain: Defiance Remastered is a faithful and visually improved return to a cult classic that shines because of its storytelling and atmosphere rather than its gameplay. It is a remaster made for fans first, not a reinvention for a new generation.

Code Vein II clearly wants to be more than a continuation of the first game. The shift in structure gives the world more room to breathe, and the combat still rewards players who like to adjust, experiment, and find their own rhythm. But that extra space comes at a cost. The open world softens the pressure that once kept everything moving forward, and the technical rough edges tend to show up exactly when clarity matters most. I enjoyed my time with Code Vein II, even when it tested my patience. I just kept thinking how much stronger it could have been with a tighter focus.