Plot aside, Reel Fishing is a very specific game for a very specific audience. It's a reasonably casual game, but at the same time it can't be expected to appeal to anyone who doesn't "get" the appeal of fishing. But for people that simply want to toss a lure into the water, then this is a good way to get away from it all for little while, and for an inner city dweller like me, that's a bit of escapism I appreciated a great deal.

All of this puts me in a difficult spot with Assetto Corsa Competizione. On the one hand, it’s my favourite racing experience, hands down. It just handles beautifully. On the other hand, from features to gameplay modes and with regards to almost everything that doesn’t specifically involve racing, Competizione is substantially behind its peers, making this a racing experience that only the most hardcore of hardcore racing fans will get much out of.

I do need some kind of narrative focus, and with Ys: Memories of Celceta, that's pushed so far to the periphery that I really struggle to connect with it as some others have. The action is great - it's shallow, but that's not a criticism when it's this smooth and enjoyable - but I just can't get past the lack of context.

Ultimately I don’t think this will be remembered as a classic, and it doesn’t need to be; what Housemarque has created is a bit of fun with friends around, no more, and no less.

What The Golf? is by no means a bad game - it's actually highly entertaining - but while the developers have done everything that they can with it, at some point hitting anything but a golf ball around a golf course loses its lustre as a joke. It'll only take you a couple of hours to work through everything in What The Golf?, and you'll have a generally good time as you do, but I can't see this being a game that you ever return to.

Football Manager is work, and there's no other way to describe it. Most games conceal work-like routines and elements beneath the play, but Football Manager ignores the pretence; you're given spreadsheets and actual KPIs to deliver, and if you fail, your virtual club will fire you. It is so difficult to articulate how something like this can be so compelling, but remember, video games are there to allow us the escapism of being someone who we're never going to be, and I'm never going to be the real-life manager of Crystal Palace (and even if I was given that opportunity, I reckon we should let Vieira hold on a while yet). Football Manager 2022 Touch is a wholly inadequate release, given it costs the same amount as last year's edition while also being last year's edition... and yet I won't be able to drag myself away from it for many months ahead.

It is way, way better than Bubble Bobble 4 Friends, and it could be great for you if you like your games on the とても難しい side, or if you don’t already have a copy of the still excellent Bubble Symphony to hand. If you’re after that classic Bubble Bobble gameplay, however, the original is still the best.

Knowledge is Power is an entertaining quiz game, and based on my multiple playthroughs I’m yet to hit a question for the second time. It's Mario Kart-style item system ensures that most games are close, no matter the quiz knowledge. At the same time, the questions themselves are entertaining and varied enough that this one comes highly recommended for trivia heads.

The story was familiar yet contained enough freshness to make it interesting, the hand-painted backgrounds were drool-worthy, the puzzles were a good balance on the fun-challenging scale, and whenever I was in a pinch there was a cat to help me out.

Thankfully we only have to wait three months for the next “proper” title in the series to land. While Like a Dragon Gaiden might have been disappointing against the astronomically high standards of this series, I have no doubt whatsoever that January 2024 will deliver another bold step forward for SEGA’s gritty urban epic.

I came away from There Came An Echo quite sold on its unique approach to inputs, and that is both surprising, and really quite inspiring. Because it plays so differently, the game requires that you take a very different approach to playing it, and while I don’t think this is an innovation that’s going mainstream any time soon, having a voice controlled game on the PlayStation 4 makes for a unique, interesting, diversion. Throw in production values well beyond what most indies can achieve, and a plot that will get you thinking across its last few hours, and you’ve got a genuinely worthwhile little experiment here.

God Eater: Resurrection is a very fun hunting game, though it's not perfect. It's great that there is another alternative to the Monster Hunter formula available to us, though. Between this, and Koei Tecmo's rising Toukiden franchise, it's proving to be a really good period for this little genre.

No doubt the audience for Chinatown Detective Agency is small. Modern video games spoon feed everything to players, so I can only imagine how counterintuitive it will seem to many to have a game that’s actively telling them to Google It, Mate and is willing to leave them high-and-dry with only vague clues. This is a game for people that genuinely enjoy researching stuff, and niche as that is, I have to believe that there’s a space in the market for it. Otherwise, “where’s the curiosity gone?” becomes a very real and sad question that we need to ask about our society and the entertainment that we consume.

Prophour23 is clearly not a game built for the mass market - it's for the gaming equivalent of mad scientists, treasure seekers and cult-genre lovers.

Whether it's a game that the hardcore will enjoy over the long term depends entirely on how much of a community springs up around that well-designed, but limited, online multiplayer.

That issue aside, Superbeat: Xonic is a vibrant, slick and well-produced rhythm game that, while minimalist, has a clear identity of its own. On the PlayStation Vita there is already plenty of good quality rhythm games, but this one sits in the with them nicely.

With Resident Evil 7: Biohazard suggesting that the main entry games are again pivoting in a new direction, Capcom's re-rerelease of Revelations may be its way of showing fans that it's also committed to the "classic" Resident Evil formula with this side series. While the visuals have aged considerably in the short timeframe, the classic Resident Evil gameplay and feel is still there, complete with a bonkers B-grade storyline. I’d dare say that most Resident Evil fans have possibly found a way to have played this already, and there is really no incentive to come back for another round.

It’s very good that the Switch has Ticket To Ride, as it is a lovely, inoffensive, easy-playing board game. It’s as accessible as something like Risk, Monopoly, or Catan, but less luck-based and therefore far less frustrating than those other games. Marmalade is a highly competent developer and while the presentation of the game isn’t the most inspired, this is still going to be heavily in the rotation for multiplayer fun if your group has any interest in board games at all.

It's a highly focused game designed explicitly to fill up the Christmas list of the child in the household. But it is a well produced game, well above the standards of most children's games, and those miniatures are highly collectible stuff. The kids will love having this under that pine tree.

Talisman is really just a glorified game of Snakes and Ladders when it comes to players having the agency to determine the winner. They simply don’t. There’s a lot to like about the presentation and theming of the board game, and unlike its previous Talisman project, Nomad’s done a sparkling job with the presentation and aesthetics of this one. For that reason, it is the definitive version of Talisman out there, but there are just so many board games that were released in the past decade that have ruled Talisman obsolete from a game design perspective, and so many of those have a digital edition too.

Lanota has the distinction of being the most interesting rhythm experience on the Nintendo Switch by virtue of that unique and clever gameplay mechanic. It lets itself down a little compared to the many other rhythm games on the console by having too much music at odds with the theme and aesthetics that are carried through the presentation, and that inconsistency is disappointing. It's still delightful, but perhaps a game that would have been better off in the hands of developers with a greater capacity for music curation.

If you are a fan of Peggle 2, the couple of bucks you would be putting down on this DLC is probably well worth it, but I cannot help but get the feeling than PopCap's efforts would have been better served in creating an original news character.

The Franz Kafka Game is an interesting attempt at representing Kafka’s narrative style in an interactive medium. It’s not always going to be fun to play, but it’s a memorable experience which relies upon witty writing and clever design rather than technology or rewards systems. This is a game which is often confusing and unintuitive, but it gets away with it under the guise of being true to its source material. If you’re in a pensive mood and want to play something that’ll make you think, The Franz Kafka game will gently help you let go of reality and embrace the absurd.

We have a very strong contender for one of the best exclusive games in the Wii U library. It is sadly held back by minor control issues, but those issues are easy to overlook due to the sheer fun that you will get out of the gameplay.

Sword & Fairy Inn 2 is enjoyable. If you’re in the mood for a hyper-casual “simulator” and if you know the characters, so much the better. As someone who enjoys the Sword & Fairy main series a great deal, I don’t regret spending time with this, but at the same time, I do want better fan service spinoffs than this.

Satirical and self-referential, backed with some boundlessly creative combat systems and the endlessly bright Mario aesthetic, Paper Jam might not be a huge step forward from its predecessor on the Nintendo 3DS, but it is every bit as much fun.

Fury Unleashed is a step better than what you would expect from a generic-looking run-and-gun action game. Its intelligent premise and sheer adherence to fun in all its forms makes it a great game for unwinding or chasing that elusive feeling of flow. Say what you want about Fury and his two-dimensional escapades, but Awesome Games Studio had a clear vision for their game and executed it to an impressive degree of success.

The developers really tried with an exceptionally difficult genre. AI Limit won’t be remembered alongside FromSoftware or Koei Tecmo’s work in the genre, but it’s also by no means a poor effort. It’s like the work that a student who really understands the source material produces. It might only be a shade of the master’s work, but you can’t help but hope they get another swing at it, because they’re on the cusp of breaking out and carving out something brilliant with its own identity.