The Terror Twins don't get the platform they deserve, but they put on quite a show with what they're given. [Issue#336, p.106]

As Bernadetta's heartwarming lethality proves, the payoff is well worth the investment. [Issue#336, p.110]

Defeat in Nowhere Prophet can be creeping, as your resources drain away, or sudden, as you fall victim to an unexpected combination of cards. Either way, it feels like playing against an opponent who overturns the table when they win, leaving you to gather up the spilled cards. It'll be another couple of hours before you have a deck that feels unique, before you escape the mire of enemies and text events you've seen a dozen times. It's enough to make you a sore loser. [Issue#336, p.118]

Bonkers, yes. But Muse Dash soon becomes baffling in less endearing ways. [Issue#335, p.122]

There's an involving, and sinister story to pursue on that front, but as with the City the Kid yearns for, 198X never gets there. [Issue#335, p.120]

Take it slow, keep an eye on those health bars, and you'll find a fighting game that offers a thrill that few others can - with nary a 20-hit combo in sight. [Issue#335, p.118]

There's definitely a kind of magic to discover here, but Sea of Solitude too often breaks its own spell. [Issue#335, p.116]

Oakmont is a convincing Lovecraftian town - but the point of those stories is that these are places you'd never want to find yourself. [Issue#335, p.114]

This charming, eccentric mash-up is well worth a spin. [Issue#335, p.112]

It's a testament to the strength of Pedro's core premise that you'll likely persevere through design fumbles, odd pacing and wonky writing in search of more bonkers ultraviolent combos and leaderboard glory [Issue#335, p.108]

Hamstrung slightly by its hardware, this is a wonderful and educational creative tool; better, if less lovable, than its predecessor. A compromise, then, but a damn-near essential one. [Issue#335, p.104]

A sandbox where waypoint distances are measured in pixels, and journeys are over in seconds, is surely one worth celebrating. [Issue#334, p.122]

For all the gags, Astrologaster is a romp with no little substance. [Issue#334, p.120]

Despite the big budget, SIE London Studio has approached Blood & Truth with a modest ambition: to make you feel special, and strong, and more than a little silly, in a love letter to the city it calls home. It has done so with a flourish. [Issue#334, p.118]

Rare is the game that comes along, one that believes in its hero - in you - so earnestly, and shows us the real value of being brave. [Issue#334, p.116]

A slightly muddled gimmick and dilute sense of identity mean Sonic is unlikely to outpace the competition. [Issue#334, p.114]

The joy of Void Bastards, once it reveals itself, is that no action, no decision, is standalone. [Issue#334, p.112]

The relentless thrill of one half of it dragged down by the barren, boring needless sprawl of the other. [Issue#334, p.110]

Kubrick would surely approve. [Issue#334, p.106]

It is still a little deflating. While some detective work is engaging, too much of it is throwaway, repetitive and, worse, overused. Tailing missions are the worst offender, simplistic, overlong, tightly scripted and seemingly everywhere. In its cutscenes, its combat and its tales of the lives of struggling, troubled, randy everyday people - in all the tings that make it a Yakua game, in other words - Judgment excels. In the things that seek to make it stand apart, it disappoints. Whether this is a one-off experiment, or simply the first of many, remains to be seen; if it's to be the latter, much remains to be done. [Issue#335, p.102]

Sensibly expanded and gently refined, this is textbook sequel-making. [Issue#333, p.123]

The killing is enjoyable, but we'd have happily done much more of it. [Issue#333, p.122]

Modest and ingenious and smartly priced, Islanders is as engaging to tinker with as a palate cleanser between bigger games as to take seriously in pursuit of a high score - wonky mansions and all. [Issue#333, p.120]

It's a delightful time. [Issue#333, p.118]

With better class implementation, carrying through into PvP, it might have been able to assert its own identity. [Issue#333, p.116]

Finally, here's an RPG that, in every sense, leaves you wanting more. [Issue#333, p.114]

Like the grisly cutscenes, Mortal Kombat 11 is fun as long as you don't think too hard or look too closely at it - but that's exactly where the real joy is found in a fighting game. If Mortal Kombat wants to elevate itself, it's time to start overhauling the skeleton underneath all that flesh. [Issue#333, p.110]

What a shame. Days Gone is ripe with potential, but it's always in those moments before something actually happens: when you hear the rumbling of thunder heralding an impending downpour, or a distant engine letting you know tourble's on the way. But when it all kicks off, the spell is broken. This is "State of Decay" without the stakes, "The Last of Us" without Naughty Dog's storytelling chops, and the most generic, overlong open-world game around. [Issue#333, p.106]