There’s a lot of promise here but it’s smothered by Claire de Lune’s insistence on punishing you for not being able to read its designers’ minds. If you were to take the game’s inside levels, pretend the outdoor areas don’t exist and halve the price accordingly, you’d have a real gem. Or just disabling all of its infuriating invisible walls would do the trick. As it is, Claire de Lune left me fighting to have fun and, missing daughter or not, that’s not a battle I have the stamina for.

Even with the control issues, The House of the Dead: Remake is good fun. And while a playthrough will take you less than an hour, this is the type of game you’ll come back to time and time again. MegaPixel Studio has done a good job of bringing new life to a classic, even though its work is somewhat sabotaged by the fact that modern TVs have made traditional light guns defunct. Let’s just hope that a solution is found, and soon. But until then, blasting zombies with a controller will suffice.

While it pales in comparison to classics of the genre, if you’re after a new and very colourful 2D platforming shooter to sink some time into, you can do a lot worse than OmegaBot. It has some frustrations and sometimes feels a little repetitive or drawn out, but at its core lies entertaining gameplay that’s easy to pick up.

Autopsy Simulator is a realistic exploration of the work of a pathologist, with horror elements thrown in. But, as gorgeously gruesome as its graphics are, it's seriously held back by the amount of hand-holding, robbing you of any real decision-making.

That Time I Got Reincarnated as a Slime - ISEKAI Chronicles is likely to be enjoyed by fans of the franchise, but it won't wow them. It's a basic action RPG with fun 2D hack-and-slash sections that quickly become repetitive, and basic village building elements that feel underdeveloped.

There are some brilliant retro collections available, but unfortunately Super Technos World: River City & Technos Arcade Classics isn't one of them. There are essentially only nine games here thanks to two being available in Japanese only and another two being different versions of the same game, and while there's some fun to be had, a lack of museum content and other features just makes for a disappointing package overall.

Jay and Silent Bob are back in another side-scrolling beat 'em up. Though while Chronic Blunt Punch looks absolutely fantastic and is genuinely humorous at times, its gameplay lets it down.

It has a few enjoyable features, but unless you’ve got the patience of a saint it’s probably only trying if you love the rouge-lite genre and are looking for something unique and new.

Unlike its protagonist, Groundhog Day: Like Father Like Son shows little interest in forging its own identity. If you’re craving a return to Punxsutawney, rewatching the movie is a far more rewarding choice.

The Sundew isn’t perfect; every so often I ended up shaking my fist at its list of tasks, mocking me with its empty boxes, knowing full well some of them were entirely dependent on others. But this pixel-based point-and-click adventure still had me hooked to the end. All the more remarkable for being a solo effort, The Sundew is a real treat for adventure fans, cyberpunk aficionados or anyone who’s sick of being a chirpy chosen one.

Like its charming pixelated graphics that ooze character and its annoyingly mesmerising dubstep soundtrack, Super Mutant Alien Assault is an acquired taste. For many players it may be a bit sour, leaving them with the contorted face of bitterness and displeasure.

In My Shadow is only a few hours long, but it’s a lot of fun while it lasts, and having to think in different dimensions will keep you on your toes. As long as you ignore its disappointing story, you won’t regret picking up this brain-stretching puzzler.

Creating outfits is hugely entertaining. If you’re the type of person who spends far too long in a game’s character creator screen, you’re going to have a whale of a time piecing together outfits in Fashion Dreamer, making everyone look their absolute best. But that’s about all there is to do here. Sure, showing off your own designs in your showroom can be entertaining, especially if you’re playing online. But a serious lack of substance and any semblance of challenge really lets the experience down. Playing dress-up is a fun and relaxing way to pass the time, but if you’re expecting anything more, you’re going to be disappointed.

If starting all over again drives you up the wall, then Lone Ruin probably isn’t for you. For everyone else, it’s a frenetic, fun and highly replayable outing that’ll have you coming back for more. But if you do find a strange meteor in your backyard, do the sensible thing and toss it in next door’s wheelie bin.

Poison Control will not be to everybody’s tastes, but its strange mix of combat and poison neutralisation antics does at least make it unique. Also, while its gameplay does suffer due to repetition, the somewhat bite-sized nature of its dungeons means it can be offset by playing little but often. Ultimately, no element of Poison Control particularly stands out as impressive, but it also does little to actively put players off getting a controller in their hands and cleansing a hell or two.

If I had to suggest just a few things to improve this game, they would be to shrink everything down so the fun bits are packed together more tightly, let us use the warp crystals from the start and make standard enemies die in three hits. There’s a great game hidden somewhere here, but it’s stretched so thin I have to squint hard to see it.

Mainly thanks to its dull combat and floaty controls, Giga Wrecker Alt. isn’t the game it could have been. There’s a great story waiting to be unravelled if you have the patience to work through the game’s issues, but a few hours in, it really will become a slog. Giga Wrecker Alt. is a unique game, for sure, but uniqueness alone doesn’t make something good. The basics have to be there first, and in this case, they’re just not.

May not have multiplayer features or a high level of spit and polish, but it has an enjoyable gameplay loop, a wealth of unlockables, and, more importantly, it’s just fun to play.

Old-school dungeon crawlers aren’t all that common these days, so The Lost Child made for a refreshing experience. A little more depth – and better balanced difficulty – in the combat wouldn’t have gone amiss, though. But even as it is, The Lost Child is worth picking up.

I think my current 19 hours spent with Cook, Serve, Delicious 2 speaks for itself, but it is a really fun game.

It’s a lovely looking game, but The Falconeer just doesn’t entertain like it should. From its repetitive missions to its story that you’ll quickly stop caring about, it fails to capture your attention in the long term, while occasional frustration in combat puts a bit of a downer on the gameplay. Just flying around in its world can be quite a calming experience though. Silver linings and all that.

Mable & The Wood is no cakewalk and there are brief moments where you’ll struggle to make progress. But promise of new abilities and new areas to explore will keep you playing – and when you leap, slash and swing your way to them, you’ll never be disappointed. Mable & The Wood oozes charm from beginning to end and, even in a market that isn’t short of Metroidvanias, it more than distinguishes itself.

Terminator: Resistance Enhanced is undoubtedly an improved version of the original game, but it’s not transformative. Needless to say, if you’ve already played the game on PS4 or Xbox One there’s little reason to pick it up unless you’re a devout Terminator fan who wishes to play through it again. You’ll no doubt have a more enjoyable time, too. It’s those who have yet to dive into what is perhaps one of the best Terminator games of all time that will get the most out of this enhanced edition, though they should still temper their expectations. The core of Terminator: Resistance Enhanced is still scrappy and old-fashioned – it now just has a prettier façade.

Sure, the game isn’t perfect and has a few flaws – the ending is disappointing and the minigames feel quite pointless – but they are forgiveable simply because the game is fun, with a storyline and gameplay that are thoroughly enjoyable.

If you like stealth, definitely give Intruders a shot, but there are certainly better horror games out there.

If you missed out on the game’s original release or the Vita version, New Little King’s Story, the PC version is the perfect opportunity to catch up on this too often overlooked little gem.

There’s a lot to like about Firegirl, but it’s not free of issues. You’ll undoubtedly grin with glee whenever you’re lucky enough to successfully complete a run, having rescued all survivors. But chances are you’ll come across insurmountable frustrations more often than not, bringing your time with the game to a grinding halt. Continually upgrading Firegirl‘s abilities certainly helps, but the mechanics need a bit of tweaking before this is as enjoyable as it deserves to be.

Sonic Forces may not be the worst Sonic game ever made, but it’s close, and I don’t think the speedy blue hedgehog has many more chances to impress before gamers like myself lose all hope of him returning to his former glory.