It is chilling without being cheesy. Horrifying without being overt. Disturbing without being grotesque. I absolutely cannot wait to return to the Blackwood Sanatorium and make all the (right? wrong?) decisions this time around. The Inpatient is easily the most rewarding horror adventure to be had on the PSVR to date.

The Bunker isn’t a game to rush through but rather savour every moment spent in its incredibly well-crafted setting.

It’s surprising to see such little care done [in the console release], thanks to the age of the original PC version.

Though it’s not a game for everyone, I guarantee that most of you – whether you call them Opal Fruits or Starburst – will be able to get something out of it: even if it’s just that little nostalgic glow you get when you hear that old “Sega” sting and can feel that lovely, curved Mega Drive pad nestled in your teeny child hands…

Radiantflux: Hyperfractal is an odd package with a solid, but not great, arcade game locked inside.

Space Crew is a patchy trip into the cosmos. If you can tolerate the lack of mission and enemy variety you’ll get joy out of it but, with a little more attention it could have been stellar.

There’s a lot to like about Clid the Snail. To say this is from a small team, the worldbuilding and ingenuity is second to none. But while ‘unforgiving’ may have been the developer’s intention, the game’s boss encounters are far too frustrating to be enjoyable. With a bit more balancing to Clid and his armoury, this will be a must-play twin-stick shooter. Until then, only those with patience as hard as Clid’s shell will be able to truly enjoy what’s on offer here.

Bloody Ties isn’t likely to wow you in any way. As DLC goes, it’s very much inessential. But for just £7.99/$9.99, those wanting an excuse to return to Dying Light 2 might at least find it entertaining. The challenges will test your skills, while the cosmetics will allow you to further make Aiden your own. It’s just a shame that it very much feels like an extended side-quest, and that your hard-earned equipment is mostly rendered useless.

Asterix & Obelix Slap Them All! 2 still isn’t the best example of the side-scrolling beat ’em genre, then, but it is undoubtedly an improvement on the original game. While Streets of Rage 4 can rest easy as the king of the genre, Slap Them All! 2 can provide hours of fun, especially for fans of the Gallic warriors. We’d certainly welcome a third adventure, anyhow, complete with further improvements.

Part management sim, part roguelike, Undead Inc. has a few rough edges but it's still a treat for wannabe Umbrella Corp CEOs. Just remember to leave your ethics at the door.

Different Cloth’s Drive!Drive!Drive! is ambitious and could have been great. Instead, it is a decent entry that could, maybe, be a solid launching pad for future sequels.

If you’re not bothered about extra loot or costumes, then Episode Gladiolus might not be that worthwhile. But if you’re a fan who was invested in Final Fantasy XV‘s main story, finding out what happened to Gladiolus and learning where he got his scar from is a very welcome addition.

Overall then, MXGP2 is a good game, but it’s not going to blow you away.

There really are some great moments to be had with PlayStation VR Worlds, but as a package, it’s not overly impressive.

It almost feels as though it was made for the mobile market in a way, with its small but plentiful maps and cut down features.

I want to like it, but damn does it make it hard. Like the games that came before it in this genre, I’ve no doubt that Anthem will get better and bulkier with updates over time, but if Bioware takes too long in getting there, I fear most of the player base will have moved on. For what it’s worth, Anthem does show a lot of promise.

Reagan Gorbachev undeniably has character, and really runs with its absurd premise, delivering a decent arcadey Hotline Miami-like. But while it delivers thrilling moments, it disappoints in a few key areas, presenting a game with a bland aesthetic and relatively shallow gameplay. It offers some enjoyment in the form of its tongue-in-cheek story, but if you’re looking for more depth than score chasing, you may not find it here.

One of Lost Sea‘s strongest points, the soundtrack is thematic, and keeps you pushing forward through each island in the chain to reach the boss.

Though it’s not a bad game, Forgotten Fields is hampered by more than a handful of technical issues. Prepare to glitch through furniture and objects as you try and make your way around this otherwise beautiful world. It’s a shame, because there are more than a few truly lovely moments, and you’ll likely find yourself relating to the game’s cast of characters. Perhaps wait until its bugs have been addressed, because there’s a good story to be experienced here.

Stripped of its hellish veneer and of the illusion you’re actually calling the shots, Hell Architect is a relatively run-of-the-mill management game. It’s by no means torture to play, but it fails to live up to its wickedly intriguing premise – and the odd dashes of humour can’t fix that.

Exploring Luna Nova Academy can sometimes be frustrating until you're able to fast travel throughout it, and trying to complete events can often feel like an uphill struggle against the clock. But as you begin to wrap your head around the game's intricacies and balance dungeon crawling with your academic endeavours, things fall into place.

It’s unlike anything else currently available, and if you have the patience for it you might find it strangely enjoyable like I sometimes did, but also occasionally mightily frustrating.

Quite a sizeable game for its price – you can expect to get at least ten hours of play out of it. It has decent music and visuals, too. It’s just a shame that its story isn’t engaging at all. If it wasn’t for the enjoyable nature of its battles – which admittedly don’t try to raise the bar – it’d be a total disaster. So, if you’re a fan of The Dark Crystal or just love strategy RPGs, you’ll get some enjoyment out of it. Just don’t expect it to blow you away.

Within half a dozen hours, party members move from distant strangers to lifelong companions. These shifts feel completely unnatural and alienate the player from forming emotional connections.

The core of it is basic but solid. Ultimately, though, it’s let down by League mode which becomes a repetitive slog way too quickly. It’s also disappointing that you can’t easily party up with friends in any mode other than Versus, where you’re stuck fighting against each other or the CPU. If you find solace in repetition, or have a group of friends that regularly get together and would enjoy some mech-based mayhem, definitely consider picking it up. Otherwise, you might want to give it a miss and see if it’s improved further down the line.

On the whole, there are enough changes for the better to elevate Tennis World Tour 2 from being a sub-par to a decent tennis game. Graphically it’s still not going to wow players, and there’s still some work to be done on the animation and AI side if Tennis World Tour 3 ever comes to fruition, but Tennis World Tour 2 is at least now somewhat enjoyable. Throw in a considerable amount of extra content and next-gen consoles not only now have their first tennis game, but also one that’s worth considering.

Rolling Bob, though by no means groundbreaking, is perhaps best described as harmless side-scrolling fun. It may not excel in the visual department and may suffer from some technical issues early on, but when knee-deep in one of the game’s fun puzzle-platformer levels it’s hard not to find yourself tense and gripped as you make your way through.

With its comic book visual style, isometric viewpoint and focus on crafting, I Hate This Place is a unique entry in the survival horror genre. It's just a shame that it's let down by gameplay that feels rough around the edges and a lacklustre story.