There is nothing that redeems Excave II: Wizard of the Underworld.

A game that leaves you basically going through the motions to get through a relatively short tale that has moments of intrigue, but otherwise falls flat.

There's no soul to Falling Skies. It's a generic, cheap turn based tactics game. It lacks any identity of its own, fails to represent its license, and fails to understand what made the game it copied its base mechanics from so great. And as such I can't really recommend it to anyone.

I don't actively dislike Don't Knock Twice. I just find it painfully bland and generic... and really, it's harder to forgive that in the horror genre than almost any other.

Senran Kagura Reflexions has actually done a lot of damage to the series.

House of Caravan delivers just over an hour of fun, or a bit longer if you struggle to find things like I did. Its intriguing story and 1900’s atmosphere keeps you engaged long enough to be able to feel accomplished once you finish the game, however, its puzzles never reach their full potential.

Putty Squad is not a bad game, and with the relative lack of titles currently released on the PlayStation 4 it does fill something of a void. Still, platforming enthusiasts with PlayStation 4s do have access to Rayman Legends, rendering it rather pointless to grab Putty Squad unless you're an absolute genre purist.

Re-playing Blades of Time in 2019 is surreal. There are assuredly many better games from the previous generation of consoles that deserve to be on Switch ahead of this one. I can’t even imagine the developers have any hope of using this re-release to springboard the franchise back as they work on a sequel, because no one is going to want a sequel after playing it. Time hasn’t been good to Blades of Time, and and other than for the morbidly curious, I can’t see anyone being masochistic enough to derive any value out of it.

Godzilla should be fertile material for a fun game, but the slow pacing and shallow controls hold it back, creating a repetitive experience that misses too many opportunities for me to recommend it to anyone but the most hardcore of Godzilla fans.

I can't for the life of me understand why the developers, who put such an earnest effort into recreating a true vision of the Judeo-Christian hell, would let some arbitrary need for gameplay let their work down.

Left Alive is a bundle of genuinely brilliant ideas, let down by frequently shoddy execution. A resoundingly anti-war war game, with a deep understanding of the way that war complicates personal and societal morality, Left Alive asks all the right questions that a game about war should. It also does a great job of making that sense of survival as desperate as it should. If only there was the technical competence behind it, to support those great ideas.

Crystal Rift possesses all the potential in the world, and I certainly hope the game performs well enough that the development team is able to go back to the drawing board and come up with a more comprehensive and nuanced structure for another crack at the VR dungeon crawler.

I love that games like Fluster Cluck are leading the charge of local, social, multiplayer, and I hope it continues indefinitely. Being able to experience actual living room mayhem again as you did back in the day when friends would come over for epic SNES and N64 sessions is still a blast 15 years later.

I’d like to see another Fight of Gods, with improved development competence, but is still happy to be an absurd, irreverent bit of fun. We need those games too, else what would we have to play by the time we got to the second bottle of wine?

There are some great ideas at the core of this though, and it would have been nice to see how they shaped up with a bit more direction and some extra time in the oven.

It's a B-grade Dead Space clone that follows the "rules" of horror without actually understanding any of them. Sure, it's a good thing that developers want to continue that "horror in space" tradition of Dead Space, but this team simply wasn't up to the task. On any level.

I genuinely love Balan Wonderworld because it caught me at just the right moment to indulge its whimsy. I don't for a second think it's a great game or platformer, but then I also just don't care. It offers something much more viscerally engaging; raw creative energy, and I would rather a hundred games fall flat like this one has and at least give me something different than play yet another highly refined copy of something I've already played a hundred times. Sometimes, just sometimes, raw creativity is enough in itself.

That being said though, this is not a fantastic game by any account and while there’s a little fun to be had in a frantic online match, there are much better ways to get your competitive shooter fix.

It isn’t what I was expecting, and initially it was confounding, but the more time I spent with it, the more I came to love it for its grungy underground spirit.

Eternity is a misfire. It's such a pity to see a project that had such good intentions fall to the wayside, but it's hard to share the feeling that for a new developer, making its first game, Eternity is an overreach in just about every way. I'm sure we'll see something much more refined and mature next time around.

With all of that said, like I said at the start of the review, this is the Plan 9 From Outer Space of video games, and taken in that context, it's still a weirdly good time, and may well end up earning itself a similar cult classic status for it.

The fact that this is a terrible port on the Nintendo Switch only makes things worse. All I can hope for at this point is to have a developer show up with a vision, a way to turn the WWE series around and begin from scratch. Perhaps next year. The Nintendo Switch would be a perfect platform to start from scratch and create something truly magical that does the art of pro-wrestling the justice it deserves.

But, again, I found the soul of Langrisser to be well and truly in the right place, and while I don’t believe it is a classic game, I also don’t believe for a moment that it deserves the commentary it has been getting to date.

The game has an intriguing premise and I want to believe the developers had some intelligent ideas behind what they're doing, but between the painfully shallow strategy, the laboured (via translation) writing, the mundane, uninspired presentation and the shonky interface and UX, there was nowhere left for me to go to find something I admired about this game. For story-driven roguelike strategy, I highly recommend Thea: The Awakening (also available on Switch). Mittelborg is a different game to it, but the energy and intent does cross over between the two. It's just that Thea is also made exceptionally well, and this is not.

It's never fun to play a game that's so fundamentally uninteresting that you really struggle to even watch the screen as you're playing.

The gameplay gets quite repetitive after a while as there isn’t much change from one level to the next especially after the first ten to fifteen levels of each campaign. Frankly, Warhammer does deserve more rounded games than this.

What makes Gollum stand out is that most other developers and publishers then use their creative teams to try and hide the crass cynicism and capitalism. Daedalic didn’t bother with Gollum. This game represents the games industry with its mask off.

Taken as a simple and cheap "solitaire" (i.e single player) game, Poisoft Thud Card is enjoyable, easy playing. I do say that as someone who spent many, many hours playing Hearts on my old Windows PCs over the years, though. I like time wasting card games. As such I'll probably keep coming back to Thud Card as long as I have my Switch. Or, at least, until a developer releases a Hearts game on the console.