What continues to impress on our second time playing through Treasure Tracker is the quality of the level design. The addition of stages based on worlds from Super Mario Odyssey is yet more evidence that these little dioramas are a rich format for creativity. [Issue#203, p.86]

When it's all said and done it's difficult to escape the mindset that Earthfall has taken the template of a decade-old experience for inspiration and failed to replicate (or expand on) it in any meaningful way. [Issue#203, p.84]

A fantastic reimagining of arcade racing. [Issue#203, p.83]

A delightful and demanding trip down memory lane. [Issue#203, p.82]

Lego's 13-year-old series needs serious building. [Issue#203, p.81]

A tough-to-watch vignette of familial love and loss. [Issue#203, p.80]

For something light and enjoyable, we would certainly recommend it, but don't expect this one to reach down and really grab a hold of your soul. [Issue#203, p.78]

Beautiful, but hampered by lackluster storytelling. [Issue#203, p.76]

Lack of design risks and personality spoil the ride. [Issue#203, p.74]

An engaging, if brief, narrative adventure. [July 2018, p.84]

Captures the 16-big feel, but falls short. [July 2018, p.83]

A stunning, fleeting experience betrayed by bugs. [July 2018, p.83]

Moonlighter builds good will, even in the face of some of its design choices. The grind from lowly dungeoneer and shopkeeper to an adventurer in your own right is enjoyable and, thanks to the gorgeous pixel art, you won't want to take your eyes off it. [July 2018, p.82]

An esports-ready success needing a sizeable audience. [July 2018, p.81]

Awful controls overshadow everything. [July 2018, p.80]

Improved variety, but gimmicky gameplay. [July 2018, p.78]

Though Codemasters' dedication to the many details underneath the simple, blocky exterior, Onrush ends up being much more than just Overwatch for petrolheads. It's an innovative resurrection of the arcade racer. [July 2018, p.76]

Bright, intriguing, but lacking depth. [July 2018, p.74]

While its story doesn't quite have the emotional heft it could have had with more character development, it nonetheless gives players a drive, and a reason to persist through a harsh world. [July 2018, p.73]

An engrossing dabble into otherworldly forces. [July 2018, p.72]

Far less engaging than it should be. [July 2018, p.70]

Vampyr has a bold and ambitious concept at its heart, but the execution is sorely lacking, so while it may be packed with good intentions, it's not really worth the effort. [July 2018, p.68]

A clever, but not seamless, mix of genres. [Issue#201, p.90]

A survival game that embraces adventure. [Issue#201, p.88]

A tactically rich and rewarding space-merch-mech-sim. [Issue#201, p.86]

An interesting but limited spin-off. [Issue#201, p.84]

One of the best things we've played all year. [Issue#201, p.82]

State of Decay 2 falls short of its promise, instead offering the kind of brainless, repetitive experience that turns you into a de facto zombie. [Issue#201, p.80]