Games.cz's Scores

  • Games
For 2,533 reviews, this publication has graded:
  • 36% higher than the average critic
  • 6% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Game review score: 71
Highest review score: 100 Happy Game
Lowest review score: 10 Super Seducer 3: The Final Seduction
Score distribution:
2533 game reviews
    • 64 Metascore
    • 50 Critic Score
    Likable, but sterile manager, whose realism, does not benefit only from the NHL license, but it lacks many important features and it´s lifeless. An interesting competition for Eastside Hockey Manager, but it needs more time.
    • 75 Metascore
    • 50 Critic Score
    Compose music like a bricklayer builds a house! Fract teaches gamers to feel the sound truly spatially – you will even touch it innumerable times. Nonetheless, the game has very thick scales, and among its complicated puzzles it has lost its power to entertain.
    • 63 Metascore
    • 50 Critic Score
    Ambitious but broken. Beautiful but full of mistakes. That is Empire of Sin, a disappointing mobster tale from the days of the Prohibition.
    • 58 Metascore
    • 50 Critic Score
    An ordinary game coming out from the original recognized board game. The only thing driving you forward is your effort to beat the game's developers who have chosen to create a hardcore turn-based strategy game after lots of trial and error. There's nothing more to it.
    • 64 Metascore
    • 50 Critic Score
    A survival with a fascinating setting and fresh ideas that is horribly let down by its endless repetition.
    • 58 Metascore
    • 50 Critic Score
    Simple arcade game with relatively addicting gameplay which suffers from a severe lack of content. In this case it's quite a fundamental problem.
    • tbd Metascore
    • 50 Critic Score
    The biggest advantage of No Time To Explain Remastered is, that the game finally works. Otherwise it's only funny, but too short platformer, what is easily lost in the crowd of similar titles.
    • 76 Metascore
    • 50 Critic Score
    It is a great pity that Grasshopper did not manage to match so masterly created environment and a story packed with black humour with a game of appropriate quality. Each of the great ideas is almost perfectly drowned in a flood of incomprehensible errors.
    • 64 Metascore
    • 50 Critic Score
    For a little money, you get a little fun. However, the one hour Oh Sir!! Game lasts, will enrich your vocabulary fairly, and teach you how to effectively mock your enemies. It also reminds you in the most pleasant way the humor, for what you love everything that bears the name of Monty Python.
    • 69 Metascore
    • 50 Critic Score
    Deliver Us Mars delivers through its story and well-written, well-acted characters. But literally everything else is a drag. The gameplay systems lack logic and fun – you should probably just watch it as a movie.
    • 74 Metascore
    • 50 Critic Score
    Not even a demolition hullaballoo helps, when a concept and a central idea are missing. Red Faction Armageddon drilled into the depths of Mars more than it is healthy for a good shooter. Volition has created a shooter for one night that you will not remember the next morning when you wake up.
    • 85 Metascore
    • 50 Critic Score
    Antihero is pretending to be a board game, but it has nothing to offer to board game players. It's flat, scared of depth and gives no room for your own ideas in never-changing battles. You can find a lot of better digital board games on the market. But if you are not interested in table games and you are looking for something slightly different, Antihero has it.
    • 63 Metascore
    • 50 Critic Score
    Because the media can (and they also do) manipulate the crowd, it is good to remember, that nothing is only black or white – and seemingly simple decisions can bring unexpected negative results. In the case of The Westport Independent the form however wins over the content, which is desperately short and shallow. It is an interesting experiment, but only an average game.
    • 70 Metascore
    • 50 Critic Score
    A flat and not very interesting trip to World War II can catch your eye mostly because of its nice visuals. It may be enough for newcomers, but veterans of the genre have to find a new favorite elsewhere.
    • 59 Metascore
    • 50 Critic Score
    Gord had the potential to be an enjoyable survival builder, but alas, it fell short in several key areas. Its narrative was lacking, gameplay felt repetitive, and the choices offered often seemed devoid of meaning. As a player, you found yourself excessively concerned with tasks that were typically automated in other games. Perhaps the most captivating aspect of Gord was its folklore, yet regrettably, the campaign failed to fully explore and leverage this rich narrative backdrop.
    • 58 Metascore
    • 50 Critic Score
    Play this game only if you know A Game of Thrones novel and also if you are willing to forgive that the game hasn't been made properly at all. Only then you are going to be captivated by a thrilling and well-made story with the power to make up all the negative aspects. Simply, Game of Thrones is all about its content, not its form.
    • tbd Metascore
    • 50 Critic Score
    An inaccessible interface, constantly repeating objectives and tens of irrational gaming features make Zoo Tycoon a mediocre strategy game. It has one plus, however, its graphics are beautiful even on Xbox 360.
    • 76 Metascore
    • 50 Critic Score
    A bold game remarkably combines platform games with tower-defense strategies. Unfortunately, its originality does not resonate with its quality. Neither part of Aegis Defenders is finished properly. And the biggest problem is, the game is almost unplayable –unless you have a fellow gamer for local multiplayer.
    • 72 Metascore
    • 50 Critic Score
    Dull and uninteresting game without ideas and tension and with a lot of unfinished work. Lenient, undemanding fans of stealth games may be satisfied for a while, but even they should wait for a sale. Everyone else should rather return to Dishonored or Hitman.
    • 58 Metascore
    • 50 Critic Score
    Demo version should remain a demo version not pretend to be a full-featured game. Full version offers close to nothing new compared to teaser. Kraven Manor is promising game with a great potential – but potential unfortunately untapped.
    • 61 Metascore
    • 50 Critic Score
    Hellboy: Web of Wyrd is unequivocally the best Hellboy title to date. It's captivating, featuring an intriguing world and a narrative that pays homage to the universe crafted by Mike Mignola. However, the slow and monotonous combat system significantly hinders the game's overall appeal.
    • 61 Metascore
    • 50 Critic Score
    Payday 3 tries really hard, but good intentions alone can't guarantee a fun experience. While many individual elements may seem appealing in terms of audio and visuals, as a whole it just doesn't deliver as it should.
    • 64 Metascore
    • 50 Critic Score
    Something that looked like a very decent restart of the meritorious open-ended city-building game series turned out to be as dull as ditchwater. Maybe, the new SimCity title will be a good game some day. Only if its cities are 4x - 5x bigger, if modders take charge of it, and the online component is working the way it should be working.
    • 59 Metascore
    • 50 Critic Score
    Inexperience and too much ambition have left their marks on a bland RPG. It contains incomplete game elements, and its combat is the only challenge and entertainment of the game.
    • 65 Metascore
    • 50 Critic Score
    Even though Slender uses the most primitive horror elements, initially it works for him. However, after a lapse of time he's losing his breath, and at the end of the game instead of being thrilling he's just boring.
    • 61 Metascore
    • 50 Critic Score
    There's nothing to criticize in terms of Oknytt's visual and sound qualities. However, problems reveal themselves while playing the game. Its puzzles are far too simple, and its rune system is downright dull. Both adventure game fans and Norse mythology lovers will scrape out some fun from Oknytt, but for the rest of you there's just a good-looking and good-sounding drag.
    • 66 Metascore
    • 50 Critic Score
    Harry Potter: Quidditch Champions finally brings Quidditch as a standalone title, but it feels a little late to the Yule Ball. The game has potential, though it would benefit from more content and perhaps a more refined art style. However, smashing people with Bludgers remains royally fun.
    • 62 Metascore
    • 50 Critic Score
    Flat, uninteresting arcade racing game full of mud, sand, gravel and snow. Gravel is constantly on the swing - the graphics can be astonish you at one moment, in the second it disgusts you. The riding model is funny in one race, while in the other it shows how it’s unfinished. The creators concentrated on a lot of things at the same time, but they managed to finish just a few of them. Not worth the full price, worth only with the Christmas discount.
    • 56 Metascore
    • 50 Critic Score
    Original discourse with the Demon won't cover up that Bound by Flame is just a second-rate RPG with a hint of interestingness, and a heap of ordinariness and flaws. Its story will make you laugh, its world setting design will force you to weep. The only thing giving appropriate emotions is the game's crafting system.
    • 72 Metascore
    • 50 Critic Score
    LEGO – The Hobbit falls into those titles of the LEGO universe that do not bring off, and as a matter of fact this is a valid statement when look at the game from general viewpoint. Compared with the other LEGO titles it lags behind mainly because of its weak mini games along with unimaginative gaming components continuation.

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