Slitterhead delivers a wild, exotic horror-action experience with quirks that both thrill and perplex. While the story and gameplay have rough edges, those who look past them will find twisted combat, eerie monsters, and an unforgettable cult-classic vibe from Bokeh Game Studio.

Dead Reset has me in a bit of an impasse. One the obe hand, Dark Rift presents a fairly decent FMV with mostly adequate acting and an interesting gimmick of a death loop, in which bad choices can potentially be altered by making different ones in another cycle. But on the other hand, the developer reveals way too soon and in an obvious way that choices don't really matter all that much and story branching comes close to an Alabama family tree. If olny they could reset their own development proces to right some of these missteps...

Winter Burrow presents a charming idea with a cute story about a mouse returning home and helping forest animals. Its beautiful hand-drawn art adds appeal, but the lack of maps and quest markers makes exploration confusing. The quest-based structure limits freedom and can lead to frustration despite well-executed survival elements. Overall, it’s a cozy yet uneven experience that balances moments of joy with bouts of irritation.

Henry Halfhead is short, simple, and not a game you play for depth or challenge. But if you’re open to its playful charm and quirky touch, you’ll find a unique little experience that briefly lifts you out of the everyday grind.

Shadow Labyrinth mixes old-school PAC-MAN with Metroidvania, and it works out surprisingly well. The story is mysterious, the exploration engaging, and the retro MAZE sections deliver a satisfying nostalgic kick.

Tripwire Interactive clearly has its hands full with Killing Floor 3, as many of the game’s systems are simply not up to par. Visually, it’s a disappointment — not only does it fall short graphically, but the character and weapon designs range from generic to outright ugly. Thematically the game often misses the mark, mission design quickly becomes repetitive, and performance issues alongside an aggressive in-game shop add to the frustration. What keeps it from completely falling apart is the core gameplay, which, while far from groundbreaking, is entertaining enough to get your blood pumping. Perhaps Killing Floor 3 is a truly authentic Killing Floor experience, in the sense that Tripwire Interactive will need a few more years of work before the game reaches the level of quality it aims for.

Kiln sparks curiosity with its creative concept, unique systems, and that unmistakable Double Fine charm, backed by solid gameplay and appealing visuals. Yet beyond the surface, it quickly loses its grip due to imbalance, a lack of meaningful content, and a focus on live-service over cooperative play. It’s a fine pick for a quick Game Pass try, but ultimately fails to leave a lasting impression.

Star Wars Bounty Hunter offers a solid experience but fails to stand out as a top-tier title in the Star Wars universe. While it has its moments, the gameplay and design leave it feeling more like a missed opportunity than a must-play.

Fairy Tail 2 is a fan-service title that offers the conclusion fans have been waiting for, but the repetitive battles and lack of depth make it feel shallow. Despite a decent story, it fails to match the immersion and excitement of other anime games like Naruto and DBZ.

Hauntii takes players on an emotional journey filled with haunting visuals and thoughtful storytelling, but it starts off slowly. The game’s unique atmosphere and engaging narrative eventually draw you in, making the wait worthwhile. While the pacing may be a bit sluggish at first, it’s an adventure that rewards patience with a deeply affecting experience.

Formula Legends is a fun, stylized racer that blends sim and arcade elements surprisingly well. While weak collision detection and texture loading hurt the experience, its €19.99 price tag and F1 charm make it worth a spin for fans.

Quarantine Zone: The Last Check has an original concept that offers solid entertainment, but lacks the depth to truly keep you hooked. It shines most in short sessions, as monotony and technical issues start to creep in over time. With future patches in mind, it remains a fun experience but best enjoyed in moderation.

Big Bad Wolf's Lovecraftian investigation horror experience pulls out all the stops to corrupt the brains of many a Cthulhu fan. From dazzling locations full of references to volumes of H.P. Lovecraft lore, Cthulhu: The Cosmic Abyss spares no detail. The fact that you have to scan every square centimeter until you lose your mind, and still run the risk of missing vital information, might well be a low point for some. With a bit of bad luck, it drives you to mental corruption, but it is a sacrifice that an audience with The Great Old One requires.

Clue: Murder by Death oozes charm and nails the whodunnit vibe, with clever companion mechanics and a ticking clock that keeps the tension high. Sadly, the bloated mansion, limited inventory, and forced repetition drag the experience down. The game is brilliant in concept, yet flawed in execution. However, for under twenty bucks, mystery fans might still find it worth the sleuth.

AI Limit has a cool Sync system and diverse weapons but falls short in story, level design, and balance. Combat shows promise but suffers from poor timing. Only worth it for die-hard Soulslike fans who can grab it at a discount.

SCHiM is a beautiful demonstration of how simplicity can create powerful gaming experiences. The game’s minimalist design and intuitive mechanics make it easy to pick up, while its unique shadow-based puzzles provide plenty of depth and challenge. It’s a clever and charming title that proves you don’t need complexity to create something special, though its simplicity might leave some players wanting more.

DK Island & Emerald Hunt tries to feel fresh, but mostly comes off as a quick cash grab. Fun for a short while, but the repetition kicks in fast and the fun quickly fades.

Possessor(s) is a stylish Metroidvania with an intriguing world, strong atmosphere, and a satisfying mix of action and exploration. The dynamic between Luca and Rhem gives it a unique buddy-cop vibe, while the challenging combat and upgrades keep things engaging. Despite a few frustrating moments of searching, this is an adventure genre fans shouldn’t miss.

Is The Precinct that reverse GTA experience some people make it out to be? Yes and no. While Fallen Tree Games isometric police sim tries diligently to offer the player plenty of cops versus crooks action and an intriguing story, it also bogs down the action with mandatory patrol jobs to farm essential XP. Combine that bureaucratic drag with visually limiting camera options and progress obstructing bugs, and you might consider turning in your badge and gun.

By staying true to John Krasinski's formula, A Quiet Place: The Road Ahead comes as both a blessing and a curse. Fans of the movies are served with a reference-filled and recognizable plot, which can be its strong suit but also its weakest link as it leaves very little to the imagination. The saving grace of The Road Ahead is definitely the suspenseful gameplay in which complete silence and methodical traversal is paramount, though it begs to be asked if the player can muster six to seven hours of it. And that is if you don't run into bugs that force you into reverting to a previous checkpoint.

Call of Duty: Black Ops 7 feels like four games in one. Very ambitious, but uneven to say the least. The co-op story and PvE mode miss the mark pretty bad, while Zombies and multiplayer carry the experience. Not a classic, but there’s fun to be had if you know what you’re here for.

Twinkleby is a charming cozy game with a soothing style, simple controls and adorable villagers. Decorating islands and caring for Neighbours is relaxing and rewarding, but limited furniture variety, slow AI, and repetitive elements dull the magic over time. The result is a solid cozy experience best enjoyed in shorter sessions.

Aphelion turned out to be one of those games that I really wanted to love, but unfortunately started to dislike more as time progressed. DON'T NOD's marvelous UE5 showcase and its excellent Interstellar-like soundtrack can only do so much to disguise the flawed climbing and stealth gameplay mechanics.

Teenage Mutant Ninja Turtles: Mutants Unleashed offers a visually appealing and accessible experience tailored to younger fans. While the RPG system adds a fun layer, it lacks depth for older players, and the fixed camera can be frustrating during platforming sections. It’s a solid choice for a younger audience, but veterans might prefer Shredder’s Revenge for a more challenging and refined Turtles experience.

Godbreakers bursts with potential through flashy action and memorable bosses, but stumbles over shallow systems and weak levels. Co-op brings chaotic fun, though frustrations aren’t far behind. An entertaining roguelike, but far from a new benchmark.

Echoes of the End begins with a promising story and stunning environments. The biggest drawback is the sluggish and unresponsive combat, worsened by technical issues and frustrating enemy encounters. Fortunately, that frustration is occasionally interrupted by well-designed puzzles. Myrkur Games had some good ideas for their first title, but they haven’t quite managed to turn them into a solid and enjoyable game yet.

FBC: Firebreak proudly earns its spot among the better co-op shooters out right now. It’s a slick-looking game where the unique missions and bizarre weapon choices really steal the show. Thanks to the many interactive elements in the sandbox, there’s more depth here than you might notice at first. Add to that the solid teamwork features, and deep progression systems, and it’s clear Remedy has delivered a strong package. The enemy AI isn’t all that tough though, and the amount of content at launch is a bit underwhelming - but even with those flaws, I can still wholeheartedly recommend FBC: Firebreak. It’s a shooter that doesn’t talk big - it just gets things done.

Star Overdrive has a strong foundation with stylish hoverboard exploration and creative Keytar-based combat, but it falls short of its potential. The world feels empty, the protagonist lacks personality, and many creative ideas are confined to isolated segments. It’s a game with a great concept, but the execution doesn’t quite deliver.