This is the kind of game you can easily give to an elder family member if they are a fan of the show, without ever having to explain how it works. It offers a couple of casual evenings worth of extra NCIS entertainment with your favorite characters, and for some fans that might be just what they want.

NCAA Football 14 is in a weird position and it shows. There are some mild performance issues -- start menus that take an extra few seconds to pop up, slowdown after a turnover, a crash or two -- that feel like the result of the waning console generation.

The combat is fun even for those who are unfamiliar with the series, but there is certainly not enough to entice new players, and many will feel alienated by a story that doesn't much care for them. I personally have no desire the see this game's story reach its conclusion.

There's an easy test to judge whether or not you should pick up The Dark Below: did you play Destiny from launch all the way up until the first expansion? If so, you'll want to get it as soon as possible. If your enthusiasm has faltered over the past few months and you never really got into the first raid, you can wait or pick up the Season Pass at a later date after more incremental improvements have been made.

Its goofy violence and goofier character design, married to its bleak aesthetic, are almost enough to keep players' interest on their own and are complimented well by tightly-designed combat. It's unfortunate that the game doesn't live up to its own potential, though -- the convoluted story wastes the potential of the rad premise, and Silva doesn't do enough to keep the combat fresh for the duration of the game.

Unworthy falls just a bit short. Not much can be done about the level design, but a few key tweaks to item management and difficulty balancing could lead to this becoming a hidden gem. If nothing else, it scratches the itch for more Souls that From has left.

What it does differently, it squanders, like the psychological horror aspects that devolve into indifference and annoyance. Even Cthulhu is rendered an inert set piece. The game looks gorgeous. Sometimes the puzzles are great. Sometimes the atmosphere is impressive. Unfortunately, Magrunner fails to live up to the sum of its best parts.

It's definitely not for fans of what survival horror games have become, but fans of old-school, "defense-free" games in the genre or fans of ghostly horror films should give the game a shot.

The Infamy is a little bit too dependent on the assumed purchase of the other two packs. With a cliffhanger ending, and memory fragments to collect across multiple episodes, it's clear that it will be much more poignant as a complete story.

Making the density of sports management accessible and fun is no meager feat, but Konami's lackadaisical approach to the nuts and bolts of sports sims -- animation, physics, controls, collision detection, feedback -- hold Pro Evolution Soccer 2011 back.

I think right now, the most prudent thing to do is to wait for ZeniMax to iron out all of The Elder Scrolls Online's kinks (including how it handles post level 50 content to make it less grindy), and play the console version of the game. Not only will it arrive with all of the updates from the PC version in tow, but it'll also have full native controller support -- which feels more natural than a mouse and keyboard in this instance.

Operation Warcade isn't a terribly innovative game, but it's fun enough if you're just looking for a very basic arcade shooter. Just don't expect a definitive VR experience from it.

Tex Murphy might be alive in 2014 but he'll need to learn a few more tricks if he's to stay around for another adventure.

I can't help but feel that Gromit's disbelieving stare projects past Wallace and into the offices at Telltale, while the poor clay dog shakes his head in dismay.

As much as I feel like this series is stuck in the shadow of Until Dawn for a large part of the audience, collectively, The Dark Pictures Anthology is becoming something memorable in its own right. I'll keep enjoying these games as long as I can, House of Ashes included.

Ninja Karakuri Den is too short and suffers from a dearth of content, yet it's enjoyable and cheap enough to just barely, barely, squeak by with a recommendation.

It hit me how superficial a lot of the mechanics in Best Friend Forever are. I had thought that, similar to a typical dating sim, you’d have to train specific stats to score points with your lover, but it’s more segregated and mechanical than that. The dog lends a layer of brightness to the game, so it’s not entirely wasted, but from a gameplay standpoint, it’s pointless. From a purely visual novel standpoint, the game is entertaining and well-written, but it fails to make use of the one thing that makes it unique. It has the love it needs, but it will need more training before it can truly be called a "good boy."

What is good here is really good, but what is bad detracts enough that the entire package is a bit of a disappointment. A great piece of science fiction may ask a lot of hard questions and make the audience think. Halfway is not a great piece of science fiction, but it is a good strategy game for those willing to put some effort into it.

Aesthetics, however, can only carry a game so far, and Hell Yeah! doesn't get far before it slides into drowsiness. It's a solid little platformer in many regards, but those playing need to be aware that they run the risk of growing bored and agitated by the recapitulated ideas and unsavory controls.

Rounds out the collection found in the original Kinect Sports with a competent batch of games without a really bad one in the bunch. It can be a good time for families and folks who like to party and ideal in small doses. At the same time, it struggles to be compelling for more than the most casual of encounters and the limitations of the simple games don't really hold up for repeated playing.

It's simply a shame that this full-priced retail title based on a bonus mini-game still feels like, well, a bonus mini-game. The Mercenaries 3D almost feels like a project Capcom used to test the 3DS waters for what's sure to be next year's more complete Resident Evil experience.

I am nothing but conflicted regarding The First Descendant. It’s a Modern Prometheus of parts and ideas that looks and plays wonderfully when it works. However, the Dr. Frankenstein who assembled it is clearly profit-driven and has a bit of a reputation for its microtransactions. Throw in the equivalent of a Dell Dimension 8400 for a server and things look grim. I don’t expect The First Descendant to get a lot of support in the time it’s around, and I’ll enjoy it for what it is, but I won’t make the mistake of believing it will hold much attention outside of a small, dedicated player base.

It's hard to say what it actually is, but I think Ubisoft has managed to distill the formula down to the most basic level possible, and created an AC arcade game that's even more muted than the recent Chronicles offerings. Only those who haven't tired of the setup need apply.

My favorite part of The Medium ended up being its "semi-fixed cameras," which blend old and new design philosophies in a way that seems genuinely palatable in 2021.

Ironically, Atomega's fatal flaw is that it never grew to its full potential. It's a mostly-unique multiplayer game that's good until it's too familiar. Once it's too familiar, it's too small and simple for its own good. Call it growing pains.

If you enjoy crazy stories that constantly top themselves and deep action-RPG conventions that others find frustrating, you'll enjoy The Witch and the Hundred Knight. But with a lot of small adjustments, it really could have been a great gateway into the world of complicated isometric titles.

Beyond that feeling of individuality, I'm just not sold on what Niantic has created here. There are small, annoying issues with storage, access to necessary potion ingredients, and the wild inconsistency of how well it rates my spell tracing, but the far bigger problem with Harry Potter: Wizards Unite is its inability to utilize the IP and the technology in a way that is not only engaging but also distinct from Niantic's other games. I have no doubt in my mind there is a great Harry Potter AR game out there. This just isn't it.

Bejeweled Stars is a fantastic example of what the developer is capable of, and it is only held back by its insistence to monetize users at every turn.