Like a Dragon: Pirate Yakuza in Hawaii is a solid spin-off, putting fan-favorite Goro Majima front and center with a suitably eccentric diversion into buccaneering piracy. The story doesn't pick up until an excellent final chapter, and it's disappointing that the narrative doesn't delve into Majima's complex personality, but this is still a thoroughly entertaining adventure on the high seas. It's quite unlike anything else in the long-running series, and even if it falters more often than usual, it's still essential for anyone who's previously called Kamurocho home.

On multiple fronts, Avowed holds so much promise that it struggles to follow through on. While its combat feels impactful and gives you options to experiment with, it's hamstrung by an overall reliance on gear upgrades and scarce resources that prevent you from fully enjoying the creative freedom it initially advertises. Its world is fun to explore and navigate, but its story fails to wrap this in a captivating tale with a satisfying conclusion. It's an experience that routinely swaps between exhilarating moments and frustrating slogs, and often leans towards the latter the closer you get to the game's climax. Avowed might present itself as the new age of the fantasy role-playing games that it borrows so much from, but it's unlikely to have the same lasting impact.

As it is now, VF5 REVO is the best currently available version of an all-time great 3D fighting game. If you're willing to put the effort into it, Virtua Fighter will reward you with some of the most intense fighting out there. Just please, make sure your PC runs it at a proper frame rate before you do anything else.

While Kingdom Come: Deliverance 2 still stumbles in some aspects of its portrayal of 15th-century Bohemia, the shadow that lingered over the first game has mostly dissipated. This is a massively improved sequel in every other area, with better combat, quest design, and none of the technical issues that plagued the original. Not everyone will vibe with its slow-paced and oftentimes tedious approach, but those willing to meet it on its own terms will find a compelling open-world RPG that relishes in player agency and the consequences of your actions.

Sid Meier's Civilization VII's "one more turn" aspect is still as engaging as ever, and I enjoyed huge portions of my playthroughs. Several facets, such as those related to diplomacy, espionage, crises, and combat address long-standing concerns. Legacy Paths and narrative events, meanwhile, offer rich and rewarding avenues for advancement through the ages. Unfortunately, as someone who's seen the heights that previous series entries have reached, the vanilla Civilization VII experience still needs a few tweaks, as it's held back by the aforementioned issues that occur during brief but crucial era transitions. Granted, the changes this series has undergone over the years--whether it's the square tiles or hexes debate, the "one unit per tile" drama, or city-planning with districts--have been for the better, eventually. The issues deemed controversial or cumbersome at the start paved the way for a better overall experience. As such, even if Civilization VII has a strong foundation, we might not see the game's full potential until much later in its lifespan. But, hey: At least the franchise has been consistent in that regard.

Eternal Strands is a straightforward action-adventure game. The physics-based magic system adds a lot of fun and satisfyingly strategic energy to Brynn's regular run-ins with colossal enemies, but smaller threats rarely rise above being a tedious hindrance. And although the history of the world is interesting to uncover and conversations with Brynn's party members a regularly lively delight, the actual moment-to-moment story beats don't feel all that compelling. It's a shame that Eternal Strands' lows drag parts of its experience down, because the narrative and gameplay have clear highs that would excel in a game that wasn't holding them back.

While the campaign is fun but often too familiar, Resistance shines most of all in some of the game's secondary modes, particularly Invasion and No Cross PvP. Of course, bringing a buddy along to play the story in co-op smooths over some of its roughness, too. I do want to play more of this series, but I'm hopeful the next one takes a bigger leap forward and cleans up some of the long-present jank. Like the difference between the second and third games in the series, it's only going to be the next big step for Sniper Elite if the team finally innovates on what existed before. Otherwise, it's just sparkling familiarity.

Marvel Rivals feels like the first hero shooter since Overwatch launched in 2015 to fully capture the magic of the genre. It offers a ton of heroes to play with, a great visual style, and a focus on making the game fun for everyone. While it does lift directly from Overwatch, its more original ideas make it feel fresh in the space. Marvel Rivals is a great multiplayer shooter in its early days, and if it can deliver on future updates, it could remain one for years to come.

Donkey Kong Country Returns is a throwback through and through. It's a little less novel than it was when it first appeared on Wii and was the first DKC game in more than a decade, and at this point a lot of its refinements and clever level ideas have been surpassed by the later Tropical Freeze. It's the best way to play DKC Returns and to revisit some truly top-class level design, though. The visual overhaul looks nice on modern displays and it encompasses the improvements made to the 3DS port. Just be warned: Given the sharp and sometimes frustrating difficulty spikes, only the most dedicated ape enthusiasts need apply.

Dynasty Warriors: Origins is an ambitious game that forcefully pushes the reset button after the failings of Dynasty Warriors 9. It's a marked improvement on that game in almost every area, utilizing modern technology to expand upon its hack-and-slash core while implementing a more considered and action-oriented approach that enhances its exorbitant combat. Longtime fans are likely downtrodden by its minuscule roster and lack of co-op, and the story has a habit of clogging the game's pacing with too many redundant conversations, but these shortcomings mostly fade into the background once you're entrenched in the heat of battle. At that moment, there are few sights better than a dozen peons hurtling helplessly through the air.

It can sometimes be tough to appreciate games from the past because so much of game design is built on iteration. That isn't a problem with Legacy of Kain: Soul Reaver 1&2 Remastered. There are archaic elements to both games, yet it's surprising just how well they hold up today. There's no doubt that improvements to the game's controls and, to a lesser extent, their visuals contribute to this, but the main reason they persevere is because of their masterful melding of story, worldbuilding, and mechanics with a handful of innovative ideas. Much like Raziel, this isn't a perfect revival, but it preserves a pair of classic games and, in an ideal world, will attract a new audience to a series that has been dormant for far too long. Hopefully, this is just the beginning of its resurgence.

Mighty Morphin Power Rangers: Rita's Rewind feels light and disposable. It's a largely enjoyable brawler throwback that plays well and accurately captures the spirit of the original old-school Power Rangers. The vehicle segments can be frustrating, but the larger issue with MMPR is that it's ephemeral. Like watching an episode of Power Rangers on a lazy afternoon, you'll have a little campy fun and then immediately forget about it.

MachineGames has successfully designed a game around its protagonist; its mix of improvisational stealth and combat feels distinct by adopting a fast and loose style that echoes Indy's scrappy persistence. It might not be quite as accomplished in all areas as the studio's Wolfenstein games, but Indiana Jones and The Great Circle is still a frequent delight.

I have fond memories of playing The Thing back in 2002 because there wasn't anything else quite like it. It was inventive and exciting, and even today, no one else is trying to do what Computer Artworks attempted in the single-player space. I commend the studio for what it achieved, but the limitations of the technology--and its design constraints--are much more apparent now, even with nostalgia-tinted glasses on. Nightdive has done a fantastic job of restoring this flawed but intriguing game, continuing its crucial work with game preservation. All of the changes it's made are positive, resulting in a better game, both visually and mechanically. Nonetheless, this is a case where a complete remake would've been much more appealing, allowing for the trust and fear system to be fleshed out with less rigidity and more dynamism. As it is, Computer Artworks' vision might never be fully realized, and that's a shame.

Criticizing Stalker 2's technical issues is tough, simply because it's astounding that GSC managed to launch the game in the first place. Admittedly, this made it easier for me to overlook some of its irritating quirks, particularly when they weren't egregiously crashing the game. Yet even this might not have been the case if it also weren't an engrossing game. Stalker 2 is notably flawed in a few areas, yet these shortcomings tend to dissipate when a compelling, non-linear quest goes awry thanks to an unforeseen element forcing you into a frantic shootout. This unpredictability and the way its various systems interact to create anomalous stories sets Stalker 2 apart. Throw in a beguiling world and the fascinating mysteries hidden within, and it's difficult not to fall under its enticing spell.

The Veilguard is a mostly sound game that works when you're playing as a class that can take advantage of its combat. I haven't run into any glitches or game-breaking bugs. No side quest feels too obtrusive or too fetch quest-y. And now that I've distanced myself from the mage, each combat encounter is snappy and avoids feeling too tedious or frustrating. The Veilguard feels like BioWare making a good BioWare game again, and that in itself makes me extraordinarily happy.

Slay the Princess is a dazzling game, dripping with charm, brilliance, and emotion. Last year, GameSpot included the title on its Best PC Games of 2024 list. A year later, both time and The Pristine Cut have intensified my love for the title. Though there are a few rough spots, Slay the Princess is not only impressive as a game hailing from a small, independent studio, but as a game, period. There are a substantial amount of content warnings surrounding the game--all of which can be found on its official website--but for those willing to endure, it is a must-play.

A few underwhelming cases do little to dampen The Rise of the Golden Idol's unmistakable quality. This is a worthy successor to one of 2022's best games, putting a fresh spin on its singular concept with another collection of challenging and inventive puzzles. With a compelling story tying it all together and smart changes to its interface, Rise of the Golden Idol is everything you could ask for from a sequel; it's an excellent continuation of a singular idea, and there's already more on the way. Armchair sleuths are eating well.

Its story reshapes an adult plot for a younger audience seamlessly, with a strong sense of humor that kids will adore. Like a lot of content aimed at families, my strongest sense of joy is found not in how I experience Lego Horizon but in watching my kids become immersed in it. Levels often feel repetitive, but combat is exciting and tactical enough to teach depth and ask players to consider their approach, even as Aloy may be dressed up like a corn cob, a firefighter, or a pug. It's that blend of child-like style and mechanical substance that makes Lego Horizon Adventures a lovely game to play for parent and child pairings, though it's also just neat to see these usually self-serious characters put through a washing machine loaded with crayons.

Metal Slug Tactics does an excellent job of capturing the look and feel of Metal Slug and reimagining it as a turn-based strategy roguelite. The way its strategic elements combine adrenaline-fueled abilities and sync attacks makes for exciting combat that feels smart. It's too bad that a successful run is so reliant on luck, whether it's a favorable mix of missions or the right rewards and upgrades dropping. That, and the uncomfortably outdated enemy designs, are unforced errors that limit the advance of this otherwise capable army.

Romancing SaGa 2: Revenge of the Seven is a superb remake of a classic game that rarely received due recognition outside of Japan. It's filled with systems that are fun to explore and utilize alongside a core gameplay conceit that remains unique. If you're looking for a different take on JRPGs--or just a unique RPG in general--this is a lengthy journey you'll want to invest lots of time into.

The body-swapping combat, RPG-like team of possessable people, the monster-hunting semi-paranormal narrative--they're all exciting until you engage with them a little, when they reveal themselves to be shallow and underdeveloped. The actual experience of playing Slitterhead is constant repetition of systems that aren't very engaging even their first time, across levels you'll see over and over again, telling a story that never makes much sense, with characters that feel like first-draft lists of stereotypes. Slitterhead has a lot of fascinating ideas and compelling gameplay on the surface, but beneath, it's just boring and banal--a bunch of scary-looking monsters who turn out not to be very scary at all.

That length may have been born from a desire to create a big, meaty RPG, but in the end, it mostly serves to accentuate the simplicity in all aspects. Stretched over so many hours, exploration becomes dull, combat feels repetitive, and the story can't sustain itself. Mario & Luigi: Brothership is well made and has some great ideas, but in breaking free of its handheld limitations, it becomes too ambitious for its own good.

The highs are high enough. Its story is a fun Batman romp that would work as a solid comic book arc, even if it can't touch Rocksteady's mainline saga. Moreover, it's by capturing the full spectrum of Arkham's still-exciting gameplay mechanics so effectively that Shadow becomes a must-play game for Batman fans, and a revealing measuring stick of how much virtual reality has advanced in just a few years. This isn't the first Batman Arkham game made for VR, but it's undoubtedly the first to feel like it belongs with the rest of the series.

Imitation is the sincerest form of flattery, and it's hardly uncommon in the video game industry. Nonetheless, it's difficult to recommend Redacted when both Hades and its sequel exist and do almost everything it's attempting to do with much more aplomb. The Rivals system is a compelling breath of fresh air for the genre, and its combat is engaging--even if parts of it are severely lacking. There's a good game here, somewhere in the middle, once you're past the lackluster opening and monotonous ending. Redacted doesn't really expand on The Callisto Protocol universe, but I'm glad it exists. For as flawed as both games are, I still haven't lost interest in seeing more stories from this world, and I hope Striking Distance has a chance to tell them. Redacted just falls short a few too many times.

Fear The Spotlight is far from the scariest game you could play this Halloween season, but what may be read as a detriment for some is instead its best quality for others. With classically designed but more contained puzzles and combat-free monster encounters, it's a game that utilizes genre touchstones in manners meant to onboard new and/or younger players. Mechanically, it's simple, and the story doesn't come together until you've unlocked and finished the second campaign, but its combination of old and new horror-game design elements makes it a creepy and clever introduction to what is my favorite genre, and what may prove to be yours, too.

A Quiet Place: The Road Ahead is a certainly flawed but also intriguing attempt to make a video game out of a premise that seems not to be conducive to this medium. Crouch-walking around a monster for several hours should've probably been a worse experience, but it proves to be a sound idea that may have been a cult classic if it only had more attention to detail.

Sonic X Shadow Generations is a weird package. On one hand, Sonic Generations is a remaster of a great game from 2011 that now feels like it's a little outdated. And on the other, Shadow Generations is the conclusion to a storyline that the franchise hasn't really cared about since 2006. As someone who specifically got into Sonic games during that early 2000 period, this collection feels like it speaks directly to me. But it also feels much like its protagonists--lost in a place out of time and desperate to return to fonder times. It's a nice enough trip down memory lane, but the trip features all the speed bumps you'd expect from games from that era.