Fossil Fighters: Champions certainly succeeds at mimicking Pokémon while still creating its own brand and style of gameplay. However, the biggest fault of the game is not in the new material but that it doesn't succeed in pulling off the areas that are similar to Pokémon such as creating endearing creatures and appealing to a wide variety of gamers.

Overall, Bubble Bobble 4 Friends is every bit of Bubble Bobble and more. I’m just not sure the price tag justifies the gameplay.

For an indie title, Kukoos: Lost Pets offers players a taste of charming 3D-platforming that has a potential for something much greater in the future, and I’m interested in seeing what more Kukoos has to offer in the future. Its ability-based platforming encourages folks to exercise precision, dexterity, and thoughtfulness, but I can’t help but want more from PetitFabrik’s charming universe that is the Kukoos. Sure, the Switch may not best accommodate precision compared to other platforms, but the platforming proper and successful charm of Kukoos is definitely enough to hold you over this holiday season.

Time will never be kind to graphics, but enduring gameplay is rarely forgotten, and in that regard Nier's going to wind up as one of those "hidden gems" you always wish you would have played. Do yourself a favor and snag it early.

Beautiful Desolation is one of those games that has a lot of strong points, but has a few significant drawbacks that keep the experience in check, so to speak. Still, despite its few drawbacks, I found myself hooked on the game after the first half hour and I had to see it through, not unlike the captivating experience that a good page-turning book can do for you. Plus, at only $20, you really can’t go wrong here if you’re looking for a solid sci-fi adventure with gorgeous visuals.

Star Wars: Battlefront 2 feels lackluster and dull in so many categories. Besides the entirely too short story that adds very little substance to the Star Wars universe, the progression system is so infuriatingly bad that I found it hard to continue. Yes, the game is gorgeous, and the actual gameplay is passably fun when it works; especially Starfighter Assault. But that can’t overcome the fact that the rest of the game is pretty boring/forgettable to play.

Brink is a game that provides massive amounts of customization for its gamers, including some unbelievably fun abilities. If you can excuse some of its offline play and lack of NPC A.I., then you'll find a game that encourages friends to come together online to share a deep and fulfilling team-oriented experience. Brink is a perfect example of how an online experience should feel and play out.

Frantics is a fun four-player party game that does its beset imitation of being a Mario Party lite. It’s engaging, fun, at times frustrating, but nonetheless a good addition to the PlayLink game family.

Déraciné subverts Japanese horror tropes as easily as it conceals the limitations of virtual reality. By casting the player in an active and passive role in its narrative, it juxtaposes agency with accountability as it creates a tranquil, sinister story. Déraciné is a return to FromSoftware practicing their talent inside of darkness, but mercifully away from Souls.

Earth Defense Force 2017 Portable is the equivalent of a gun safety demonstration where the instructor accidentally shoots off a finger; it's still a lot of fun, often in spite of itself. For better or worse fans of the original cult classic will find their game 100% intact, but with minimal upgrades and an insane price tag it's tough to recommend to any audience.

All in all, Missile Command: Recharged is a good game. It doesn’t mess with the gameplay design that the original established, but it does give you options and reasons to keep playing it.

Pixel Ripped 1978 from ARVORE Immersive Experiences and Atari is a good VR experience that is led by a competent narrative and nostalgia. How VR is used within the game is entertaining and engaging, if not outright clever. While not all of the game is gold, it still manages to turn old game schemes and concepts into something new and engaging within a virtual reality environment.

The presentation won’t wow you, but it gets the job done, especially given that it’s made by an indie developer who’s never done a sports game and it’s priced at $20. The price is worth pointing out because this isn’t a AAA game, but it does fill a niche that has been needing some attention since NBA Jam a few years ago. 2K has clearly dominated and done an amazing job with NBA simulation, but if you’re like me, when it comes to sports and racing games, you always want a go-to arcade type to enjoy in addition or instead of the sims. NBA Playgrounds does alright for itself coming off the bench, hopefully we see Saber continue to refine this and perhaps we’ll see some kind of semi-annualized franchise here that gets progressively better.

Lost Planet 2 is better by leaps and bounds from the original. Still, there is room for improvement, especially in a more cohesive storyline.

BrokenLore: UNFOLLOW uses the real horror of societal pressure and unrealistic standards to craft an unsettling, psychological narrative that players often won’t find in games. Its short length does have numerous impactful moments but it may leave some wanting more developed plot threads and less monster chases. Should the BrokenLore series continue with this framework in future installments, I will be interested to see what new ways they can not only scare players but make them think.

What's important here is that the game has a superb story, excellent characters, and is a hell of a lot of fun. Access Games knocked one out of the park with Deadly Premonition.

If you can deal with the randomness of enemy rolls and somewhat unbalanced gameplay resulting from that randomness, then you will find an entertaining and quick game with Legends of Kingdom Rush that does enough to keep your attention but isn’t meant for large bites of your time.

Overall, The Wizards creates a nice environment to explore and provides a short adventure to draw gamers into a magical land. Unfortunately, the unpredictable VR controls frustrate gameplay and are a distraction from totally enjoying an immersive wizard experience.

INAYAH – Life After Gods from developer Exogenesis Studios is a fun and flawed metroidvania adventure. Its narrative is quite good and purposeful, the art is out of this world visually amazing, and the backend design is complicated, as it is motivating. The repetitiveness of enemies and level design drag the gameplay down a bit but for the most part the game still delivers a worthy adventure.

For $20, you can do a lot worse, but to find a game this instantly accessible and fun, you may be harder pressed to find.

Dead Money isn't perfect, but neither was New Vegas. There are some interesting survival horror elements of Dead Money that will make you tense, and enough fun to make you come back for more. This DLC is certainly a solid edition to the Fallout world.

Bottomline, it's still a good game, but it isn't quite great.

It can be disappointing, but it's easier to view Lost in Shadow is an earnest effort with few great ideas rather than a fabrication forged of influence and familiarity.

Mario Party Star Rush’s gameplay design is definitely played on the safe side.

Neverending Nightmares revels in tension and survives through conservation of its primal resource. Unfolding it exposes a weird paradox; a game that actively campaigns against a traditional desire to play it, and yet seeks to capture attention all the same.

Doomsday Vault from Flightless is a pleasant puzzle game that will keep your attention in short stints. Its simplicity will keep your interest, while its flexibility to come and go will keep the experience casual.

Chinatown Detective Agency is a very good adventure game that mixes old-school concepts across several genres into a set of mysteries that are replayable. While it isn’t perfect due to its saving system and some minor mechanic issues, it offers up a fun experience in the long run.

FUBUKI ~zero in on Holoearth~ HOLOLIVE ALTERNATIVE is a short, but sweet, retro-action platformer. The beauty of its pixel art can be obfuscated by the visual business of what’s on-screen and the level design skews overly simplistic, but it’s still fun for a few hours. If you’re a Hololive fan, you’ll be pleased by its Easter Eggs.