The physics-based play of the game makes for some astounding puzzles that bend your mind and stretch your problem-solving skills to the limit.

Small Radios Big Televisions is the embodiment of style over substance, providing a beautiful world that warrants exploration, yet does not provide the tools or the desire to do so.

Toby: The Secret Mine can be easily pardoned as a complete larceny of Limbo – but it’s not as simple as that. When Toby does craft its own uniqueness, there is a lot to like.

If you’re looking for a new word game, or just something to keep you entertained for hours on end, then Spellspire will be well worth your investment.

Don’t go into it with lofty expectations, and Konami Arcade Classics Anniversary Collection will serve you just fine.

As beautiful as it is to look at, it’s a shame that Rugrats: Adventures in Gameland just isn’t more fun to play. It feels old and while I suppose that’s the intention, platforming games have move on for a reason. It’s the first Rugrats game in two decades, and while I’m glad it exists, I’m disappointed it’s not more enjoyable.

If you’re prepared to stomach the game’s less appetising sections, you’ll still get a little Joy out of We Happy Few.

Oh my Godheads is without a doubt one of the most original, polished, balanced, and entertaining local multiplayer games I’ve played all year, and so if you’re the type of person that has friends around on a regular basis for some gaming action, it deserves your attention.

It’s not going to set your world alight, but chances are it won’t leave you regretting your purchase, either.

The odd glitch aside, it’s hard not to be impressed with Tom Clancy’s Ghost Recon Breakpoint. With a gorgeous, massive world that begs you to explore, enjoyable gunplay, an extensive amount of loot and weapon upgrades on offer, and a surprisingly enjoyable narrative, it’s the type of game you can get lost in for days.

I’ll be honest; by the time Here They Lie’s credits rolled, I still didn’t really have a firm grasp of what it was all about… All I know is that it kept me on the edge of my seat from start to finish.

I enjoyed this game hugely myself, but I couldn’t get my nine year old son to put it down! It really is a title that will appeal to all ages. I can’t help but recommend Tiny Troopers: Joint Ops to everyone, especially fans of the old Cannon Fodder games. The game is tremendous fun and will keep you playing for a long time to come. It’s easily some of the best fun I have had with my Xbox One.

It's a dumb game full of irritating characters, but its gameplay is more absorbing than I ever thought it could be.

Giraffe and Annika takes around six hours to complete and, after seeing it through to its end, I wish there were more positive things to say about it. The world and its characters are cute, but you’ll be sick of Annika’s whining and the painfully repetitive fetch quests in no time. It has some merit as a starter RPG to introduce young children to the genre, but even then, there are much better adventures out there to spend your time with.

Moon Hunters is a short, engaging game, innovative in its approach to replay value, with each subsequent playthrough increasing in depth and pleasure.

Battle Worlds: Kronos is a game all about tactical unit distribution and the art of patience and preparation. Unfortunately, I have neither the art of preparation nor the virtue of patience. If you do have the aptitude required for a classic unit-based strategy game though, then definitely give Battle Worlds: Kronos a go. It’s certainly not for everyone, but it’s a well-polished package that has plenty to offer for fans of old school turn-based strategy.

While Bon Apetit! feels more like a fan-service spin off than a real game at times, it’s actually a lot of fun… It’s light-hearted and witty with a silly side that helps to de-sexualise the more lewd content.

Despite my issues with the game though, my time with Elex isn’t over just yet. I do enjoy the world and the concept, so I am willing to see what else the game has to offer in this respect. It’s just unfortunate that the game’s combat and presentation haven’t received as much attention. Elex needed much more time in the oven to be the game its promising previews made it seem to be, and with the dearth of games available this winter, I can’t recommend it to anyone but the most hardcore fans of the genre.

I couldn’t feel particularly satisfied when the credits rolled. The Council had a great deal of potential, but ultimately, the final package ended up being rather disappointing.

Ultimately, it’s hard to recommend Firewall Ultra. Hardcore VR and tactical shooter enthusiasts might get some fun out of it, but for most there’ll simply be too much downtime and not enough variety. Throw in other issues such as the lack of interactivity, and you have a game that is a bit of a disappointment overall. Can things be turned around? Maybe, if developer First Contact Entertainment can act quickly. Already a patch has been released to speed up unlocks and improve matchmaking, but there needs to be more, like additional match types. Player retention is likely to prove the biggest hurdle here, though; it’s simply not fun waiting longer to get enough players to start a match than the length of a match itself.

Think of Wreckreation as a spiritual sequel to Burnout Paradise, only not as polished and with the addition of creation elements. It has some issues, but it's been much improved since launch thanks to numerous patches. If you want to race at insane speeds and take down opponents, it's well worth a try.

If you’re hoping for the next great dungeon crawler, then you most likely will be disappointed. While its many mechanics and structure are a valiant attempt at the form, the game ultimately stumbles where it should succeed. However, if you’ve found its artwork online and are more interested in its exploration of yokai than anything else, you’ll probably enjoy your time quite a bit.

Once you’ve figured out what you’re supposed to be doing, Tools Up! is good for a few laughs with a friend or two. But don’t expect to take the game seriously; if you’re aiming for three-star success you’re likely to find it more frustrating than fun.

Just a little bit too dated to carve out a place in the modern market. Its aesthetic may still carry some charm, but next to the likes of Super Mario Odyssey, or even the remakes of Crash and Spyro, it just doesn’t hold up.

The trouble is, whilst The Park is indeed unsettling, it never reaches the levels of terror that P.T. taught us to expect of a modern day first-person horror title. It’s perhaps not even as scary as Bloober Team’s Layers of Fear. Additionally, over the course of the two hours it’ll take you to complete it, the lack of any substantial gameplay will mean you won’t have really gained anything from playing it: it may as well have been a movie. And there’s zero replay value too.

Disappointing, that’s the best word to describe Gal Metal. It’s a game with great potential, but it just isn’t focused or accessible enough to capitalise on it.

The mechanics and gameplay are well thought out, it’s easy for newcomers to get into and old fans will, probably, be more than happy with the plethora of additions and tweaks over the previous games in the series. Unfortunately, though, to me it still feels like I’m watching some guy on a bike ride.

It’s by no means perfect, but Friday the 13th: The Game has a lot of fun to offer when you can get into matches. It delivers the promised tension of the film series, and you can see the love for the franchise in nearly everything.