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Just like all of the best Nintendo games, the more you play F-Zero X, the more you'll appreciate its subtleties. It may not impress you at first glance but I can assure you, this cart is packed with gold.

A frightening game to the point that I found myself having to take breaks from playing just to ease the tension in my shoulders.

Along with a brand new engine (the first built specifically for next gen consoles), Project 8 looks great, presenting some beautiful neighbourhoods and characters.

As wrestling games go it is probably the best total package.

Puts its aging competition to shame with its polished visuals and offers a challenging, though sometimes frustrating, single-player experience.

Unlike Batman, however, Tarzan has awesome control, good camera angles, and excellent gameplay.

A good one all around, getting as much gameplay in to the tiny little cartridge as it can. I even find it got the difficulty about right--not too had, not too easy.

If you are looking for the most authentic title on the market, then this is it.

Arguably the finest motocross game available thanks to its racing and freestyle gameplay offerings--and new additions to last year's game.

The single player is fun, but the real lasting value can be found online.

The frustrations are enough to make me wroth enough to wall a Sim up in an exitless building and watch them slowly expire.

While Shadow of the Colossus may not have the best ever PS2 graphics, what it does have is pretty pleasing.

All it needs for 2002 is the ability to start a riot and you won’t be able to tell it from the real thing.

A real change from the rest of the Oddworld games, but a welcome one. Here's hoping the Stranger turns up in future Oddworld games.

It gets hefty points for not being just a "prettified" version of the one available for PlayStation, N64 and Dreamcast.

A textbook example to other console developers on how to write videogame prose.

Whether you’re old-school or newbie-fresh, there’s no getting away from the perennial curse of survival horror games: Cheesy Voice Acting.

Bloodier dustups there are, and faster moving ones too, yet for those who like their streetfighting with style, UFC Tapout hits harder than a bare-knuckle jab to the kidney.

There's no question that Miyamoto has raised the bar on arcade-style 3D space shooters once again.

If the game was not so brilliantly presented with such rich characters, story and astounding art and voice-work (best voice-work to date in a videogame), you would probably take more notice of the simple and boring adventure elements (go here, go there, find this, talk to that person...), and the too-heavy reliance on melee combat, and the constant battles, and the frustration of having to take two steps back to level up before being able to take the all-important third step forward in a world.

For right now I would only recommend a purchase to somebody who doesn’t become easily bored by the same course over and over again.

Kudos to developer Treyarch for creating a seamless interface by which players can control a gravity-defying character without any noticeable restrictions or limitations.

Despite a few surprising shortcomings, most notably the save system, Splinter Cell delivers with the impact of a postcard from Hell.

Combines a top-notch economic/civic model, attractive graphics, and solid real-time combat to give gamers a slice of Chinese history. And that, like all things Asian, is tres cool.

While the concept is a good one--it's really cool to build up a little squadron of Naboo Starfighters--it doesn't really work in the 2D, sprite-based AoE engine. For example, after your TIE Fighters streak to their waypoint, they simply hang in the air, awaiting your next mouse-click.

For those who’ve got time and money to burn, running contraband across the imaginary border is a lot more entertaining--and much safer--than trying to sneak a pair of scissors through airport security.

Easy to get into but hard to master, Amped offers a surprising amount of depth and graphical splendor for what is basically such a simple premise: point your board down a mountain and become famous in the process.