RE Zero is a great example of why old-school horror releases are beloved and special. With a few new technical upgrades, it has largely made a graceful return on current systems.

A good but safe debut from the three-man team at Boomlagoon. Aside from its cute premise and racing-inspired gameplay, everything else feels like something we've seen dozens of times before on the App Store. Hopefully, the team will flex their creative muscles a little more in future titles.

I just wish the studio had advanced its humor and encounter design as much as class progression and weapon variety. If you enjoy lootin’-and-shootin’, check out Borderlands 3. But go in knowing that you’re going to cringe at some of the jokes and feel fatigue every now and then.

The lack of a story is a bit of a bummer, and its user interface could still use some work. But even with its problems, Spirit Hunter is a refreshing change of pace from the strategy games and match-3 puzzles that usually clog the App Store.

Technical issues already dampened its prospects since its debut, and long matchmaking times are only compounding the problem. But with rock solid mechanics and genuinely interesting ideas behind it, 5th Cell's innovative shooter still has a fighting chance of bouncing back.

For me, the experience was like taking your car to the shop. When you get it back, it’s shining, detailed, and purring: They’ve traded your Ford Focus for a Ford GT. Hooray! But then you get in and notice it’s a stick shift, with manual brakes and steering, no stereo, no A/C, and wait, where are the doors?

How you feel about Tharsis probably depends on how you feel about board games, soul-crushing challenges, and shorter gaming experiences. If you love tabletop games, repeatedly dying while learning, or heavily micro-managing resources, Tharsis is a worthwhile way to spend an evening.

Pushmo World is a fun puzzle game, even if its presentation will make you feel like a preschooler. Still, the easy-to-use level editor really helps make it an easier recommendation to anyone looking for an interesting little addition to their Wii U library.

Developer Clap Hanz has produced a thoroughly enjoyable and addictive game, filled with a simplicity that makes it accessible for players of all abilities.

Tri Force Heroes is a lot of fun when you’re playing with friends, but make sure you have two buddies who can dedicate some time. The experience just isn’t as engaging when you’re alone, and you lose a lot of the social elements when you play with strangers over the Internet.

A comforting portable companion for fans of the sport. It sits between the slickness of FIFA 11 and grit of FIFA 12, forging a simple experience that acts as a welcoming introduction to Vita's capabilities.

Some corners were cut in terms overall production values and the gameplay may be too watered down for fans of more technical fighters, but if you're still on the fence about Naruto, this is the game that will make it or break it for you.

I love the idea of Where the Water Tastes Like Wine. It has a lot of personality, and several days after I finished it, I was still humming some of the songs to myself. However, it’s impeded by a few gameplay quirks, like how tedious it is to move around. And most of all, I’m still very disappointed by how I wasn’t able to see the final chapter through to the end.

Yakuza 6 has an ambitious narrative, alternating between lighthearted and dramatic. Unfortunately, it doesn't give its characters enough love and care to truly pull off the pathos.

You should definitely try Hohokum if only to understand how weird and hard to describe it is. But not everyone will appreciate its laid-back attitude and guidance allergy. It’s certainly a beautiful and unique title, and I enjoyed playing it, but bring along some extra patience just in case.

If I were rating the story and acting, I would put it at a 95 out of 100. But with all of the bugs and flaws in the gameplay, I am rating the entire package at 75 out of 100. I hope my feedback will be useful as a reminder to developers that six months more work on a game can pay off with huge dividends in quality.

Assassin’s Creed: Origins offers a rich world and a compelling story at first, but it’s waylaid in part by the repetitive side quests and a weaker second half. It has secrets to find, but you’ll have to go looking for them — and you’ll have to do a lot of grinding along the way.

I wanted very badly to love Dauntless, and for a time I think I did thanks to the fantastic combat and weapon variety. But the lack of any real storytelling makes the repetitive questing structure a glaring issue in desperate need of some TLC. If you’re looking for a new go-to F2P experience, you could do much worse — just don’t expect a world drenched teeming with lore and compelling characters.

The game has weak shooting systems and some bad weapons, much like Red Dead Redemption II. But while the other games have been highly rated, Days Gone has had its legs cut out by the bugs.

Mad Max isn’t a terrible game — it’s actually well crafted. The problem here isn’t that it’s broken or unplayable but that it’s just boring.

It’s good to see Nintendo flexing the strength of its back catalog. NES Remix was a nice start, and NES Remix 2 is an improvement. Plenty of people, including me, love this era of gaming, and this game does a good job of capitalizing on that.

The Division is in a weird spot. While the story campaign is fantastic, the end-game content is disappointing, even without factoring in the hackers and the bugs.

It’s a semi-remake that fails to match all the charm of the original.

Transistor is beautiful and engaging with a brilliant combat systems that encourages careful planning before and during battle. It’s just a shame the story holds it back from being a true classic. It’s a more flawed experience than Bastion was, but it’s also a more interesting one.

Insurgency is going to win fans for its gameplay. The action is highly competitive and focused. It brings me about as close to a real gunfight as I’ll likely ever want to get.

It remains a solid adventure today despite the late-game efforts of one of the worst system-based game mechanics of this or any other year. The afternoon of graph diving it takes to beat Metrico is all that’s needed to forever see a small silhouette jumping to and fro on all of the financial documents in your future.

For all the great amount of detail put into the experience, the lack of real, permanent consequences and a fully simulated opponent is a huge letdown. Scripted missions just aren't enticing enough to warrant repeated plays.

Pid is just as atmospheric as Fez and as grueling as Braid, but it's the little details of its execution that keep it from flawlessness.