Seemingly profoundly clever, this adventure is actually extremely shallow. Neither the story nor the gameplay mechanics do justice to its strong theme of a petrified Ancient Greek world.

A stealth game that cannot provide a satisfying stealth experience. A fighting game that won’t let you fight. The only thing worth your time is the dark story, but you’ll have to suffer in order to see the ending.

RymdResa is mostly soothing space roguelike game, but it has relatively small variety of environments and flat gameplay. A poetic effort remains halfway - equivalent rhymes you can find even on improvised evening of slam poetry.

Cultist Simulator is a laboratory of bizarre ideas and that corresponds with conflicting gaming experience. The story of a cult was squeezed into a pack of cards, but originality alone doesn’t provide fun.

An average arcade game for relaxing after a long day that will entertain you for a while but in a few days, you will forget about it. The core of the game is fun, but after playing for a while you are facing stereotype and boredom.

A pleasant little game that is entertaining, indeed, but in fact it brings nothing new to the table. Besides, the game's length is terribly short.

An original idea of a ghost-chasing and solving puzzles through your augmented reality is, however, buried by its brief stereotypic gameplay with technical issues. Buy it at a bargain price, otherwise not.

The industry forgot to call and tell the authors that they are way behind what’s fashionable. There might be a good game hidden somewhere inside but, unfortunately, no one cares. Which, for a competitive multiplayer game, is a death sentence.

Want crazy driving set in a beautifully stylized version of 1960s America? Crashing through houses that crumble into bricks? Taking on missions that embrace just the right level of madness? Then Deliver At All Costs can offer you a few days of fun. That is, if you can stomach its long-winded and dull story, as well as occasionally unbalanced difficulty. The world may be full of side activities, but most of them end up feeling pointless. A shame, really—because with its focus on destruction and driving, this could've been a truly great game.

How do you even critique this? The actors are brilliant, the production quality as well, but the game feels random at times and offers very poor gameplay.

An interesting idea combining Norse mythology with a very personal story of a mother searching for her son, unfortunately the game failed to bring any better than an average gameplay.

The creators have looked everywhere and were inspired by everything, but unlike the competition there's no quality in their endeavours. Instead of a great hack and slash title they serve us a merely stereotypically dull piece without brains. On top of that, the game looks off colour.

Not a remaster, just a port for newer consoles and PC. This is the original 2004 game with just a few tweaks so don’t expect to be blown away by the experience. Still, a good product for retro fans and true connoisseurs of the Sword Coast.

Any potential for an entertaining and brutal third-person action game set in a popular world of Warhammer was killed right at the start with primitive level design and boring fighting. On a paper, this game had a lot of potential which sadly remained unfulfilled except one thing: very solid multiplayer. Right now, multiplayer is the only reason to play this game or at least think about it.

For now the best game with the Olympic Games' licence. This one differs from the others by its audiovisual quality. In other respects it's all the same - it's unfunny, button-beating as usual that lacks any kind of passion or motivation.

If Antonio Salieri was the boss of these developers, it would explain a lot of things. The First Templar is a prime example of a mediocre game that won't hurt nor warm your gamer's heart.

Again, it didn't work out – again, Jane Jensen is serving only a neat story that is, however, wrapped in both unnecessary graphics and gaming features that appear functionless at best, and that lead the game down a blind alley.

A successor to the legendary combat flight simulator video game insults its name and its fans by its state of the released version. The game can be partly forgiven for the upcoming revisions that are to improve its gaming experience. I dare say this game is going to be truly great in the following year. Unfortunately, now it's suitable only for those lovers that are patient and loyal to the combat flight simulator games.

Intentionally, Evoland is evoking memories on some of the most amazing games in the solar system, but the game itself is not the amazing one. Half of it is an illustrative and funny excursion to history of the video game industry, half of it is dull as ditch water. So it's about fifty-fifty.

Make no mistake, these bikes look great and it’s quite fun to ride them, if you can get used to the strange physics. But then you’re going to start noticing things, unfinished and unpolished, such as the environment around the track. This shouldn’t happen to a yearly franchise.

For the consumers of The Elder Scrolls universe this is a very good excuse to come back. For the Twilight fans this is a vivid experience of the vampirish soul. For the rest of you the game is offering the content that is not going to change your leave it or love it relationship with the original title.

Godfall is such an average game. It doesn’t stand out in terms of visuals nor in terms of the combat system. Wait until it’s free on the PS Plus in a few months, then download it and never play it.

Warhammer 40,000: Rogue Trader remains an exceptional, superbly written RPG capable of captivating both long-time fans and newcomers, drawing them into the grim darkness of the 41st millennium for hundreds of hours. However, the Switch 2 port severely undermines the experience with poor performance, frequent technical issues, awkward control implementation, a noticeable graphical downgrade, and the absence of key DLC. Until substantial patches and the full content lineup arrive, this is a version best avoided.

An average narrative ride that's unpleasantly superficial in contrast to its true potential. Unfortunately, the creators have blocked that potential with lame graphics and average gaming mechanics. A system of choices, and replayability should have been the things that save the game. However, it did not happen.

If you are looking for an average platformer definition, stop by the Yoshi's New Island title. Everything is working here, it's a decent play, however, it's clearly visible that Yoshi's New Island is a trivial thing you will forget in a few seconds. I've been expecting more from Nintendo.

If you're extremely hungry for "Caesar-like" city-building strategies, Citadelum will certainly entertain you for a few hours. However, don't expect more than a brief distraction—it's too shallow and underdeveloped for anything beyond that.

A weak ending of the Final Fantasy XIII trilogy. Lightning Returns lags behind with its crappy story, atrocious dialogues, and new genre mechanics that work only sometimes.

Joe's hands are like excavator buckets and Joe can walk through the wall. That's all what Machine Games wanted to tell the world in the first of three paid add-ons to the new Wolfenstein.