Tales of Zestiria is passable in most departments, but it makes no real effort to excel at anything. The combat and visuals aren't aging well and the story and characters are clichéd, even for a JRPG. There's some fun to be found fusing equipment, but overall the series needs to up its game.

In an effort to be bigger than the original, Hotline Miami 2 bloats the arcade gameplay of the original into an grinder that punishes risk-taking and frequently feels irritating or unfair, not satisfyingly tough.

Lego Jurassic World has clearly been rushed through to release alongside the new movie, and as such is riddled with bugs and glitches -more so than any other licensed Lego game. There are plenty of grin-inducing moments for fans of these incredible movies though and as such Lego Jurassic World is still worth a look if you love the films enough to forgive the defects in its DNA.

Omega Quintet boasts a unique idol premise, enjoyable exploration, quirky characters and a sensational combat system. Sadly the unlikeable protagonist, disappointing visuals and other issues make the PS4's first exclusive JRPG more difficult to recommend than it ought to be.

Tokyo Twilight Ghost Hunters tells a great story well and sets a new graphical standard for visual novels. Sadly its attempts to provide more player choice and agency fall flat, both in terms of vague (often creepy!) character interactions and tedious turn-based combat.

The controls and the way they unpredictably unleash the wrong moves at the worst possible time really disrupt Tembo's platforming gameplay. Pair this with a no-mercy difficulty and you have a frustrating mess that could have been so much more.

Sadly, House Of Wolves presents horrible value at £19.99 or as part of a season pass that costs as much as a retail game. Once again Destiny sells the illusion of meaningful content for a Queen's ransom.

There is only so far you can take a game titled Godzilla. After the fun of smashing up buildings and flinging helicopters soon wears off, you begin to find yourself with a mediocre title that becomes repetitive at best.

The lack of threat and its big yet pointless open world robs the game of challenge, likely leaving you broadly unsatisfied after just a handful of hours.

ScreamRide's three modes and robust design suite are briefly entertaining, but the fun doesn't last. Lacking soul and connective tissue, this minigame collection never quite gels or comes together into anything particularly memorable.

The live action cutscenes make Need for Speed painful to witness and the bland events and dull tracks mean you'll soon tire of hanging out in Ventura Bay. It's a shame, as the graphics are fantastic and the customisation options are top quality. If EA continue with the Need for Speed brand, they need to focus more on what's under the hood.

If you don't care about playing last-gen material on new-gen platforms, give this a miss, do yourself a favour and pickup a copy of the original Saints Row IV for under a tenner.

WRC 5 patronises gamers with hollow victories amidst a game full of painted-on features. It's a shame, as the track design is suitably stuffed with tight corners surrounded by car-shredding traps. Car handling is up to the task, if a little lacking in speed and excitement. You're better waiting for 2016's rally games.

In an attempt to prove the viability of the GamePad touchscreen as a primary input device, Nintendo accidentally created an inferior sequel to a decade-old DS puzzler. Kirby and the Rainbow Paintbrush squanders much of its potential and achingly beautiful visuals, functional but lacking in lasting fun.

Surviving in a real post-apocalyptic wasteland would be a miserable existence. Mad Max nails that feeling of just wanting to crawl under a rock wait for the end. It's a miserably dull grind, occasionally made bearable by the vehicular carnage once you've suffered through the first half.

Despite the desperate efforts of its kinky spanking, erotic imagery and unpredictable battle system, Criminal Girls: Invite Only is a crashing bore.

Hatred delivers some fleeting sadistic satisfaction and a gorgeous art style, but quickly becomes a tedious chore. After all the controversy, it's disappointing that the finished product is mechanically flawed and otherwise completely forgettable.

A great idea executed poorly. £15.99 on PS4 is a big ask for a shoestring budget shooter that handles far worse than the games of yesteryear it seeks to emulate. Nostalgic retro FPS fans would be better off spending the money on a copy of the book.