This game has some enjoyable parts, like the art, story potential, and cyberpunk aesthetics, but it is ultimately underwhelming.

With a strong artstyle and a clever idea, ultimately the lack of in-depth systems and the huge limitations on the gameplay killed the interest I had in this title.

The final act aside, OXENFREE II: Lost Signals is an underwhelming experience, especially when compared to its predecessor.

Despite solid fundamental mechanics and satisfying controls, Blue-Collar Astronaut isn’t worth your time or money. While a few of the mission designs are inspired, most are either bland or frustrating, and the game’s attempts at comedy are smirk-worthy at best.

Kitchen Wars’ basic gameplay is subpar and gets boring quickly, as well as being nigh unplayable with an odd number of players.

Seeing Impact Winter through to the end will be a struggle in itself. It is a shame that Impact Winter is filled with both bugs and design problems as at it’s core there are the makings of a brilliant title. For now though it is one to avoid unless you are willing to deal with the problems.

This unique and charming take on the rougelike subgenre has a huge amount of potential, but is unfortunately marred by dull gameplay mechanics that are uninteresting and don’t work in their current form for what it’s trying to be.

Somewhere in there, is a decent game. I am a massive fan of this style of game despite what I had to say about Hatred. I just hope you can find the diamond that’s hiding in this particular goat anus.

As much as I love arcade-style games, Magnet Crusher didn't do it for me. The gameplay is too clunky, and I didn't have the incentive to go on to the next level as the game went on.

Frank and Drake is a beautiful-looking game that could have been great, but it’s ultimately let down by obtuse puzzles and, most importantly, its incoherent story.

There’s some fun to be had with Parkitect: Deluxe Edition, but the glaring issues and dodgy controls make this one tough to recommend. Stick to the brilliant PC version instead.

JustAxe is a beautiful 2D platformer, but the unremarkable storytelling, frustrating controls, and lacklustre combat make for an underwhelming experience.

It resembles more of a remaster of a last-generation videogame than a current-gen title. The story can be cool towards the end for Terminator fans as you see how the first two movies began, but it's not worth the boring gameplay, mediocre visuals, and uninteresting characters.

I doubt any Great Power could save this game from being the soulless wasteland that it is.

Don’t bother unless you enjoy playing the same mission over and over again with no guarantee of any sort of pay off. The (very) few good things this game has going for it are completely dwarfed by the poorly implemented or flat out reprehensible systems that the entire experience hinges on.

A great concept that has been executed dreadfully. Not funny enough to be a good parody, not detailed enough for a good simulation. It’s neither funny enough to be amusing or serious enough to be engaging and ultimately never rises above mediocrity.

Beneath Lust For Darkness' great atmosphere and creative imagery lies a very average game.

Simple combat, poor mechanics, boring voice acting and some unpolished graphics mean that the fans of the book series might find themselves struggling to finish it. For those without an invested interest in the character or the story: this is one to avoid.

It’s one of those games that’s alright for a couple of hours if you can get it at a deep discount. Otherwise, it’s just too frustrating to recommend.

If you're looking for something to play that's a little naughty and is actually fun, there are better games. If you're looking for a time and money management game that feels mock-naughty, then you can give this one a try. The game isn't terribly fun or entertaining, it could be re-branded as Hollywood Studio Tycoon with a few explosions and movie modes added and it'd probably be a better game.

Gal*Gun 2 is a sequel that improves the gameplay of the first title but that is not enough to make it a worthwhile follow up.

This is a spin off that simply shouldn't be. It tries to take on too many ideas without forming an interesting and engaging core. With boring characters and a story that requires more cutscenes than gameplay, this game really exemplifies why show, don't tell is still true.

New Gundam Breaker is a good concept, shoddily put together. The story is a trope-fest, battles are confusing and the masses of text are hard to read. There are so few positive points it’s not funny.

The Red Exile: Survival Horror has the building blocks of a good survival horror title, but fumbled in the execution. Missing sound, little reason to replay, and a dull Killer blew out the final candles for this title.

Urban Pirate is a management game with a joke that falls flat and mechanics that haven’t been thought through.

A great game in its time, but one that has not aged well enough for it to stand up today with just updated visuals, especially when the cutscenes are omitted from that update.

A generic, bland but functional SHMUP whose technical issues make it unenjoyable and tedious to actually play.

The focus may be on you and your avatar but sadly Sword Art Online Fatal Bullet relies too heavily on it's source material and won't let you leave the shadow of the series protagonist. Repetitive gameplay, undeveloped systems and a story that is forgettable leave this entry in the series rather disappointing.