Flawed technical state undermines the fun of the top-story episode. Telltale should consider, if it´s not right time to blow out their aging engine out of the window.

Redemption Reapers is a competent turn-based RPG with a rather awful story and flat characters. It’s not very pretty either, even though its soundtrack is excellent. If you really enjoy this genre you’ll find things to enjoy, but there are many better options among the competitors.

Very painful resurrection of manic races. Reincarnation gameplay gets tries and achieves the qualities of the original Carmageddon. Unfortunately, the game is in such unfinished state, that you won't believe it was released.

The author's many interesting ideas somehow result in a completely boring and forgettable experience which exhausts itself after the first hour. Afterwards, you are trapped in a generic universe with fun in very short supply.

This strategy builder is far too shallow and simple to recommend. You’ll find yourself bored and exhausted before you know it and there’s nothing fun waiting for you later.

The Last Guardian is a ten-year-old game that had somehow emerged on store shelves recently. Though it does undoubtedly have a big heart, it stands no chance compared to today's titles. Moreover, even if you were a fan of the old action adventure games, brace yourself for the plain frustration from the crappy controls, mad camera and unclear game design.

For complete newcomers, it’s a solid entry point into the Pokémon world. Those who have already tread those paths before won’t find anything new that's worth seeing.

The project revives a long forgotten genre of interactive movies. It can surprise with interesting, but unfortunately a linear story, it offers good acting and a very strong atmosphere. Unfortunately, all this does not change the fact The Bunker is boring from the gameplay perspective.

For complete newcomers, it’s a solid entry point into the Pokémon world. Those who have already tread those paths before won’t find anything new that's worth seeing.

Acrobatics on medieval galleries has its charm, but is far from perfection. The stealth game is more action than tactical and it leads to stereotype that authors even feed with many technical and conceptual mistakes.

The assassinations are cute, but the overall strategy game behind them is very, very average. Even though its murderous missions are fun in the beginning, they are soon crushed into oblivion by the villainous freemium model, Spanish Inquisition-style.

This is certainly not a bad game, but it’s missing a spark, something to make you want to skip work and play a few more turns. Furthermore, the combat system is boring and everything relies on chance too much for my liking. This expedition has lost itself.

A short medieval tale that aims high but falls short. This debut from Sedleo Games attempts to evoke the simpler, linear experiences of seventh-generation titles, but lacks both the budget and ideas to succeed. Combat is unremarkable, puzzles uninspired, the story fragmented, and the technical state poor. What remains are sympathetic performances from the leads.

A surprisingly bland strategy game missing the spark of Civilization. Its economy system is initially quite interesting, but after a while it gets tedious. And that’s all the game has to offer.

Paradise Lost? More like time lost playing this game. Get it for free if you can but you should know that the interesting setting feels utterly wasted whether you pay for it or not.

The unfinished product is pulled back to the ground not only by its technical issues, but also the inconsistency or the fuzziness of the original concept. The game playability save its robotic probes and tremendous modularity.

Cyanide Studios once again manage not to raise the bar. This is a deeply average game reminiscent of cheap B-movies, visually awful and mechanically obsolete. But massacring your enemies as a bloodthirsty werewolf is, not surprisingly, quite fun.

At its core, this is a fairly enjoyable metroidvania with solid level design and attractive environments — but it's brought to its knees by an unnecessarily overcomplicated gameplay system, bland combat, and technical shortcomings. The style of humor here also won’t be to everyone’s taste.

House Builder had great potential but ultimately didn't step out of the shadow of House Flipper. Building houses is neither elaborate nor satisfying, skill development feels hastily done, and it's not pleasant to listen to or watch. It only captivates with its environment and diversity in buildings and construction processes. If you're looking for occasional relaxation, it might work, but it won't become your next game for all the following evenings.

An utterly conservative DLC with everything you’d expect including a lot of stuff to hoover from the map, a few new armours and weapons and an interesting addition in the form of draining special powers from enemies – which sounds great, but the game cannot really handle the implications. In summary, there’s so little creativity it hurts.

Yes, this is one of the first Xbox Series X’s big exclusives, yes, it’s in the Game Pass. But those are about the only reasons why you should even think about playing this mediocre horror.

Unfortunately Transport Tycoon successor didn´t happen this time. Transport Fever is absurdly difficult compared to the iconic original, more complicated and mostly prefers the management over the constructive matters. Play the game only if you miss more paperwork in TTDX desperately.

Bohemian Killing is an unpolished diamond, because the brilliant idea has not received an appropriate design. Excellently atmospheric adventure suffers with modest content and self-destructive desire to repeat itself over and over.

Mobile to PC transfer is just a grey noise. It suffers mainly because of missing touch screen. Thanks to the low price the game surely finds players who will be happy with three-hours gameplay of classic silent horror film on PC.

An atmospheric walk through the beautiful worlds soon become a routine stereotype because of very poor game mechanics. It's also drowned by its technical flaws. It can bring some brief relaxation, but isn't immersive enough for deep and long gameplay.

Apocalypse watched from the window of a train is definitely catchy. Unfortunately, the creators did not succeed in building interesting platformer around it. Just a solid atmosphere does not create a good game.

Afterfall: InSanity may be criticized for many things. However, if you belong to die-hard fans of Dead Space or Resident Evil titles, the game may manage to attract your attention, and your time spent in it may not be misspent.

Successor to The Whispered World didn’t make it to the developer’s Hall of Fame. The game abandons the principles of a classic adventure game and tries to push on more action playing style like are games from Telltale Games studio – not very successfully to be honest.