This is a game that's chock full of pleasant surprises, from the way its items forgo tradition in interesting ways to the visual design and sense of atmosphere generated by its bizarre, neon-soaked world. Animal Well might look antiquated and familiar at first glance, but this well is cavernous and unpredictable.

Endless Ocean: Luminous could have been a realistic SCUBA sim with all the treacherous hazards that real underwater divers need to consider, a relaxing chill-vibes game that's mostly about finding fish with your friends, or a story-driven game centered around discovering awesome and even extinct underwater beasts. It has pieces of all of those, but it doesn't commit to any of them. Instead, it takes the enormity and glory of earth's largest and most mysterious region and turns exploring it into a dull, repetitive chore.

Playing through The Rising Tide was bittersweet. For all its flaws, I have a deep fondness for Final Fantasy XVI, so I was happy to have a strong hook to bring me back to Valisthea, even if it was a rather short-lived journey that wrapped up just as I was starting to vibe with the new setting, abilities, and characters. In several ways, The Rising Tide offers something I wish the original game had a bit more of in its story: vibrance and warmth. FFXVI was outwardly grim and dark--fitting what it was going for. But having this contrast that complements the core themes of the original game was a real treat, especially with some great gameplay twists along the way. The Rising Tide is an easy recommendation for those who enjoyed the base game, and a damn fine way to send off FFXVI.

Eiyuden Chronicle hits the retro-RPG sweet spot nicely. It's focused on delivering that warm, comforting feeling of a classic JRPG, and even all of the side distractions--the card minigame, the weird Pokemon/Beyblade hybrid top minigame, the raising/racing sim, even commodities trading--don't distract too much from the game's prime mission. Add some gorgeously painted and animated spritework and a stellar soundtrack into the mix, and you've got a delightful experience that sometimes falters, though not enough to make you put it down. Eiyuden Chronicle: Hundred Heroes might not be revolutionary, but it successfully delivered on its core promise--and that's really all it needed to do.

Ereban: Shadow Legacy sits in a weird place for me. As a stealth game, it rarely challenged me, reducing protagonist Ayana into a one-trick pony that could sneak past any target with the same shadow merge skill every time. But as a platformer, Shadow Legacy incorporates some entertaining puzzles that grow increasingly complex and rewarding to overcome. I never quite managed to connect to Ayana's journey against the autonomous overlords planning to doom an entire civilization, but I had a lot of fun slinking up walls and exploding out of the darkness, striving to time my jumps with the movement of a windmill and the rotating shadow it was casting. Those nail-biting moments are the ones that stuck with me, not the dozenth time I slunk past an unsuspecting droid.

While not everything in Another Crab's Treasure is as smooth as it should be, and some unforgiving enemies take away from the joy of the intense combat, the game is a solid take on the Souls-like genre nevertheless. It brings in fresh ideas with the shell system and a focus on platforming--traditionally an afterthought in the genre. And while Kril's journey takes an act or two to find its footing, the places it goes make the ocean worth exploring.

The story behind Sand Land's creation is funny but also sad in a way. Toriyama initially made Sand Land for his own personal enjoyment, devising a short story about an old man and his tank. However, the tank proved more challenging to draw than expected, and since Toriyama stubbornly insisted on drawing everything himself, he came to regret the idea. He persevered anyway, eventually releasing the manga for public consumption, and his pain was certainly our gain. Toriyama's love of vehicles shines through in Sand Land and is where its most enjoyable moments reside. It's disappointing that it flounders in other areas, particularly when it comes to stealth and melee combat, but ICLA has still managed to capture the heart and spirit of the original manga through its story, characters, and vehicular combat and traversal. Sand Land is bittersweet in many ways, but it'ss a testament to Toriyama's talents as both an artist and storyteller that, despite its numerous flaws, it's still worth playing.

There is a nagging question, though, that sticks in the back of my mind: Does this game rise to the heights its inspirers achieved? The conclusion I came to is no, but that it attempts so without falling on its face is remarkable enough. That it manages to be a great game in that pursuit is a true testament to the power of being galvanized by those that came before.

Tales of Kenzera: Zau's strength lies in its powerful narrative, digging into how one navigates the sadness, rage, and terror that accompanies the worst moments of grief. Its tale has its hiccups, but Zau's adventure of coming to terms with loss resonates through the beating heart of the thumping musical score, standout vocal performances, and dance-like battles that feel straight out of Bantu myth. Loss is a universal human emotion, making Zau's attempts to grapple with grief uncomfortably relatable. But there's catharsis to be earned in working through that discomfort alongside Zau, and a touching story to enjoy along the way.

Harold Halibut's world and the people that inhabit it were literally crafted by people that cared about him and his story. And while that story struggles under the weight of its ambitions, the human touches on every part of it are evident. Those are the heart and soul of the game, and they imprinted on me too.

Children of the Sun's unconventional approach to sniping is consistently thrilling and wholly satisfying. It might be full of gruesome blood spatter and cracked skulls, but it's also the thinking person's shooter--more of a delightfully macabre puzzle game than anything else. It's admittedly short, and the game's longevity will largely depend on how hard you fall for its inventive and bloody puzzles. That shouldn't be a problem when it's so difficult not to. And even if it's relatively one-note, Children of the Sun plays that note with such morbid aplomb that it's easy to recommend.

Star Wars: Battlefront Classic Collection is ultimately just disappointing. It's unclear whether it wants to be a remaster or a collection that preserves two major games from Star Wars' history, but in both instances, it fails. This is neither an accurate representation of what Battlefront and Battlefront 2 were, nor does it make enough adjustments to bring two decades-old games into the modern era. The result is a collection that's not really fun to play, and well worth skipping.

It's unfortunate that "letdown" and "underwhelmed" are words I've used multiple times when talking about Open Roads because there's still so much about the game that works. The overall narrative touches on some meaningful topics, there's a fair amount of intrigue, plenty of well-crafted dialogue, some interesting characters, and a lot of heart. Yet most things fall frustratingly short or are cut off far too early, making the whole experience slightly lackluster. Despite being a game about a mother-daughter road trip, the game doesn't go too far and that relationship is left only slightly altered rather than meaningfully examined and changed.

Pepper Grinder is here for a good time, not for a long time. Every piece, from the core drilling mechanic itself to the various ways it manifests with cannons and mechs and more, feels meticulously engineered to teach you a new concept, wring the fun out of it, and then move on to the next. That sense of propulsion makes every moment fun and engaging. It's a great little gem of a game which, like its heroine, may be small in size but makes every bit count.

The continued absence of an online Franchise mode and the stale nature of Road to the Show are disappointing aspects of this release, but MLB The Show 24 still maintains the series' commendable output with fantastic gameplay and another collection of fascinating stories exploring The Negro Leagues and its players. A journey through the exalted career of Derek Jeter might not be quite as gripping, but it builds on Storyline's established framework and lays down an exciting blueprint for the mode's future. The addition of women in Road to the Show is another positive step, further reinforcing the overarching theme that baseball is for everyone, while the ability to customize how you play Franchise mode makes it a much more palatable proposition for those embarking on a 162-game season. MLB The Show 24 might not swing for the fences, but it's still a great way to spend the looming summer months.

It's not without some flaws, but I finished Rise of the Ronin with much more left to do, and even after 50 hours, I want to head back in to see what I'd missed and attempt to change history. The parts of the game that work more than balance out its weaker elements. And while it took a while to find the rhythm of Rise of the Ronin's combat, its speed, complexity, and intensity make for some phenomenal fights that always feel great to win. Rise of the Ronin is a game that might take a bit to get good, but the commitment is worth it.

Princess Peach Showtime is a friendly, inviting game that's made to be easy to digest. Some of the genres work better than others in this format, but none of them are too tricky or off-putting, and most of it will come down to personal taste. None of these stages are fleshed out enough to support their own game, but they're an invitation for novice gamers to explore a bunch of different game types, with a charming (and apparently polymath) princess offering her gloved hand to welcome them in.

It's not often that a cult classic gets the green light for a sequel, especially 12 years after the original game was released. Capcom hasn't tried to make Dragon's Dogma 2 more palatable to potentially attract a wider audience, either. It stuck to the first game's core values and expanded upon them to create a bigger and better game that consistently delights in its approach to seamless exploration and the thrill of adventure. This means it feels very familiar in a lot of ways, but it's a game for those who fell in love with the original, despite its flaws, and will hopefully find an entirely new audience who perhaps never gave the first game a chance. Even after 40 hours, my heart continues to grow fonder for this special game. It's an exceptional achievement that's quite unlike anything else, and I wouldn't hesitate to place it amongst the pantheon of Capcom's very best.

With its reality-bending story, parade of puzzles, and unwieldy combat, Alone in the Dark is, in some ways, more faithful to some turn-of-the-century horror games than their own revitalized modern remakes. I enjoyed the game's story, setting, and abundant lore, and I felt smart when I'd overcome some of its puzzles. But others proved so obtuse as to be frustrating, and nothing about the combat even climbs to a level I'd call serviceable--it's consistently poor. This isn't Alone in the Dark's first revival attempt, and it's probably not its last, but it isn't the one that will put the series' name in the same breath as the all-time greats it originally helped inspire.

Even though the story is lackluster, the core gameplay of Unicorn Overlord is more than compelling enough to make you want to see the story of Prince Alain to its conclusion. There's so much satisfaction and gameplay depth here to sink your teeth into that you may find yourself thinking deeply about the game's team dynamics even when you're not playing. When the primary feeling a game leaves you with is wanting to play more of it, you know you have a gem on your hands.

Contra: Operation Galuga has it where it counts. It feels like classic Contra in all the ways that matter, and a series of changes and upgrades--from minor tweaks like auto-equipping weapons to major new elements like the perks shop--are just enough to make it feel smooth and modern. This may not be a modern classic, but it shows how a classic series like Contra can feel fresh again.

Balatro ticks all the boxes for a roguelite that creates a feedback loop that's difficult to draw yourself away from. Its fundamentals are incredibly easy to understand, even if you're unfamiliar with poker, but the ways in which it works within the game's boundaries (and often breaks free from them) injects a level of depth to each hand to play that's both challenging and rewarding to continually engage with. It's a game that will melt away time as you hit play on one run after the next, with each defeat never stinging long enough to dissuade the possibility of victory on the next. While a handful of boss antes annoyingly end runs prematurely, they're nowhere near detrimental enough to take away from the immensely satisfying balance that Balatro strikes in every other aspect.

In the end, Disney Dreamlight Valley still managed to captivate me thanks to its wonderful cast of characters and their magical worlds. The cozy life-sim concept allows you to gather, farm, and build at a leisurely pace. Unfortunately, I was also disappointed by the decision to have a real-time sync feature and an unclear progression path that’s compounded by repetitive tasks. The quests that you undertake aren't skill-based either--they're patience-based, so to speak, as any mistake made when unlocking biomes or spending materials can be downright exasperating. Two concepts clash here: the delightful and whimsical themes that spark the joy of your inner childhood, and the frustrations of time management as you experience the monotonous daily grind as an adult.

It's initially jarring to witness an Outlast with things like cooldown abilities, cosmetic customizations, and upgrade trees, though it doesn't take long to appreciate this new look. The Outlast Trials, like the lineup of villains at the heart of it, wears many faces, but each of them is memorable.

But then, even a hazy, dreamlike story could be interpreted as a tribute. Penny's Big Breakaway is a loving tribute to a bygone era, warts and all. Its new and inventive ideas, like the acrobatic yo-yo mechanic or the penguins hot on your tail, show a level of cleverness, but it is also a sweet, earnest throwback. I'd like to see Penny return, though maybe next time, this lost-gem motif can be applied to a less restrictive era in 3D platforming.

Thankfully, what Final Fantasy Rebirth succeeds at eclipses what it fumbles. It's a superbly designed gameplay experience that instills a sense of freedom while also making exploration rewarding in a meaningful way. Refined gameplay that makes character synergy a focal point breathes new life into the slick and satisfying combat, and all the while it reinforces the underlying themes of the story. As a game that has the unenviable task of living up to one of the strongest legacies in the medium, it is a worthy second chapter. Whether Square Enix can bring it all together in the third and final part will be the subject of much discussion from here on out. Just like at Destiny's Crossroads, an unknown future beckons once again, and anything is still possible.

Skull and Bones has its moments, but these brief snapshots don't encompass even half of the full experience. Everything that was great about Black Flag has been ripped out to accommodate tedious live-service elements and a half-baked multiplayer that makes you feel disconnected from other players. Some of its more egregious issues will hopefully be fixed in future updates, but it would still take an entire overhaul to salvage the game's core mechanics and overreliance on banal, repetitive activities. It's disappointing that this is the outcome after an 11-year wait, but Skull and Bones is teetering on the edge of confinement in Davy Jones's Locker.

With its wonderful depth in both story and gameplay, Pacific Drive is an early hit in 2024. It sets out to create a world that fits comfortably in the New Weird genre but brings its own style and substance to it. The road from unreliable bucket of bolts to souped-up charger is a fascinating one whether you're unraveling the game's many mysteries or improving your wagon for its next road trip. Though the game can be especially hard to decipher, difficulty options help to counter some of its more overwhelming aspects. I'll stick to bikes in my day-to-day life through the actual northwest, but in Pacific Drive, I'm up for another joy ride through one hell of a winding road.