Cairn isn't just a good game, it's a great game. With an incredibly nuanced story and a difficulty level that will challenge almost anyone, there's not a lot to hate here. The anger, sadness, joy, and surprise all culminate into a journey that isn't just a game; it's something far more meaningful. This is a game everyone should play if only to experience that nuanced story of Aava's journey. While I wasn't expecting to connect so emotionally with this game, I'm glad I did. Cairn is a story that needs to be heard. Although it isn't perfect, what makes it special is the combination of all the different elements to make something that can be meaningful to almost anyone. In the end, the game asks the most important question of all: what is your summit?

I Hate This Place had a lot going for it, with a unique setting, an interesting isometric layout, and crafting at its core. However, it doesn't reach its full potential, and all of its systems are lackluster, resulting in an experience that is underwhelming overall. The resource economy is broken, the day and night cycle feels pointless, and the controls on consoles are so frustrating that the end result is headache-inducing, rather than an enjoyable experience. There are some moments of greatness, especially in its stealth gameplay and paranormal environments, where the exciting nature of the survival horror genre shines through, but those moments are quickly fleeting. I do recommend I Hate This Place to survival horror fans if there is nothing else to play and they're on a budget, but I wouldn't go into this game expecting the next big thing.

Don’t Stop, Girlypop! fits a very specific niche that has been ignored for far too long: a game like DOOM or Unreal Tournament to be played while wearing a pink bow and long nails. This game is for people who want to play classic shooters but are tired of the drab visuals, and there is no better way to replace that than with a Y2K-inspired hyper pop pink space glitter fantasy.

Earth Must Die is an unapologetically hilarious and campy sci-fi romp adventure with perhaps one of the best playable villains in recent memory. This game vigorously scratches a nostalgia itch that will undoubtedly be felt more strongly by some (like me) more than others, and a generational gap may leave younger players culturally ostracized from this experience for one reason or another. However, for the demographic that it's definitely meant to serve, Size Five Games has knocked it out of the park yet again. The gameplay itself and point-and-click puzzle mechanics can feel a bit finicky and frustrating at times in light of how much everything else shines so vividly, but that's still not enough to diminish the whimsical, nostalgic spark this game provides.

Animal Crossing: New Horizons - Nintendo Switch 2 Edition isn't going to break any new ground or change the world, but if you're looking to get a spiffy upgrade for your new machine, it's potentially worth diving into. If you're tired of the desert island theme, though, there's absolutely nothing here that will remedy that.

Blightstone has a solid, strong foundation in terms of its combat and battle mechanics. The use of environmental hazards and interactive battle arenas is what helps the game stand out. The rest of the game feels like something of a slog, however, with some harsh RNG and an inconsistent pace that makes Blightstone feel like it can't get out of the blocks. There's something fun hidden here, but it is sadly overshadowed by a game that feels more interested in punishing you for simple things than allowing you to learn. [Early Access Score = 60]

Time passes equally for everyone on this planet, but it feels like ages have passed since we got a good, encyclopaedic antiquity simulator for PC. Strategos looks and feels like a finished product that can deliver engaging, realistic battles for you to flex that armchair general muscle on. The minuscule budget is on display at times, but Hannibal was primarily concerned with winning his battles instead of smelling the flowers. Strategos delivers where it matters most and has all the hallmarks of a real-time strategy classic.

MIO: Memories in Orbit is a dark, challenging Metroidvania Soulslike that perfectly understands what makes this genre so much fun. Combat feels precise and weighty, with fantastic enemy design and one of the most enjoyable Metroidvania maps seen in years. Traversal is incredible, and you'll be in awe of its wonderful music. Sadly, MIO also continues to use outdated Soulslike mechanics, including long, arduous boss runbacks, and the upgrade system is interesting from a thematic standpoint, but ultimately pretty dull.

With a forgettable story and not one memorable character, Philna Fantasy sticks to the basics of an action RPG, offering a gameplay loop that feels all too familiar for anyone who has ever played a dungeon crawler. While playing with the different characters is amusing at first, the game soon runs out of steam because it doesn't bring anything new to the table. The puzzles are creative, and the boss fights are a blast, but they're one-and-done deals. After the credits rolled on my 16-hour playthrough, I didn't want to spend another second with the game.

Kejora is an absolutely charming and ambitious indie platformer adventure that has all the necessary narrative bones for a visually compelling experience. In terms of story, it largely hits the mark. However, the shortfalls in its awkward gameplay, lackluster sound design, and noticeable UI blips stagger that experience to a degree, and it probably could have used more time in the oven on those fronts. Nevertheless, if you're a fan of hand-drawn animation in games, especially of the Ghibli variety, I would say to give it the chance it deserves.

While Trails Beyond the Horizon excels especially in its combat and RPG systems, it also succeeds with its main story and side content, such as the Grim Garten, character relationship system, and side quests that all tell unique stories worth listening to. Trails Beyond the Horizon is a game that deserves recognition and is up there with some of the best the genre has to offer.

At the end of the day, a bad Metroid Prime game is still a good game and one that I'll happily play any day of the week. As frustrating as Metroid Prime 4: Beyond can be, it's still worth playing and a solid way for Nintendo to end 2025. Is it a must-own Nintendo Switch 2 game? That's something I'm honestly not sure about. On the one hand, I can see it being a great way to introduce people to the Metroid genre in a way that's more accessible than, say, Metroid Dread. On the other hand, Metroid Prime Remastered is right there. Ultimately, Metroid Prime 4 is a game that's worth playing, but it could be so much better.

Octopath Traveler 0 introduces a new town building system to its endless turn-based battles, but doesn't innovate much outside of that. Combat feels fun and powerful, but with this being the fourth game in the series, it could use a touch up. In the end, Octopath Traveler 0 is an incredibly enjoyable JRPG, but one that feels like it's just spinning its wheels at this point. Town building is fun, but ultimately shallow.

Death Howl is a complex, yet easy-to-get-into deck builder that utilizes a slick, stylish mix of Soulslike gameplay systems and card-based combat. The world and story are breathtaking, with outstanding pixel art and ominous, subtle sound design. Combat feels excellent, but if RNG and dying a lot in games isn't your idea of a good time, it may not win you over in that regard.

Cloudheim is, by all accounts, a good game, but it is marred by uncertainty about its direction. A sort of jack of all trades but master of none issue. It is very important to remember this game is still in its early days and there's absolutely nothing wrong with that. In fact, in a few months, I think many of the issues I have with this game will either be solved or be on the way to being solved. Right now, though, Cloudheim struggles with its identity a little too much. If you can craft such a fun world to move about in, why punish me by giving me manual labor to do when I finally go home? The combat, when it works, is ludicrously fun. Using mobs like bowling balls and pins has never been better. The progression systems are a bit overwhelming, and there are probably a few too many in the game as a whole. Becoming a Nordic legend to save the world sounds amazing until you have to stop everything and deal with your overabundance of items in your inventory. [Early Access Provisional Score = 70]

Sleep Awake is absolutely stunning visually and feels like walking through an art installation full of heavy themes and commentary. Combined with the impeccable soundscape crafted by Nine Inch Nails' Robin Finck and some of the best world-building I've ever experienced in a sub-10-hour video game, it's a title that will stick with me for a long time. Some occasional subpar stealth sections and an obtuse puzzle or two are the only blemishes on an otherwise incredible journey that had me riveted from start to finish, with a story and main character that were incredible to witness. I want more of this world and premise. I want a book. I want a movie. I'm not sure that I'll be able to sleep till I get it.

She’s Leaving has a great and unique concept with a solid story, which may be enough for players looking for their next survival-horror fix. However, you shouldn’t go into it hoping for amazing gameplay, since it’s pretty barebones across the board. While engaging with real-life practices of forensics is intriguing, especially if you’re into true crime, everything else revolves around cookie-cutter mechanics to an exhausting extent. The majority of a playthrough consists of finding and using keys, unlocking safes, and running away from a stalker that becomes less scary and more of a nuisance the longer you play. While She’s Leaving isn’t the best option out there for survival-horror enthusiasts, it has enough good stuff, such as interesting forensic mechanics, story, and voice acting, that make it worthwhile for a quick playthrough over a weekend. It’s also important to consider its low price of only $16.99.

Escape From Tarkov has changed significantly on its road to release, but there's little doubt over this being the best that Tarkov has always been. The story mode adds depth and meaning to the game in ways that were sorely missing before, making its standout environment and gameplay actually matter. It may not be the prettiest or the most approachable game, but Escape From Tarkov looks set to remain the premier post-apocalyptic first-person shooter in the market for the foreseeable future.

Marvel Cosmic Invasion is a fantastic beat 'em up that understands what makes arcade games like X-Men so iconic. It's a touching love letter to both the source material and genre that's a blast to play from start to finish, whether you're playing alone or with friends. Part of the fun is not just experiencing the beat 'em up action, but also falling in love with specific heroes and various combinations to find a playstyle that matches your personal preferences. In an era that has more options than ever for co-op gaming, Marvel Cosmic Invasion is well worth your time and money, whether you're looking to spend a weekend together gaming or keep coming back to see everything the game offers.

Total Chaos is an exciting survival-horror game that follows a man descending into madness within his own mind. The story and combat are the standouts here, as both are engaging enough to keep the player on the edge of their seats, pushing them further into the depths of the game's world to learn more about the protagonist and take down deadlier foes. Discovering the lore of Fort Oasis, the game's main location, and how its hidden meanings connect to the main character's mental state and sickness shares a strong resemblance to Silent Hill 2, and it's fascinating to uncover. The biggest negative is the game's core survival mechanics and how it often feels too punishing because of its lack of resources, to the point that some players might be forced to go back to an earlier save depending on their situation. The extreme lengths it takes to make the player feel hopeless may be too much for the casual player, so it's definitely not a game that could be recommended to everyone.

I was one of the biggest Kirby Air Ride fans back in the day, so the fact that we're getting a sequel to the divisive cult classic is a dream come true. Kirby Air Riders is everything I could have ever wanted and more. It's a project filled with love, passion, and a celebration of all things Kirby. From the robust character roster, surprising depth of customization options, and an impressive amount of content to see, do, and unlock, Kirby Air Riders is easily my favorite racing game of the year. It's a triumph from start to finish, and I can't wait to spend countless hours in City Trial and beyond.

Hunter's Moon: A Sovereign Syndicate Adventure is a deckbuilder that I absolutely loved early on. The presentation is fantastic, and the Slay The Spire-esque gameplay is top-tier. Unfortunately, the more I played, the more I'd encounter substantial performance issues and an overall feeling of imbalance. Give this one some more time to be optimized, and it'll be one of the best titles in the genre. Until then, it's still a good time, but hasn't yet reached its full potential.

Of Ash and Steel is a truly fascinating world and experience that absolutely has merit. The sheer amount of content the game contains (there's even an 'Arena Master' mode outside of the main story that allows you to enjoy more combat challenges) is remarkable for an indie studio that's just now getting its feet wet. It checks a whole lot of boxes for what a love letter to classic 2000s open-world RPGs should contain, and the care and attention to these details is abundantly clear. That said, it does try to differentiate itself in ways that it doesn't need to, such as the lack of navigation UI elements and skill requirements. It also needs a bit more polish on other fronts, such as its dialogue mechanics, and the cutscenes can feel a bit awkward to watch at times. With a bit more time in the "forge" as it were (or just constructive update patches), this game could truly be one to remember.

Constance is a fantastic game that I would recommend to anyone who’s a fan of the genre. It draws heavy inspiration from Hollow Knight, which is clear as day, but brings fresh ideas to the table that make it feel like a unique experience. The story, where players bounce between the real world and a world inside the protagonist's declining mental state, is a sad tale that sends a powerful message about depression and anxiety. Constance tackles subject matter that we don’t typically see enough of in the gaming industry, at least with this much depth, and it’s refreshing to see them explored here. The mix of a heartfelt story, addictive gameplay, and incredible platforming makes Constance easy to recommend.

Mechanically, Call of Duty: Black Ops 7 is a good game, and I'd even risk calling it one of the best multiplayer shooters to come out this year in that regard. The problem is that mechanics are tools, and the game they are subordinate to is a poor artisan. Between the uninspired futuristic aesthetics and the nonsensical campaign, it's upsetting to see that this is what Call of Duty could come up with after the strongest release in over a decade. All the fun of Zombies is not enough to spare Black Ops 7 from being the worst game in the franchise, and the only saving grace is that it might serve as a cautionary tale about complacency when managing popular franchises.

Demonschool has a quirky charm. I initially enjoyed its battle system, but I grew bored with it before long. Even though I had to push myself to finish it, I walked away with a satisfying experience. The characters, the witty and snappy script, and the story development kept me hooked. It's not a groundbreaking game, but for those who enjoy over-the-top humor, puzzle-like gameplay, and demonic themes, it might be a good pick.

Mimmox's creative mission to share enjoyable and relaxing games that help players unwind rather than wind them up is off to a good start with Umami. It's a whimsical and thoroughly wholesome puzzle experience that didn't push any buttons of frustration or confusion whatsoever. It gives you that gentle, consistent dose of dopamine with no need to go overboard visually or contextually. Critiques are truly minimal in this case, mainly just about how Umami could have been expanded just a bit further in terms of gameplay without sacrificing its pacing or overall tone of sensory relaxation. I genuinely look forward to seeing more from this studio.

Dispatch is absolute cinema, literally and figuratively. AdHoc has truly crafted a delightful experience with its workplace-comedy superhero narrative, one that features a strong cast of well-written and eccentric characters, making you eager to meet them again like long-distance BFFs. The gameplay can be slightly tricky to grasp, but ultimately becomes a hyper-engaging burst of time-based unit management. Each character is so lovable at heart that you won't even need a lengthy backstory for context. And with a writing direction that strongly emphasizes character relationships and banter with one another, it is one of the most cathartic video game experiences that I had this year, making me grateful for every minute I spent with Robert and his crew, as well as making me want to support AdHoc in any way possible in a plea for making another season on these whimsy goofballs.

I honestly didn't know what to expect when first jumping into NASCAR 25. To say that it blew me away is an understatement; NASCAR 25 scratches the Forza Motorsport itch I've been missing for so long, even if it's nowhere near as deep as the iconic Xbox sim-racing franchise. With the game finally coming to PC, there's so much potential here for an online community to thrive. There's a lot I hope to see improved over the years, including a more fleshed-out career mode and improved presentation, but there are some solid bones here that have me excited for the future of the series. NASCAR 25 is one of the best racing and sports games of the year and is well worth your time. Boogity, Boogity, Boogity! Let's go racin', boys!

Windswept is an adorable ode to classic 1990s platformers, mostly for better, but occasionally for worse. The charming design, stellar presentation, and fluid platforming mechanics are top-notch. Assists added to the game are thoughtfully included, especially because the game gets absurdly challenging by the end of the experience. This is a case of a near-flawless first act, but a second act that will leave many setting the controller down and walking away, or abusing assists just to see the game through. I still think it's one worth checking out for retro platformer fans, but I'm a bit bummed that what felt like a certified classic initially doesn't quite stick the landing in the end.

Like Tetris Effect before it, Lumines Arise lives up to the franchise's legacy. It's slick, stylish, and as addictive as ever. Despite my complaints and critiques of the game, especially those level transitions that take you out of the rhythm you've established, I look forward to spending hundreds of hours with Lumines Arise over the next decade or so. There was nothing quite like Lumines back in the day, and even though there are similar titles available today in 2025, there's still only one Lumines. A must-own for any puzzle game fan.

Hyrule Warriors: Age of Imprisonment is the latest in the Zelda spin-off series that puts hack-and-slash combat at the forefront. This is easily the best iteration of Hyrule Warriors, feeling the most feature-complete and enjoyable. Combat is fast-paced, and the performance is spectacular thanks to the new, improved hardware found in the Switch 2. If you've been disappointed by previous Musou-style games in the past, this one won't change your mind. But if you're a Zelda fan looking for a fix until the next mainline entry comes along, Age of Imprisonment is a worthy adventure worth undertaking.

Ubisoft Mainz's good choices started early with Anno 117: Pax Romana. It picked the perfect time period to showcase the prime of Roman city building, and packaged that in a user-friendly way that has more depth than meets the eye. There are some pacing issues with the campaign, and I have questions about the longevity of single-player modes, but that does not take away from the fact that this is an excellent city builder that tells a Roman tale with the grandeur it deserves.

Sanatorium: A Mental Asylum Simulator is a unique, compelling little indie title that examines the dark, sometimes stigmatized world of mental health. It does so in a lovely way that is clearly made by a team with tons of respect and sensitivity. The oddball staff members at the asylum are full of charm, and the patients are just as endearing. It struggles with some unfortunate design choices and some unusual bugs in the menus, but is overall worth a bit of your time.

Dragon Quest I & II HD-2D Remake successfully blends the old with the new, faultlessly complementing the third game and becoming the definitive way to experience the Erdrick trilogy on modern systems. The new story additions enrich its mythology and characters, while the gameplay novelties will please turn-based RPG fans. There's some unevenness here and there in both games, but nothing that detracts from the heartwarming, majestic experience of cherishing one of the most influential RPGs ever made in Japan.

ARC Raiders is an incredibly challenging extraction shooter that will push you to your limits and frustrate you, but you'll keep coming back for more. With breathtaking visuals, thoughtfully-designed maps, intense PvP, and intelligent, unpredictable AI, ARC Raiders has raised the bar incredibly high for extraction shooters and will likely inspire an entire wave of games that hope to recreate its magic. Its quirky cyberpunk cosmetics give it a personality all its own, and with extensive quests and co-operative gameplay opportunities, ARC Raiders is revolutionizing the genre and pushing it further into the spotlight.

Europa Universalis V is the thrilling next iteration of Paradox's long-running grand strategy series. If you're still playing EU IV and wondering whether the upgrade is worth it, I'm here to tell you that you absolutely need to play this game. It takes everything about the last entry from 2013 and improves on it. If you're a newcomer with an interest in complex, deeply involved grand strategy games, then now is the perfect time to jump in.

Simon The Sorcerer Origins is a game which some will love, and some will drop off of. However, in a time of re-releases with an extra 'episode' of content tacked on to the end, it's nice to get a full-blown new game in an old franchise. I hope the game does well enough to get a sequel/prequel/presequel so that they can take some more risks with the puzzles and potentially add in some help for those of us who didn't grow up with these types of adventures.

If you've played the original Biped, you've played Biped 2, and I truly mean that. This is sadly one of the lowest effort sequels I've ever encountered, down to even the game's Tutorial being a direct copy/paste from the OG. There are numerous examples of blatant and unabashed rip-offs consistently throughout the experience, to the point that it feels like self-plagiarism. If you want to try out the new 4-player co-op, that's about the only different thing worth checking this game out for, especially because there's an actual game-breaking bug near the end as well. As cute as the game can be, you've quite literally done all of this before.

The Outer Worlds 2 is an almost perfect sequel, building on the brilliance of its predecessor and addressing all the issues fans had with the original. The scope and scale of this sequel is the biggest win for fans, as there's oodles of content. But above all, the game delivers on the promise of a more emergent, nuanced RPG experience, complete with all the charm, deep worldbuilding, and sublime writing the series is known for. The downside is that combat, stealth, and various other action-focused pillars of gameplay don't deliver as they should. But, if you can get past this, you'll come to find that The Outer Worlds 2 is a contender for best space-based RPG of all time.

As Long As You're Here is an emotional journey to take if a loved one has ever experienced dementia. Navigating life as someone with Alzheimer’s is a difficult thing, but also something that results in what can only be described as an important, poignant video game. While I might wish some ripple effects on the main character's family were dug into a bit more, and some extremely small dev team limitations are present in minor ways, this is a wonderful, and unfortunately all too relatable title. The subject matter is presented in creative, respectful, and effective ways, resulting in an ultimately cathartic experience, as challenging as it sometimes may be on a personal level.

I can't deny that I liked my time spent playing Wreckreation. The high-octane action, the blistering speeds, and the open-world freedom all come together to offer a format that I adore. However, I can't in good conscience attribute much of this to this game, as it's about as blatant a copy I have ever seen, lifting Burnout Paradise's mechanics, UI, race types, and progression almost note for note. Yet, in many ways, the game fails to capture that same lightning in a bottle, with shoddy recreations of many aspects of its inspiration. The only unique thing this game has to offer lies within the creation and online functionality, but due to the lackluster and uninspired single-player core this game offers, I don't think these admittedly interesting features will be enough to get many potential fans behind the wheel.

Painkiller has some truly incredible weapons and powers, but not a lot to do with them. I saw everything the game had to offer in one sitting, and while there is replayability, the repetitive and boring objectives prevent me from wanting to keep going. The game looks awesome, but falls into generic territory in several ways, while also adopting a lot of that Marvel-esque vibe we're all tired of. It's reductive to say, but we already have DOOM at home.

Bandai Namco really hit a home run with this latest entry in the Katamari Damacy series. It's calming, cozy, and whimsical—in other words, everything you expect from a Katamari game. The time travel theme works well, and the ability to customize your appearance based on your gameplay performance really sells it. Once Upon A KATAMARI is now my favorite entry in the series, setting new standards and introducing mechanics that I hope will become franchise staples. This is a perfect introduction to the series for newcomers, while also making veterans very happy.

The Lonesome Guild isn’t a game I would really recommend to anyone, but it’s also one I can see a very specific type of player enjoying. Every aspect of the game is undercooked, such as barebones combat, a childish story that never reaches its potential, and a relationship system that feels shoved into the game just for the sake of it. In other words, there’s no standout reason to play through its 12-hour journey. However, it does have a cozy vibe to it that may appeal to players just looking for an easy game to pick up and play, and while they may find some fleeting joy in their adventure with these characters, I wouldn’t imagine them ever coming back to it. The Lonesome Guild isn't necessarily a bad game, it's just one that doesn't do anything particularly special or great to stand out from the crowd.

Tormented Souls 2 is a fun, albeit thematically predictable, sequel to a game that served as a delightfully nostalgic surprise to longtime horror fans. It's abundantly clear that Dual Effect has put their heart into this ongoing love letter to classic survival horror, utilizing elements that few other horror indies have dared to touch in favor of modern playstyles and concepts. Charmingly familiar tank control gameplay, ambitious puzzle mechanics that can still feel a bit too heavy-handed for the average player, and thematic horror elements that do work well for the most part. Like its predecessor, Tormented Souls 2 still struggles with storytelling and character elements that just don't quite hit the mark. While it doesn't go as deep as I would like, above all else, it still serves its grandest purpose with all the passion you could ask for.

PowerWash Simulator 2 isn’t reinventing the wheel. The game knows its audience and is happy to feed their rabid desire for more cleaning. It may not win over any people who were turned off by the original, but if you enjoy dad games and an easy activity while listening to music or videos, then this is exactly what you need in your life.

Godbreakers is awesome solo, and a blast with friends. The Roguelite structure combined with slick, kinetic, third-person action is a wonderful fit and hits a lovely flowstate often. Snappy dodge canceling makes the gameplay consistently fluid and rewarding, and enemy/boss designs are all great. I'm having a very good time running this game over and over with different modifiers, I just wish some of the quests were a bit more clear in their objectives. Still, Godbreakers is well worth checking out, regardless of if you're going it alone or with a squad.

Jurassic World Evolution 3 is without a doubt the absolute best dino park management game that has ever been made. Any of the issues or complaints I had from the first two games have either been improved on or completely eradicated. The campaign and challenge modes are worth checking out, but you'll find yourself absolutely absorbed by building and maintaining your park in the sandbox mode. It's a magnificent blend of nostalgia and contemporary game design, and is well worth dumping hours of your life into.

I wasn't sure what to expect with Ninja Gaiden 4 at first, as it felt like there was no way for the game to live up to all of its expectations. The more I play and spend time with the game, though, the more I fall in love with it. The combat is a perfect evolution that maintains everything I love about Ninja Gaiden, while also incorporating the accessibility and convenience of modern game design. The camera and targeting system can be annoying at times, but more often than not, those concerns fade away as I get into a groove and carve up enemies with my favorite weapons. This is the gold standard for fast-paced, high-octane, 3D action games. I just hope we don't have to wait another ten years for the next one.

Fading Serenades is a charming delivery game you can finish in an evening, leaving you wanting more. By the time you get to the end, it feels abrupt, and a little rushed, as the quests also become slightly repetitive. You're left wondering more about the neighbors you spent the game delivering for. Still, for a solo-developed game, it's very impressive. If you're looking for something short, cozy, and enjoy the delivery gameplay loop, Fading Serenades serves it well.

Keeper is a very slow burn, but ends up culminating in one of the coolest and most surprising third acts in recent memory. It does feel like more of an experience than a video game at times, but it's still absolutely a journey worth taking. Going into it completely blind is recommended, as the game is actually hiding way more beneath the surface than you'd ever expect. The puzzles are dead easy, and there are some camera/control/performance hiccups at times, but it's still a title that truly takes you places that will amaze you by the end if you're willing to stick with it.

Vampire: The Masquerade – Bloodlines 2 had the potential to be something special, but instead of offering the sweet taste of vitae pulled from the neck, it has only the porridge-flavored final drips of a blood bag. While the combat and boss fights can be satisfying, the game’s shallowness in pretty much every other department, as well as Fabien dragging the entire experience down, left me hungry for the game it could have been. While it has the trappings of the World of Darkness, this game does a disservice to Vampire: The Masquerade.

Ball X Pit is far more than just a game that riffs on the Vampire Survivors formula. It's a game that offers a little something for everyone, with incredibly addictive bullet-hell action, thoughtful township building that doubles as a Roguelike progression system, and on-screen chaos through insane power-ups that make it nearly impossible to track every projectile racing across your screen. It's a hands-on and involved version of its contemporaries, and a truly unique option for anyone who loves the genre. Don't expect jaw-dropping visuals or a tearjerker of a story. But the trade-off of epic gameplay is more than worth it here. In short, you'll have a ball. In fact, you'll have tonnes of them.

Little Nightmares 3 is a solid addition to the beloved franchise, and Supermassive did a fine job with the project. The atmosphere is on point as it does a great job at telling a story, creating a sense of dread, and is genuinely exciting to venture through. Unfortunately, the game has minimal horror, and I wouldn’t go into it expecting to be scared. As for the gameplay itself, it’s really basic to its benefit and detriment. It’s a great game to pick up and play in a weekend, especially due to its short runtime, but it won’t offer any challenge or thought-provoking puzzles. Still, Little Nightmares 3 feels right at home in the franchise and I wouldn't mind seeing Supermassive Games take another crack at a sequel, especially if they learn from their mistakes on this one.

Escape From Duckov does a lot right while keeping an adorable identity, but it demands too much time without offering enough thrills in return. The game's biggest failings come from being inspired by a title that is fundamentally a bad game that somehow works in spite of its design, not because of it. If the game had taken notes from Escape From Tarkov's atmosphere but fundamentally changed the quest design at the very least, it would have been a hit. For now, Duckov is a lovely tribute with fun moments that overstays its welcome, but its generous price tag will get you your money's worth.

Despite faltering in single-player content and gunplay mechanics, Battlefield 6 finally brings back what made the franchise famous: epic combined arms fun with natural teamwork and a grounded setting. My crystal ball is broken, so I can't say whether it'll sell the lofty 100 million copies expected by the previous EA management, but this feels like a new era for a genre that has been stagnant for far too long. It's not the best shooter ever by any margin, but it is the first Battlefield that is ready to dominate the multiplayer scene after years of Call of Duty tyranny, and I for one welcome our new rulers.

Digimon fans starving for a game with a proper budget can finally have their fill. Digimon Story: Time Stranger is everything that those who grew up alongside Taichi and Agumon once dreamed a game could be. The story, though it sometimes stumbles with its time-travel theme and clunky script, has a glorious conclusion, and there's nothing better than filling your roster with 400+ Digimon. However, those who are just looking for a new turn-based JRPG might not find much here to hold their attention, especially since the first hours feel unappealing for anyone who doesn't care about Digimon.

Although Ghost of Yotei lacks a cohesive and well-executed main story, it makes up for that with its vastly improved combat and world design. It obviously doesn't do anything mind-blowing for the open-world genre, but it refines nearly every aspect that made Tsushima special while carving out its own unique identity. Atsu’s journey delivers both emotional depth and visceral action through her mastery of various weapons, supported by a beautifully crafted world that feels alive without overwhelming you with a boatload of recurring side activities. It’s a love letter to revenge tale media rather than the traditional samurai cinema and players who still adore the gameplay-focused prowess of Sucker Punch—moreover, it's also a reminder that sometimes, a safe sequel can still be satisfying to play.

Absolum is a game that will be remembered not only for its incredible scenery but also for its fantastic gameplay. From the very first moments, it's clear that Absolum is something special and unique. A mix of powerful mechanics and expert game design will make players leave every session wanting more. Absolum will undoubtedly make a name for itself as one of the greatest games of the year. Whether it's with a friend or solo, beating up hordes of enemies has never been so much fun.

Bye Sweet Carole is an ambitious game that shoots for the moon and ends up among the stars. The Disney-style presentation is damn near flawless and evokes a sense of childish nostalgia that hardly any game has managed to do before. Not to mention, it's a pretty competent puzzler that feels cut from the same cloth as LucasArts classics in many ways. However, due to a slew of technical issues and some of the most cumbersome and unsatisfying platforming, stealth, and action sequences I can recall enduring, the game undoes a lot of its fine work to ultimately end up being a unique, but rather average experience.

Yooka-Replaylee feels like one of the best Nintendo 64-era collect-a-thons ever, but with every bit of shine, polish, and refinement that a 2025 release allows. Each level and character design is gorgeous, the orchestral soundtrack is incredible, and there's a ridiculous amount of activities and challenges jam-packed into every single nook and cranny of the game. The whole thing handles as smooth as butter and is a top-tier platformer experience that's oozing with heart, charm, joy, fun, and humor.

Blood of Mehran is a game that might look the part from the outside looking in, but if you spend any extended time with it at all, you'll see that it's far from a polished Prince of Persia clone. The visuals have that Unreal Engine sheen to them, but the animations, voice acting and overall design let the side down. However, nowhere near as egregiously as the wafer-thin plot, the derivative, the wonky gameplay, or the aggressively linear format. It's one of the most predictable, uninspired, and underwhelming action RPGs you'll likely ever come across. There is a certain level of cozy comfort that comes with that, but all in all, this is not worth your time or money.

Lost Eidolons: Veil of the Witch is a refreshing roguelite tactical RPG with thoughtfully crafted character design, challenging turn-based combat, and customizable playstyles. While I'd like to see additional ways to interact with the environment during battle, and possibly more variations of routes to take at forked roads, these are very minor things that could hopefully be added in later. Overall, I've had an absolute blast with Lost Eidolons: Veil of the Witch; there's a lot of replay value and exciting possibilities.

Shrine's Legacy takes pretty clear influence from classic SNES-era 16-bit RPGs, with a fun blend of Zelda-style puzzles and action-based combat. Fortunately, it does an admirable job of using that inspiration to create its own identity, and doesn't rely too much on the nostalgia of your youth. The combat does feel a little stiff, while the magic and jewel system is unnecessarily complicated. But even so, if you're looking for an action RPG that scratches that retro itch, Shrine's Legacy is definitely one worth diving into.

King of Meat is effectively like one of the most eye-catching and elaborate LEGO kits you'll ever see. The composite parts are excellent, with soft-play-like visuals, a world that is wacky, silly, and engaging, and surprisingly nuanced combat and progression. Not to mention killer animation, a sublime creation kit, and cosmetic items that actually feel worth grinding for. However, like all LEGO kits, they don't come assembled, and you get out what you put in. As a solo experience, this game is hollow and quite one-note. Meaning that this game will only be successful and enjoyable if it gains a following, as community creations will be the lifeblood of this title. If the game gains that player base, it could be great, but it's a huge 'if'. The game doesn't have that lightning-in-a-bottle feel, and there's a genuine concern this game could be dead on arrival.

Nicktoons & The Dice of Destiny is loaded with nostalgia, callbacks to famous scenes and lines, but ultimately isn't as good as it could be. The limited fantasy setting, monotonous combat and underwhelming world map are helped slightly by its wonderfully authentic voices and fun story. If you grew up watching these cartoons, chances are you'll be charmed by the respect paid to them like I was, but find that the quest itself is not quite as good as just watching your favorite episodes again.

CloverPit is very much a “What you see is what you get” situation. If you just like seeing numbers go up, its gameplay is more than simple enough to facilitate that with a high degree of variability and kit potential, though there’s also plenty of room to experiment with builds and perk loadouts, moreso as you play the game and unlock more of its large charm catalog. There’s a goal to reach if you’re so inclined, but it’s also just a great game to turn your brain off and enjoy while watching a YouTube video. The only real nitpick I could offer is that the descriptions of some of the charms are a little dense and percentage-heavy, but that becomes progressively less of a problem as you play the game and pick up more of what it’s putting down. Frankly, it’s a wonder I was even able to put it down long enough to write this, and I’m gonna go start another run as soon as I’m done. The first step is admitting you have a problem, and the second step is pulling the dang lever again.

Sworn is an incredibly fun action Roguelite to jump into, especially if you have friends to play with. While it certainly isn't perfect, there's enough here to at least give it a shot. Sworn in its best moments is a game that engages you on several levels and forces you to make difficult decisions while rewarding your hard work. In its worst moments, it's a bit of a slog that will have you questioning your strategy and build. If you like Arthurian legend and thoroughly enjoy Roguelite action with meta-progression, you'll find yourself very pleased with your time in Sworn.

LEGO Party! stands tall as one of the best games ever in the competitive board game-style genre. Sure, it's derivative of Mario Party, but it also improves on many games in that series in a multitude of ways. Almost all of the 60 mini-games here are truly great, the game boards are creative, and the player customization options feel endless. I do wish it had a couple additional modes and maybe another game board or two, but that's really just because I want more of this awesome title. Regardless, LEGO Party! is such a blast, and a game I sincerely hope catches on so we can keep getting more content and sequels.

For the vast majority of both Suda and Swery’s works, you don’t really show up for a high-quality gaming experience. You show up for the weird vibes, and indeed, Hotel Barcelona is rich in delightfully weird vibes that are appealing enough to get me through. However, there's a certain point where a game cannot carry itself on vibes alone. No More Heroes 3 had some visual jank, but was still a solid game. The Good Life ran terribly on my computer, but still had an engaging core loop. With Hotel Barcelona, I feel as though both Suda and Swery's typical shortcomings are multiplying against each other, resulting in a game that has good bones and a fun, wacky premise, but falls well short on actual execution. If a game with this kind of slow, sticky gameplay and graphical shortcomings came from any other directors, it probably wouldn't be on my radar.

Topping the original Hades was a damn near impossible feat, but Supergiant Games pulled it off. While it still has some of the accessibility issues of its predecessor, Hades 2 manages to improve upon the combat, world-building, and content of the first game, making Melinoe’s journey stand out. It may not surprise or shock Hades fans with originality, but it upped the stakes in a way that makes it a must-play game.

The developers of Final Fantasy Tactics: The Ivalice Chronicles went above and beyond in not only recreating the feel of the original game but also upgrading nearly every aspect of it. It’s hard to improve upon a masterpiece, but Final Fantasy Tactics: The Ivalice Chronicles accomplishes just that, and I hope that it doesn’t get ignored come awards season, in such a stacked year full of great releases.

I tried hard to be in on the joke of Baby Steps for the first hour, but it lost me insanely quickly. The thing is, I don't think it even cares. The QWOP-iness of the movement actually is well-done, and there are some moments of absurdity that worked for me. It then just shifts too far from a stupid but fair rage game, to a stupid but cheap-feeling rage game with no redeeming qualities. You'll painfully wander aimlessly for hours. You'll cringe hard at the "humor" that gets way too gratuitous, gross, and vulgar completely unjustifiably. This becomes a mostly mean-spirited game that even wants to drive you insane with the soundtrack. Laugh and watch someone else experience it if you want to, but do not play it yourself.

Silent Hill f is completely distinct from any other entry in the franchise, but also firmly committed to being faithful to Team Silent's visions, and it carried out those visions wonderfully. Not only is the game a horror masterpiece, it's a Silent Hill masterpiece, finally giving veteran fans the long-awaited relief we've been craving. While being a commentary on feminine fears and oppressive societies, Silent Hill f gives much for players to chew on, and even more to swallow, in the most visually striking and grotesque entry the series has seen yet. The first new Silent Hill entry in over a decade is everything fans could ever hope it to be and then some, cementing itself as an instant classic not just for the franchise, but for survival horror overall.

The icy hellscape of Frostpunk 2 translates surprisingly well to Sony's sleek console. The PlayStation 5 occasionally has hiccups, and the DualSense controller is far from ideal for a strategy game this intricate, but the game does a brilliant job patching over these issues to let you enjoy a strong narrative experience. I got to build what I thought were thriving civilizations, and then watch them fall apart through my own shortsightedness. Frostpunk 2 is a beautiful, honest depiction of how far humanity can go when survival is the only ambition, and it makes my multiple political downfalls worth living.

The yearly nature of EA Sports FC typically gets in the way of selling new copies because of just how similar the versions are. FC 26 bucks that trend by giving the single-player side of things the love it had been badly craving for years. Without the shadow of multiplayer balancing looming over things, you have gameplay that is likely to stay the same until FC 27 inevitably comes along. I've been having a blast with the current implementation, and was quick to uninstall FC 25 after a single match. If you like to play it slow, pass around, and fist-pump after tight wins, this is the football game for you.

Back in the day, Trails in the Sky hinged on its story and world-building to make up for its other lacking characteristics. Twenty years later, Trails in the Sky: 1st Chapter not only brings back the full heart of what made the original a classic, but it can now stand tall beside any other heavyweight JRPG. The visual presentation is beautiful, the mix between real-time and turn-based battles is a blast, and the quality-of-life additions adhere to present-day audiences. I can confidently say that Trails in the Sky: 1st Chapter is a quintessential JRPG that should be cherished by every fan of the genre.

Much like Kyle Crane's return, the series has also returned to form with Dying Light: The Beast. Although not a true sequel, it's a meaningful entry that dials down the tone to a much more sinister and grimier one. It's a reminder from Techland of why fans love the series in the first place—a gnarly yet technical combat system, over-the-top gore, and the thrill of freerunning all composited with a decent enough story, one that's sure to invoke the hope to live and die another day. You can effortlessly mow down enemies with a barrage of new unhinged artillery or viciously tear them apart with Beast Mode—it's your playground here, and it all adds up to make it perfect for veterans to experience while offering a slice to newcomers of what makes Dying Light feel so special. The Beast is awake, and so is the franchise once again.

Towa And The Guardians Of The Sacred Tree is sadly a frustrating, repetitive, poorly balanced experience. It's a shame, because there is a decent amount of heart present, backdropped by beautiful designs and a stellar soundtrack. Unfortunately, the gameplay loop quickly becomes completely mindless, combat is a chore, bosses feel cheap, and your game clock counter just keeps going up while the emotions of the story never hit. There are some nice ideas here, but the execution and implementation still does not lend itself to an enjoyable Roguelite title at all.

In a space where Mario Kart has been the only kart racer worth talking about for what feels like eons, Sonic Racing: Crossworlds stands tall as a worthy competitor. Beyond the flashy dimension-hopping, the gameplay doesn't reinvent the wheel, but offers enough quentessentially Sonic-style fanfare to appeal to veteran fans, while offering accessible, chaotic racing that will appeal to casual fans looking for a cross-console alternative. The rather uninspired multiplayer modes, the lack of satisfying unlockables, and the focus on a steady stream of paid content make me doubtful that this game can achieve long-term success. But, as far as kart racers go, Sonic Racing: Crossworlds is right up there with the best.

Formula Legends is simply fun. The racing is exciting, the attention to detail and depth is a welcome surprise, the love for F1 is charming and hilarious, and I just can't stop playing it. Still, it's probably not as feature-rich as some might desire. It desperately needs multiplayer functionality, the modes are fairly sparse, and there are some visual hiccups. Regardless, at the end of the day, I'm having an absolute blast with this game. This is an arcade racer I plan on working into my regular rotation of long-term gaming titles.

It's difficult to review a game like Strange Antiquities as most of the pleasure and pain it derives will depend on if you click with the style of puzzle it presents. But if you're looking for a slightly cozy, slightly dark world in which to inhabit as the nights get longer, then I'd suggest at least checking out the demo of this game to see if it works for you. If it does, there's almost no better feeling in the world than getting that eureka moment as you solve a particularly tricky puzzle.

LAN Party Adventures is a charming look back at what made 2000s-era PC gaming so enjoyable. It really feels like it was made by a bunch of friends who were knee-deep into the culture at the time. As someone who has spent her entire life building, then re-building, PCs, it hit a spot that I was rather fond of. I do think there are some issues with some of the level design, which can sometimes feel somewhat padded, and puzzle solutions that took the worst lessons from 90s-era point-and-click adventure games. But, overall, this is a good bit of fun and will likely speak to you if you've ever opened up a PC and wondered how it worked.

LEGO Voyagers is quite easily my favorite LEGO game ever. It's a super short, but endlessly sweet co-op journey that will tug at your heartstrings by the end and stick with you long after the credits roll. It's a story about growing up that resonated with me deeply, and I really must urge you to check it out with whichever type of co-op buddy you please. The barrier to entry is low and perfect for playing with a partner, sibling, friend, kiddo, or even a parent. I wish it was slightly longer so it had some more time to flesh out some ideas, but what's here is truly special, more than worthwhile, and never wastes a second of your time.

If you already love the Borderlands franchise--even the third game—you’re guaranteed to love this newest addition to this chaotic and bombastic looter shooter. Borderlands 4 is undoubtedly my favorite Borderlands game to date. It is a culmination of everything that the franchise has learned thus far and then some. Be it a new traversal, quality-of-life improvements that make the hunt for the perfect legendary all the more palatable, or even vastly improved writing, Borderlands 4 excels in everything its predecessors struggled with. The sheer diversity of characters, gear, and ways to have fun is never-ending, and the open-world format is a surprisingly welcome addition to this amazing co-op FPS. Borderlands 4 is a leap in the right direction, and I can only hope that this trend continues upwards for the rest of the franchise.

Overall, while I was originally quick to put down Little Problems: A Cozy Detective Game as a basic and naive attempt at a game, I was quickly won over and truly believe it’s a game which people should give a chance. It’s got scope, both in mechanics and story, for a sequel and I can’t wait to see what the studio does next.

Hollow Knight: Silksong is an incredible game, only held back by a couple questionable decisions. When the game is at its best, it's far beyond any game I've ever played, near-perfect in its design, and a masterpiece that I can't put down. The combat feels incredible, the visuals are stunning, the story is engaging, and the soundtrack is lovely. At its worst, though, it is extremely punishing, forces you into repetitive segments, and feels occasionally purposefully irritating. I love it with all my heart, but if you aren't willing to put up with intense difficulty, it may not be for you.

Daemon X Machina: Titanic Scion isn’t ready for launch. The performance and balance issues sour what could have been an excellent mecha experience. There are a few bright patches, interesting ideas, and a ton of potential for the game. It could be, and maybe it will be better in a few updates' time, but it’s not worth checking out at launch.

Overall, the result is quite charming. I'd not call Quartet's visuals "innovative," but they're executed well, with clear thought and care put into those nostalgic sprites.

Everybody's Golf Hot Shots is a really disappointing swing and a miss. Poor performance that directly impacts your shot on a consistent basis totally kills the experience, and the gameplay in general is wildly and randomly imprecise. The presented modes feel bare bones, the lack of custom player creation is a bummer, and the stock characters are largely annoying. Fans of the franchise should stick to the classics, or 2017's Everybody's Golf, which is clearly superior in nearly every facet.

JETRUNNER is a game that proudly sets out to be a worthwhile blend of Neon White, Ghostrunner, & Titanfall's FPS parkour action, and against all odds, this plucky indie pulls it off with aplomb. While the story is a little lukewarm and forgettable, the stunning cel-shaded visuals and smooth, fluid gameplay more than make up for this, allowing players to enter a state of flow and achieve feats of acrobatic skill that are beyond comprehension. The main shortcomings of the game are that some mechanics could use tiny tweaks to avoid players adding fractions of a second to their time through no fault of their own, and the game isn't difficult or deep enough to get the most out of the limited number of courses. But, all in all, if you're looking for a new FPS-focused parkour game, you'd be hard-pressed to find one better than JETRUNNER.

Cronos: The New Dawn is the best new horror IP I have played in over a decade. This game not only provides a gripping narrative in an unapologetically Polish setting, but it also offers top-tier survival horror that keeps the player feeling vulnerable throughout. Combat is cumbersome in the best way, the game is visually impressive with sublime sound design, and it's a rare example of a game that gets better with each passing moment. A lack of a dedicated difficulty mode will ruffle a few feathers, the game isn't without its cheap moments, and I'll admit that I wish it were scarier across the board. But, in a genre where established games rule the roost, Bloober Team has just muscled into the conversation, as Cronos is good enough to rub shoulders with the horror greats.

Reikon Games built a game where each of its components is good enough, but the end result is brilliant. From a game design and artistic perspective, it's the poster child of why less can be more even when executing a fairly ambitious project. Metal Eden brings aggressive movement and intense combat back to its glory days, and it manages to do so while delivering important social commentary. It's fun, it looks good, and the theme matters now more than ever.

I'm bummed that Hirogami didn't hit for me like I'd expected it to. There are lots of cool ideas and mechanics here that feel fresh and exciting, and different challenges for each level give you lots to strive for. Unfortunately, the platforming eventually starts to feel frustrating due to bad checkpointing, questionable hitboxes, and ultimate lack of variety. Combat is frequent, repetitive, and ended up feeling like a chore. There's heart and charm here, and I think a sequel could eventually turn this into a viable franchise. As it stands, however, Hirogami isn't a must-play.

Hell Is Us is a rare gem that we don’t normally see in the gaming industry. It’s more than a game that simply “doesn’t have waypoints or quest markers.” Instead, it’s an engaging experience that truly trusts the player’s intelligence, curiosity, and active listening skills. Figuring out how to progress the main story or its side quests through pure investigative work is immensely satisfying and constantly rewarding, to the point that I couldn’t put the controller down. It feels as if Rogue Factor has created its own genre in a way, similar to how FromSoftware spawned Soulslikes. The game’s only true disappointment is the lack of enemy variety and minimal bosses, which can result in the combat growing stale pretty quickly.

Lost Soul Aside left a bitter aftertaste of hype seasoned with unmet expectations. It's one of the few RPGs that made me care less about its characters and story the more I played, due to its shoddy narrative and half-baked cutscenes. The gameplay is excellent, offering plenty of versatility for everyone and depth. The post-game challenges will undoubtedly please those wanting to test their hack and slash proficiency. That is, however, if they have the grit and tolerance to see the game through to the end.

The Knightling has a lot of charm and some fun ideas, but simply can't compete with the larger titles it wants to be compared to. The fluidity of movement is the true standout here, along with a solid, nice-looking open-world that doesn't feel like a chore. Unfortunately, the combat is fairly boring, the puzzles aren't memorable, the platforming feels off, and a handful of quests don't seem to function as intended. I like this team's heart, and I am looking forward to seeing them grow from here. For me, The Knightling sadly just wasn't all the way there yet.