to a T is an interactive tale about accepting our differences, embracing what makes us unique, and finding joy in the everyday, no matter how strange. Keita Takahashi proves that you don't have to be perfect to be unforgettable. A charming fable with execution problems, but with a necessary message and a world that makes you want to return to.

King of Meat is a chaotic, over-the-top party game with simple but varied combat, absurd humor, and vibrant, destructible arenas. Best enjoyed to play with friends, it delivers laughs, spectacle, and memorable moments, though solo play can feel overwhelming.

Agatha Christie - Death on the Nile offers a thrilling and challenging adventure. However, the console version falls short in some puzzles, which can be awkward. Some significant bugs also detract from the experience. But overall, it's a very enjoyable title that hooks you from the very first minute.

Mixing so many different concepts and getting it halfway right is quite an achievement and it can't be said that the setting, design and mechanics of Eternal Strands are not well cared for. But maybe the team has wanted to cover too much and has left much of the game halfway.

The Awakening isn't a perfect title, but it has a particular charm. It combines classic action, exploration elements, and a strong nostalgic component that will appeal to both veterans and the curious. Its control issues, uneven difficulty, and somewhat flat visual finish prevent it from shining brighter. However, the essence of the character, his charisma, and the originality of the Psycho-Gun are enough to keep us hooked. It's not a must-have in the genre, but it is a worthy tribute.

The Marvel MaXimum Collection is a very interesting compilation, but it’s far from essential. Its value lies in nostalgia and preservation, rather than in the overall quality of the games. There are some gems, yes, but there’s also a lot of filler and titles that haven’t aged quite as well. Still, it’s worth it for those rare moments when everything clicks and we’re reminded why these games were important.

Locomoto is a charming train ride that more than delivers on its cozy promise. Yes, it has some technical and narrative ups and downs, but nothing that can't be fixed with love and future updates. If you're looking to relax, decorate adorable trains, and help lovable characters, Locomoto is just what you need.

Hotel Barcelona is a game we will remember more for its extravagance than for its quality. A title that will thrill fans of its creators, but will hardly convince those looking for a polished and addictive roguelike. A cursed hotel that is a pleasure to enter... but one that you want to leave quickly.

Shadow Labyrinth is a dark sci-fi metroidvania with precise controls, creative power ups like a powerful mecha transformation and PAC-MAN possession mechanics. Its bosses shine, but its slow story and linear level design hold it back.

Ultimately, this title is a mix of good ideas and uneven execution. It has a clear identity, dares to experiment with less common proposals within the genre, and delivers a well-crafted atmosphere. But when the core mechanics (such as combat, stealth, or resource management) are not properly tuned, the whole experience suffers. A survival game with personality that fails to make the most of its potential. Recommended only for die-hard fans of the genre or of the original comic.

Formula Legends is a game made with passion, there's no doubt about that. It has no official licenses, nor does it seek to rival the Codemasters series, but it makes up for this with humor, a love for the history of Formula 1, and gameplay that, although uneven, manages to hook you in. Its shortcomings are obvious: the absence of multiplayer, AI balance issues, and certain inconsistencies in the simulation mechanics. It doesn't quite gel as either an arcade game or a simulator. It's a strange but lovable mix that might work if you love this motor sport.

Warriors: Abyss had potential. A musou with roguelike mechanics could have been a breath of fresh air for the series, but instead we get a grueling, chaotic and frustrating experience.

Quarantine Zone: The Last Check is a very focused proposition, but one that puts you in a highly original role within the whole zombie imagery. It’s not perfect and can quickly fall into repetition, but it offers an uncomfortable, tense, absurd, and fun experience in equal measure.

AI LIMIT is a good soulslike game. It has some things to improve on technical issues and it looks so much like its inspiration games. However, its good level design, the amount of different enemies and its gameplay makes it worth it.

TRON Catalyst keeps the essence of the classic '82 film alive, in the form of a roguelite that plays nicely with time loops, but ends up not surprising in any way. Very entertaining, but without grandiloquence.

Possessor(s) is a bold, distinctive Metroidvania with a very strong identity. It features a mature storyline, endearing characters, and a memorable world. Its atmosphere, visual style, and plot are all very well crafted. However, it stumbles in key areas such as combat fluidity, exploration clarity, and some technical issues. Furthermore, it doesn't stand out in almost any way, which is not good in a genre saturated with so much competition.

The Precinct is a game with personality, taking a police approach that's unusual in sandboxes. The dirty, decadent ambiance suits it perfectly, and the arrest mechanics are a real standout. The problem is that we grew a little tired of being a cop early on. It perfectly captures the routine of being an average cop.

Aphelion is a game that works better as a narrative experience than as a video game in its own right. DON’T NOD once again demonstrates its talent for storytelling. However, the lack of challenge, its short length, and some unpolished gameplay mechanics prevent it from reaching greater heights.

Echoes of the End draws inspiration from titles like Hellblade or God of War, offering a linear adventure with stylish but shallow combat, limited exploration, and a cliché-ridden story. Despite technical issues, its promising magic system adds some genuine appeal.

The Occultist is an experience with some good ideas and standout moments, but it doesn't quite come together. It falls somewhere between what it wants to be and what it could have been. It's a game with its share of interesting elements and plenty of personality, but it needs a little more punch to truly stand out.

FBC: Firebreak is a proposal that, while technically competent, fails to capture the magic that defined Control. Its gameplay loop is repetitive, its progression frustrating and its setting bland. While there are moments of fun mayhem and certain clever mechanical ideas, they are not enough to sustain a multiplayer experience that, in a saturated market, needs much more to stand out. In its current state, it's a game that may entertain a couple of afternoons with friends, but will be forgotten just as quickly if Remedy doesn't do something to ‘remedy’ it.

Star Overdrive is an uneven but quite original experience. It shines brightly in those moments when we fly over the dunes or hills to the rhythm of music and when we explore some of its scenarios and solve its intricate puzzles. But it also disappoints for its obvious lack of content, some technical failures or unsatisfactory combats.

Call of Duty: Black Ops 7 is a contradictory title, caught between the need to evolve the series and the fear of leaving behind what defines it. Its gunplay is still superb and the Zombies mode shines brightly, but the campaign is a huge drag and Endgame fails to deliver the excitement and clarity needed to become a new benchmark. When everything clicks, you have fun. When it fails, it's all too noticeable. It's an enjoyable COD, yes, but far from the level expected of a numbered Black Ops. A hard blow to the series that may set the course from now on.

Gear.Club Unlimited 3 is a title with good intentions and a competent gameplay foundation. However, it accumulates too many technical issues, the driving feel and physics are poor, the AI does not behave well, and the absence of online multiplayer along with the very limited content weigh too heavily.

Synduality has potential as extraction shooters and a lot of good ideas in terms of setting and gameplay mechanics, but the game is in dire need of more content, better balance and a better user experience.

Outbound feels like a deliberate detox from the "doomscrolling" era. The gameplay loop is built entirely around relaxation and is beautifully uncomplicated. It nudges you onto the open road with zero pressure and zero velocity, offering a steady, comforting rhythm that accompanies you rather than demanding anything from you. It’s simple, soulful, and exactly the kind of slow burn the modern world makes us crave.

Finding Frankie is not for everyone. It's not a deep, innovative or technically polished game. But it can be a lot of fun for streamers, content creators, or a younger audience looking for a fast-paced, visually appealing experience with a touch of macabre humor. Finding Frankie has heart and style, but stumbles in its execution.

LAN Party Adventures does not seem like a game made for all audiences. It works through that nostalgia effect, and it would be strange for new generations to enjoy building a PC the old-fashioned. For everyone else, it is an experience to try and enjoy.