Wartales is a mix of great ideas tempered by some questionable design decisions. I really want to love this game, and there is plenty of fun to be had, but I can’t help but feel like there was a missed opportunity to make a good game a true great. For fans of the genre I do recommend picking it up and giving it a go, but I really hope that the game gets expanded upon in the future to let it live up to its full potential. [Early Access Provisional Score = 60]

I’m sure those who loved The Wonderful 101 the first time around will get a kick out of playing this game again on modern day consoles with nicer visuals. For those that hadn’t experienced it before though, this remaster feels like an artifact from a bygone age that couldn’t adapt to a new set of input’s without the Wii U controller. The combat and concept are still sound 7 years on. Everything else needed to be reworked or tweaked further.

New Tales from the Borderlands is a sequel that seemingly forgets everything that made the original so special and shoehorns in a story that simply doesn’t keep you engaged. Whilst it’s visually lovely and feels like it’s a Borderlands experience, it’s all style and no substance. Without heart or humour, this feels like a cash-in, and for a sequel to one of the greatest narrative games of all time? That’s just not good enough.

Cthulu: The Cosmic Abyss falls prey to the greatest source of madness: boredom. Bogged down with its litany of technical issues and crashes, its fragile story and bland walking simulator gameplay fail to inspire even a modicum of intrigue. It's not Cthulu who'll cause your mental degradation, but the endless tedium of trying to reach the finale of this abyss.

A rollercoaster of such highs only to be undone by flying straight off the tracks, Parkitect: Deluxe Edition has too many game-breaking issues to recommend taking a chance on. Its building gameplay, visual and sound design set it to a rip-roaring start, just so the technical performance and save-deletion issues cause this entire ported rollercoaster to derail.

So there’s really not an awful lot to recommend, despite Snakeybus doing what it does fairly well. In this climate there are so many better games at the £10 price range you can get stuck into that it’s not even worth the minimal RRP. It’s doing solid numbers on Steam which is great, you can’t begrudge a game that definitely has its fans. It’s just really not for me. This bus journey offers little thrills and a whole lot of frustration. Much like a normal bus journey then, I suppose.

Super Toy Cars 2 is one of the worst examples of this genre I’ve played in the past few years (surprisingly not the worst). The visuals, much improved over its predecessor and a decent soundtrack are its only saving graces.

Tomb Raider IV-VI just feels like a collection of relics from an era when we didn’t know any better. And honestly? Some relics are better off staying buried.

Lunar Lander Beyond attempts something of a reboot of the Atari classic with a modern wrapper. But underneath the shiny hood, the gameplay is virtually unchanged, difficult, and dull, and the extras have done nothing to implement a reward system that might keep newcomers trying to develop the skills needed to enjoy it.

Whilst it may seem like an intermission before Bloodlines 2 comes out, Vampire: The Masquerade – Swansong isn’t engaging enough to fill the gap. Lacklustre gameplay, unsightly character models and a sense of “You should know this already” are enough to put off the new players. Maybe for the fans, but that’s only if they’re coffin up the money for it.

The Edge of Fate is a desperately disappointing follow up to The Final Shape, offering little to nothing of value to the overall Destiny 2 experience. A forgettable story, lifeless new locations and joyless mechanic additions, this is a sad indictment on Bungie's current place in the industry.

Dreamworks All-Star Kart Racing is really trying to play with the bigguns but just isn’t doing enough differently to justify why anyone should care, especially if you’re a Switch owner. Name recognition can only get you so far and not even everyone’s favourite giant green ogre can save this one.

Boti: Byteland Overclocked is ironically the opposite of its own namesake in being overclocked. Full of game breaking bugs, freezes, clipping, the list goes on – you name it it’s in there. Whilst having some small enjoyable elements within the game, It’s difficult to get past its state at review.

Whilst it's clear to see what games have inspired Wreckreation, the game itself pales in comparison to its forebears. A hollow attempt at both arcade fun and badly shoehorned in "live service", Wreckreation is a game as shallow as its unnecessarily large map.

Whilst visually appealing, Daydream: Forgotten Sorrow has infuriating depth perception, technical issues and a story that doesn’t offer much engagement to see you through the end. There is a good game in there somewhere, but at present Daydream: Forgotten Sorrow unfortunately feels unfinished, unpolished and unrefined.

Even for a series renowned for reusing material and rehashing a tired formula of mindless yet oddly satisfying gameplay, Dynasty Warriors 9 Empires is a hollow package. If this is all the series has left to offer, it may be time to let the Three Kingdoms war themselves into oblivion. A bland, shallow title with little to offer even those who enjoy the repetition of Musou gameplay, Empires is as regurgitated as a game can be.

One thing I do know is it is far more fun to watch than it is to play. Find a streamer gung-ho enough to punish themselves, and watch them for a bit. I had more fun writing the review than I did playing the game.

If you like those slide puzzle mini-games you find in many other games, Cubicity is a cutesy, leisurely game built around that core concept. There’s 6 to 8 hours of content in this original package with the hint of more to come later but in less than half of that time, you’ll have seen everything this game has to offer. It’s easy – far too easy for my taste as it becomes boring quickly – but this is a comfortable way to kill an hour or 2 before the monotony sets in.

On the surface, Hellpoint should have been a worthy contender. But too many technical issues suck any real enjoyment out of it.

Expedition Zero hooks you in with its first hour of tense atmosphere and excellent world design, only to fling you away with horrendous combat, counter-intuitive survival & exploration mechanics, and a barebones story. This expedition simply isn’t worth embarking on, but maybe one day there’ll be an adventure worth going on.

What could have served as a reminder to how good it once was, Crysis Remastered is instead a broken mess that needed a lot longer in the oven. Terrible AI and awful graphical glitches just suck any semblance of fun out of this.

Marred by dysfunctional controls, tired turn-based combat and an abysmal story, Crown Wars: The Black Prince is a dire knight. There are glimmers of the game that could have been within its broken and fractured armour, but this warrior is wounded beyond repair. There are simply too many other games in this genre that are more deserving of your time, and money.

I’m sure it will please its target audience but for me, Waifu Uncovered is a simple, functional yet characterless shoot ‘em up that rewards the player with lewd images that are far too stereotypical. There’s less than 3 hours of content in the game across all 3 game play modes and you’ll have to work to get to play on the game’s best mode, “One Finger Mode”.

Green Hell VR comes along with all the same challenges of surviving in the tropics you have come to expect from the game. However, the PSVR2 controls haven’t improved the experience, and unfortunately exploring the lush landscape is a boring chore as you only have a few small areas and terrible loading times.

A modern, “retro-inspired” title in the shape of Shovel Knight and Ghost ‘n Goblins, Sword & Bones is clearly a small team’s love letter. Once that veil drops, however, it just devolves into a needlessly hard platformer that doesn’t feel like persevering with.

Killsquad’s attempt at a twin-stick shooter unfortunately falls flat in almost every aspect of its design. The competent but bland combat, aesthetically interesting but boring presentation and poorly balanced mechanics lead to a functional but ultimately lifeless video game. It’s not bad, it’s just not a lot of fun to actually play.

Another drop in the vast ocean of action RPG’s, The Last Oricru brings nothing new to the much-treaded waters. Worse still, it lacks the refinement and polish to make it a barely passable romp, feeling as rough around the edges as Alpha Protocol did back in the day.

Test Drive Unlimited Solar Crown is too little, too late. Instead of innovating, it instead takes ideas already popularised and doesn't even pull them off properly. Lacklustre visuals and a flat future aesthetic don't do anything to bolster its chances, not when better contemporaries are available.

Mechanic Battle has an internal battle of wanting to be a halfway average game or a terrible excuse for a cash grab. Either way I hope the lessons learned from the making of this game is that you get as much love as you put in, and this one is still waiting for their parents to come back with the milk.

Epic Chef leaves much to be desired when encountering a game breaking bug that stops progression completely so early on. It has potential with unique cooking experiences, but don’t expect to be the next Gordon Ramsay anytime soon if you hit a game ending glitch.

As it stands Tennis World Tour 2 has a chance to wear you out more than an actual game of tennis.

The best frag grenades are cooked and as such, Modern Warfare 3 needed a lot more time in the oven to create something explosive. This is the series at its lowest point with uninspired missions on repurposed maps and a story that feels moot after the conclusion. Not to mention an online mode that feels closer to a DLC pack and a Zombies mode that whilst in theory was promising, overall feels incohesive and lacking a stable direction. There’s no bad luck, only bad plans and this one was operating without a blueprint.

Much like most Star Wars product these days, Jedi Power Battles is a nostalgia driven cash-grab that fails to improve the game other than reflecting some surfaces and modernising the controls. It's inconsistent, frustrating and, most egregiously, gave Amidala Force powers. That bad feeling you have about this? You know it to be true.

An earnest effort at recreating the puzzling contraptions of an escape room mixed with an Outlast-like antagonist, Scholar’s Mate falls victim to the most insipid storytelling, boring gameplay and obtuse puzzles. While it may look the part of a horror game, the only true terror will stem from the fact you could have just gone to a real escape room, and gotten more value for your money.

Early impressions are poor and don’t really get any better from there. Tennis World Tour 2 – Complete Edition is a sterile, sluggish experience from start to finish, and has little in the way of reason to stick with it long-term. If you absolutely must play a tennis game, you might need to dig an older console out of the cupboard. Avoid.

What could have potentially been a good hybrid of walking simulator and multiple choice adventure is instead buried under boring gameplay and eye-straining visuals. Ashwalkers squanders any narrative replayability by being an all-round drab experience that is as uninspiring as the wastelands it’s set in.

Failing to stack up anywhere near it’s contemporaries, Blackwind is a hollow exosuit complete with unengaging combat, mind-numbing exploration and puzzle elements, repetitious presentation, poor story and baffling design choices. There are plenty of potentially great ingredients to this package, but unlike the age-old adage, the sum is certainly no greater than the parts. A meek gust of breeze as opposed to the promise of a gale-force wind.

In Nightmare is a pale competitor to other titles of the horror-adventure genre. Stealth that’s preferable to charge through, puzzles that are the blandest of time-wasters and a narrative of dark themes burdened with typos and poor delivery. Real nightmares threaten your sleep with terror and fear, whereas In Nightmare only threatens to bore or frustrate you to death.

Project Downfall’s clunky and contradictive gameplay is the least of its worries when it’s also abysmally copying games that do the same much better. The disingenuous attempt at edginess and lack of originality make this worth nobody’s time.

Considering the resurgence of the Turtles franchise of late. It’s disappointing to see the brand reduced to this. If Fisher-price produced a game titled ‘My First Beat-em-up, this his would probably bit it. Stick to the pixel perfection of Shredders revenge for your Turtle Time.

Whilst it’s not unplayable, it’s not far off. It’s trying too hard with its story scenario hopping all over the shop, coupled with an inventory management system that just doesn’t work in this kind of game.

Crime Boss: Rockay City is exactly what we thought it would be. A turgid waste of a solid central idea with a cast stacked with actors who sound like they’d rather be anywhere else or are just purely hateful. There’s a little delight in falling into b-movie nostalgia, but it’s few and far between. There’s very little here to recommend because very little of it works, if anything at all. Well, the title is fun to say at least.

Rough visuals, clunky and repetitive combat and a narrative that spectacularly misses the emotional connections it attempts to evoke, Waking makes you want to do anything but.

While the opening 30 minutes might convince you otherwise, The Fridge is Red is an uninspired walking simulator with little actual game to engage with. A cool retro art style and sense of atmosphere dissipate out of this open fridge into the ether of a bland, empty and lukewarm room. This fridge is sadly more grey than red.

Whilst the market for something neon-soaked and high octane may be lacking, Cyber Clutch: Hot Import Nights isn't going to be the game to reignite that spark. Shallow content, lacking multiplayer and just overall poor performance will see this one up on the blocks.

A sugar glider nature documentary as a video game, AWAY The Survival Series is an interesting idea for an hour. At that point its otherwise buoyant glide is dragged down by erratic camera, game-breaking glitches, poorly implemented combat and awful gliding controls. This one is better left in the wild.

While FMV game fans will likely enjoy moments of I Saw Black Clouds, there are some core issues here that prevent it from fulfilling the potential that occasionally glimpses through. The branching narrative needs a rework to ensure it respects all of the players’ decisions because right now it feels broken, squandering what spooky atmosphere some decent acting performances manage to conjure up.

It’s not just the moths that bug Remothered Broken Porcelain. It’s the fundamentally broken narrative structure, nonsensical cut-scenes, unimaginative gameplay, and tired, badly implemented mechanics. Then there’s the masses of crippling bugs. There’s no amount of patching that will fix this game.

Repetitive, uninteresting, and lacking in substance, Jumanji: The Curse Returns contributes nothing new or dynamic to the game board genre apart from a dose of movie nostalgia. This game didn’t feel suited to the Switch console, and likely best played on a mobile device because it is short and sweet, but not much else.

Glover returns with very little fanfare and sadly, it's not going to win a new audience with a lackluster remastering. The physics-based puzzles are still fun to attempt, but there's so little else here, one could argue it should have stayed back in the 90's.

Ambulance Life: A Paramedic Simulator tries to capture the chaos of an emergency response but fails. Clunky gameplay, stiff graphics and a tone deaf portrayal of mental health leaves it feeling like a missed opportunity and not a life saving experience.

Soulless and boring, Street Power Football offers nothing back for its ridiculous asking price. Vote with your wallet and leave this one on the shelf.

Built on mobile game design, Robo Wars has gameplay a toddler could master and a slide-show of boring “levels”, if you’re generous enough to call them that. The use of time-gated loot box structure for progression (with no actual microtransactions) only sullies the experience further. There are apps with far more interesting countdown timers available basically everywhere, which are probably much more worthy of your time… and money.

One of the more disappointing games of the year, Tamarin is pretty to look at but dead behind the eyes, offering very little to win over fans of Rare’s golden age.

Spy Drops desperately wants to be an authentic homage to the original Metal Gear Solid, but fails in almost every aspect. Riddled with issues, from the camera, to the AI, to the level-breaking glitches, there's simply little redeeming quality to this low-effort copy. Just do another re-run with Solid Snake himself and save yourself the pain of this.

This desert revenge adventure loses its way in the heat and the bloodlust. Whiplash inducing story inconsistencies, mind-numbing combat and stealth, alongside a complete lack of real exploration cause Blood of Mehran to suffer a fate worse than death - exile into a barren and unending trial of tedium. At least the landmarks are nice.

It had a chance, and with plenty of nods that will please fans The Edge of Reality should have been the ultimate Doctor Who gaming experience. Instead, dull puzzles and a surprisingly flat atmosphere – along with a dreadful use of the Weeping Angels – leaves The Edge of Reality somewhere that should have remained undiscovered.

Played almost entirely on one screen with clunky controls and game play which has you at the mercy of a random number generator, Mittleborg: City of Mages is quite a tedious game to play.

What could have been Daedalic’s chance to break into mainstream has ultimately backfired. A waste of a license, riddled with performance issues and just downright ugly gameplay, Gollum should be cast into any nearest fire, let alone a wasted trip to Mount Doom.

The environment is initially interesting but it’s such a poorly designed, awkward experience that’s so bare bones, it’ll have outstayed its welcome within half an hour of play. While it’s a cool concept, the execution shoots it in the foot and leaves it for dead.

An interesting concept, potentially exciting systems and some appealing visuals are utterly squandered in Alpha Invasion. With a profound number of technical issues, mechanical inconsistencies and level design that portray a slapdash feeling, you’ll need an immense amount of patience to overcome this games annoyances. After having to quit out of the game 6 times on the same chapter because of 6 different glitches, I think this is one E.T. that should have simply stayed home.

Snakes and Ladders on PS4 is a functional, child friendly recreation of the timeless board game. It has a few convenient features which make it easy to play and the board you play on has some 3D snakes which give the game personality. For the asking price though, the real world alternative is much cheaper and just as enjoyable.

A featureless, shallow, bland and thoroughly turgid experience, Sabec’s “Bowling” is poor even compared to the bowling mini-games you find inside other games, like GTA IV. It doesn’t follow the rules of bowling, isn’t fun to play and lacks even a hint of personality. The search for a decent bowling game continues. At least things can’t get any worse.

There are a myriad crafting and survival games that are better designed and more refined than this and most of them cost less. It’s simply far too many GAME OVER‘s for my tastes.

With better, more functional games already in existence and more exciting ones on the horizon (hello Dungeon Chess and Auto-Chess), it’s incredibly difficult to recommend Sabec’s version of Chess to anyone. Checkmate? There’s no way out for this one.

If you’re hankering for a game that looks like it comes from the late 80’s/early 90’s and can keep you busy for an hour for a few pounds Sterling, that’s what you’ll get here. It is sorely missing multiplayer, leader boards and game modes that could really elevate it to bigger and better things. Maybe in a sequel…

If you’re desperate to play a Match-3 game and the only system you could possibly play it on is a PS4 then Rune Lord will give you what you want. There’s some easy trophies to earn here too. Unfortunately, if you’ve got a mobile phone or PC with an internet connection at hand then you already have access to a plethora of more innovative, more original and simply better Match-3 games that are free to play and will only cost you the amount of time to dismiss an occasional advert. When there are better alternatives with no monetary price, Rune Lord becomes a very hard game to sell or recommend.

Troubleshooter is ugly, mechanically shallow, stylistically mundane and lacks any kind of innovation. Without a framing or story to give it meaning, it looks like a hodgepodge of assets thrown together with some barely working systems and mechanics built around them. The design flaws are numerous, the soundtrack irritating and it is quite frankly the worst game I’ve played in 2020.

If you’re a veteran of Solomon’s Key and are desperate for more, Ghost Sweeper will provide you with what feels like the levels from the 1980’s classic that didn’t make the cut. The mechanics and enemy types have been recreated with a spit shine for modern TV’s and having a second playable character is a nice touch. Compared to modern day puzzle platformers though, Ghost Sweeper feels like a relic from the past that needed more of a refresh that simply updated visuals.

WarriOrb is a painful experience, and your enjoyment levels will depend on how masochistic you are. I found no impetus, no driving force to get the wisecracking Orb from A to B through any more sorry-looking levels. Very quickly I had had enough of retrying broken platforming sections two or three dozen times, for what is essentially no reward, except more of the same relentless, slow, monotonic boredom.

This is a simple game with a simple mission with only the bare minimum of content to keep you playing. Usually, even the simplest games are at least polished in one particular way or another with either beautiful graphics, or some interesting gameplay gimmick to keep you coming back. Galactic Warfighter has no unique selling point. It is as generic as its name suggests.

A sound puzzle platforming concept that leverages character cooperation is ruined by technical flaws and a show stopping bug. There’s mushroom for improvement here.

It’s almost impossible to recommend Sabec’s Golf, a game with a single course, frustrating physics, a low-poly environment that’s difficult to read and a distinct lack of personality. This game is a hole in 1/10.

Described as a “sandbox hunting simulator”, Sabec’s Hunt is anything but. A poorly crafted open world, shallow shooting mechanics, bizarre AI reactions and very little incentive to play the game beyond a few runs, Hunt is the worst hunting game on PS4 by a country mile.

A shallow and featureless package, Air Hockey is a game that wrestles with its control method and loses. It lacks any personality and within a few seconds, you’ll have seen everything this game has to offer. Compared to many of the other Air Hockey games available today, or from history, Sabec’s effort is a spectacular own goal.

A console version of a classic pub quiz machine game, Sabec’s Spot The Difference is fun to play as a group and intuitive enough for a toddler to pick up. Unfortunately, a lack of content means that within a few hours, the images have repeated so often that there’s no more differences to find. There’s much better versions of this concept elsewhere and for a much smaller entry price.

Erratic physics, sluggish controls and a lack of any meaningful game modes means that while Sabec’s Table Tennis might look like the great sport of ping pong, it doesn’t play anything like it.

The saying “you get what you pay for” certainly applies to Road Bustle. An unsightly runner that’ll keep you entertained for mere seconds, this game is little more than a Platinum trophy with a price tag.

A series as imaginative and as entertaining as Trollhunters deserved a better tie-in video game. Defenders of Arcadia has a few enjoyable moments and it certainly looks the part but uninspired combat, tired level design and a story which feels more like a TV clip show than a cohesive narrative means it falls well short of fan expectations.

In Tyd wag vir Niemand, abstract yet repetitive puzzles make way for frustrating challenges that manage to make time manipulation boring and irritating, something I thought impossible. It can be easy on the eyes at times but that’s little consolation for a game that actively encourages the player to give up through overtly aggressive and clumsy game design.

Fight is one of, if not the single worst fighting game on PlayStation 4. A few saving graces mean there’s maybe an hour of car crash entertainment here but beyond that, this game is a pale imitation of the classics in the genre. It either demonstrates a severe lack of understanding of the design tenets that make for a fun and competitive fighting game or that Sabec just didn’t care enough to implement them. I’d prefer to get punched in the face than play this game again.

Your mileage with NO THING will depend on how much patience and thought you’re willing to give it. There’s a story buried in a trippy, simplistic autorunner that actively works to frustrate the player at times. A cool vaporware aesthetic and a hand full of decent songs don’t make it any less aggravating to play or help the delivery of a tale that needed clarity.

In Checkers, a Zugzwang is a situation in which the obligation to make a move in one’s turn is a serious, often decisive, disadvantage. I recommend against putting yourself in one by buying Sabec’s virtual version of Checkers. It’s functional, sure, but the AI opponents are atrocious, the game lacks any personality and it’d more fun to simply play a table top version.

The sport of Darts deserved better than this. Better described as a virtually unplayable mess with a darts façade rather than a darts game, I wouldn’t even recommend this title to my worst enemy.

The only silver lining to this game is the sound track which is pretty funky. Everything else about Chickens On The Road – the game play, visuals and premise – are so paper thin and designed for a singular, distasteful purpose that despite this game costing less than a bag of Doritos, I’d find it hard to recommend to anyone other than die hard Trophy Hunters.

In this critics opinion, Tiny Hands Adventure is poor. It’s a 3D platformer that takes inspiration from the classics in the genre but doesn’t demonstrate an understanding of what made them so fun. Littered with design issues, a few technical hiccups and a narrative which is laughable (even to my 7 year old), it’s hard to recommend this game when it’s a shade of the games it attempts to emulate.

A shallow, poorly constructed and thoroughly unenjoyably third person shooter, Lizard Lady vs. The Cats is a cheap game. Costing less than a bag of Doritos, this game is proof that you get what you pay for.

Tank warfare has never been as mundane as it is in Tanks vs Tanks. A lack of features, lacklustre AI that makes for easy prey and little depth to the combat means this game gets boring very quickly.

I’m not going to lie, Valheim surprised the hell out of me. However, having now experienced what it has to offer, from its chill vibe to its focus on co-operation to its ability to chew up time like it’s going out of fashion, it’s no surprise that it has been as successful as it is. If you have a PC that can run it (and, thankfully, the requirements aren’t outrageous), you owe it to yourself to give it a shot. Game of the year so far for me. [Early Access Impressions]

A low effort and badly optimised affair, Danger Scavenger offers little in the genre of games it’s trying to tap into. Leave it on the scrap pile and dig up some gold elsewhere.

Ascendshaft and Endless Shaft contains one completely broken game and one that’s utterly boring. There’s little to no depth here. No narrative to speak of. The art styles swing from incredibly bland to retina achingly horrible. There’s no soundtrack and the sound effects that are used here are flat and mundane. This duo pack feels like a pair of unfinished game jam efforts that needed time, polish and the use of more intelligent game design before ever saw the light of day. Even at its ridiculously low price, it’s hard to recommend this title to anyone.

What could have been a fun and entertaining 2D slice of action instead falls into drab, unfairly punishing territory. The Skylia Prophecy could have done its homework, rather than crib the worst parts of older, more difficult platformers.

A poor physics puzzle game with a limited amount of content, Newtonian Inversion is a basic budget title reminiscent of an unfinished tech demo. Of the 16 levels it contains there’s just a single headscratcher worth thinking about. Sir Isaac Newton said “What goes up must come down”. I hope this one stays down.

A bland and uneventful horror puzzler, S.W.A.N. offers nothing new yet still manages to disappoint. A disjointed narrative, ugly visuals and monsters that seem about as uninterested in events as the protagonist is make for a forgettable game.

Handball 21 is a poor imitation of the real-life counterpart it tries to emulate. With janky, inconsistent mechanics, comical goalkeeping AI, lifeless presentation and shallow gameplay, there’s little to recommend to anyone other than the most hardcore of handball fans. The greatest compliment I can give it is that while the game itself made me question my existence, I did at least watch a couple of actual matches of handball, which were far more enthralling than the virtual version. Stick with the real-life sport on this one.

You’ll need persistence and patience to get the most out of O—O. It’s a tense and challenging retro inspired arcade game that’ll grate on the nerves long before it delivers any satisfaction. A convoluted, unnecessary plot is offset but pleasing yet basic visuals, smart single button game play and a toe tapping soundtrack. There’s glimpses of real ingenuity in O—O. The rest of the game occasionally feels like it’s overtly challenging in order to make the content stretch further.

A pale imitation of Call of Duty’s Zombies mode, Aliens is an asset flip, pure and simple. There’s no purpose or intention to the design of this game. It’s a collection of Unity store assets that have been slapped together with no artistic intent or thought for the player’s enjoyment. It’s functional but it’s an abject failure in every other regard.

An absolute cluster of poorly written dialogue, terrible technical misses and infuriating puzzle mechanics, Protocol is a dreadful experience that will test your patience along with your capacity to put up with absolute trash to see a somewhat satisfying ending to a story you’re barely paying attention too. You deserve better.