Another misstep with the TMNT franchise leaves me wondering if anyone will ever make a good Turtles game again. As is, Mutants in Manhattan works, but it’s just terribly boring.

With a focus on exquisite gameplay, Overwatch has asserted itself as the new standard not only in team-based shooters, but esports as a whole.

There was potential here, but it is lost in a sea of technical issues that are nearly impossible to look past.

Doom was crafted by a team that clearly loves the series, delivering chainsaws, explosions, and demon-slaying heavy metal all sealed with a kiss.

Battleborn is like a one-man band—there’s a whole lot going on, but the final product suffers due to spread resources. While lack of maps and missions may be resolved with DLC, the launch product comes off a bit shallow.

Uncharted 4: A Thief’s End is a true work of art, and the only time the slightest apprehension may surface is when one compares it to the titanic installments that came before.

Superhot executes the ideas at its core without flaw, but doesn’t step very far outside of those bounds. If you’re looking for something to shake up your view of what can be done in a shooter, this is the game for you.

While many reviewers will point to The Banner Saga 2’s breathtaking art, or mention the sophisticated elevation of a turn-based strategy/RPG, the game’s largest success is that it makes you feel like a true leader.

DrinkBox Studios pushes the boundaries on the Vita’s unique hardware once again. Although from a technical perspective it occasionally lets them down, Severed’s unique combat system and beautiful art style carry the day on what is a fun, if not short-lived, dungeon crawler.

Sega 3D Classics Collection is a hard release to judge. On one hand, it’s a mixed selection of M2’s fantastic library of classic Sega games reworked for the 3DS. On the other, it offers up stellar versions of every one of those games, which fans will especially appreciate.

Every time Star Fox tries to do something out of its space-combat comfort zone it fails. Star Fox Guard sadly continues this tradition of games that make you go “meh” when Fox and the gang step away from their Arwing cockpits.

Star Fox Zero’s status as a love-letter to the past is solidified. While it does a good job channeling a lot of what was great about Star Fox 64, it fails to really build on it in new and exciting ways, and stumbles because of the Wii U Gamepad.

If, deep in your soul, you love optimizing characters, power-gaming, and creating incredibly broken move combos while still being challenged by enemies, then Bravely Second provides the perfect playground. Fans of the original may find their return to Luxendarc a little too familiar, and the story may be a bit cheesy, but the combat system alone is worth it.

While it’s still impossible on a personal level for me to admit that any of Dark Souls’ siblings could better it, when taken as a whole, complete experience, Dark Souls III may be the best chapter of the Souls series that From Software has crafted. A fitting way to end, if that will indeed be the fate of the franchise.

Solid action-RPG gameplay is elevated by the meta-puzzle that is the game’s branching storylines. The entertaining trial and error of trying to find the one “good” ending channels Choose Your Own Adventure books, and lends itself to a story that you’ll love playing again and again.

Ratchet & Clank is a return to form for the series, but anyone looking for something more than that may be disappointed. The game tugs on many of the original’s addictive strings, but is also bogged down by a few slower, more passive segments.

Enter the Gungeon is one of the most polished games I’ve ever played, especially considering the multitude of items that are available. Just when I thought that the rogue-like genre had been done to death, this game comes along and completely turns me around. I’m not sure I’ll ever master the Gungeon, but I’m not sure if I’ll ever want to leave, either.

Quantum Break is a intriguing science-fiction tale told across two media platforms. While the action and exploration in the video game portions shine, the live-action episodes create a disconnect that is hard to recover from.

MLB The Show 16 continues to find innovative ways to push the series forward by adding new features and improving on old ones. Some new problems have arisen, however, and old ones—most notably the horrendous stability of online play—continue to persist and hold the series back.

Adr1ft is a game in love with space. It finds seduction in the void, and inside the debris of a botched reach for the unknown. I’ve never before seen space above Earth portrayed by such convincing beauty in a game. Alas, it is at the service of an unbefitting journey mired by clumsy movement and contrivances more heavy-handed than the story behind the disaster.

République’s transition from mobile to console is a mostly smooth one, but does feature some control hiccups along the way. The star of the show is the modern Orwellian tale crafted here, though, allowing you to look past a fair amount of technical issues.

For me, TrackMania Turbo just didn’t earn the checkered flag. If you love time-trials, however, this is the racing game you’ve been waiting for.

Any excuse to return to the world of Just Cause 3 is welcome, but by the time you just start getting warmed up and comfortable with the new weapons, gear, and enemies, this new chapter is already over and you’re left asking where the rest of it is.

New franchises are always risky business, but Tom Clancy’s The Division delivered on everything it promised and more, with only the occasional hiccup.

Pokkén Tournament was a brave experiment, and it succeeds in many areas. However, it fails in some others—whether from lack of depth or outright poor design—that keeps it from reaching that upper-tier of the fighting game genre’s elite entries.

EA Sports UFC 2 delivers the grandeur of MMA in a remarkable and brutal presentation. A traditional fighting game this is not, and the genuine attempts at simulating a dense sport result in clumsy combat that only on occasion captures the drama and nuance of human chess.

At times, the HD upgrade looks fantastic. At other times, the HD upgrade looks terrible. But underneath it all, the game is still Twilight Princess, and that means that it’s a great game.

I love difficult games, but The Flame in the Flood didn’t test my resolve—it tested my patience. A stellar look and an awesome soundtrack made me want to love The Molasses Flood’s first release, but with so many technical setbacks, I could hardly even stomach my time with it. I won’t be returning to the flood.