The new dynamic camera, combined with more visually interesting environments, makes for some memorable locales, which are bolstered by the distinct level design. The new move-set abilities provide some freshness, and there's plenty of optional content to test your skills. It's a shame that said optional content is usually tedious to deal with, and as nice as the dynamic camera is, it can also sometimes lead to a few cheap deaths. Despite that, Runner3 is an addictive (albeit short) experience that platforming fans should look into, if they are up for the challenge.

The groundhog day style repeating story was so promising and yet it has been produced in such a terrible fashion. There are plenty of good elements to the dungeon crawling, yet the levels themselves are dull and frustrating. A big disappointment.

Iro Hero already has its own identity, so there's no need to stray further from the pack by implementing so many strange design-decisions. Having to sit through several minutes of filler just for another crack at the real obstacle is not fun or challenging. This shmup is only recommended for those out there willing to put up with a lot of tedium.

Not only is it enjoyable and fully featured both at 1080p60 in docked mode and 720p60 in handheld mode, but it is obviously way more enjoyable on the go than the version available for smart devices due to real built-in controls but also, for the first time, portable two-player mode on the same device with split Joy-Con, which happens to work really well. It is still as challenging a romp as it ever was, but for anyone remotely interested by the genre, it will prove indispensable.

It is nice being able run your own 2018 season in tandem with the real thing, but the Career Mode is nothing special. Even if the online mode and the eSport Championship function well enough, the lacklustre collision detection will hinder that side of the experience, too. This is flawed and rushed.

Its premise may border on ridiculous, but behind its wacky veneer, Sushi Striker: The Way of Sushido hides an expansive package. Despite its short runtime, there's a lot of charm packed into its campaign, and plenty to do once the credits have rolled.

Nintendo Labo Toy-Con 02: Robot Kit is a mammoth robotic beast to put together, taking a heap of effort, discovery, and a sprinkle of Nintendo magic to assemble. Through unique software, there's a sense of enjoyment and challenge, presented in an innovative way. Don that finished robot suit and there's a true sense of control and immersion. It's satisfying and ultimately rewarding for the hours poured into its virtual creation. There's potential for more mini-games beyond what's included, but the game does - for now - lack that longevity to hold interest beyond the initial wow moment.

For all its DLC problems and lacklustre content, BlazBlue: Cross Tag Battle is still a fun fighting game to play both online and offline. It is a much more simplified and newbie-friendly BlazBlue game than any in the main series, but that doesn't prevent it from having anything going for it. These franchises deserved better, though; this should have been a bigger celebration of Arc System Works' characters, and it's a real pity that more love wasn't put into it. With any luck, a complete package will release in the future - hopefully with some extra modes that do the BlazBlue name some justice.

It is a wonderfully designed point-and-click adventure that truly plays on the emotions, with players having to make tough choices where no option is really good or fully satisfying, just like in real life. This being set in a Supposedly Wonderful Future adds much to the experience as it both opens up for interesting choices with unfamiliar topics, but also shows of a great cynicism, and at times hope and curiosity.

If Hell does exist, then it's surely the one depicted in Agony, because one can get used to pain and suffering, but these can't compete with utter and complete boredom. Madmind Studios' rushed, controversial cash-grab, is nothing more than one of the contenders for the worst release of 2018, and one of the worst survival horror games ever, full stop.

Although flawed and at times painfully inconsistent, Vampyr manages to offer relatively engaging gameplay in spite of a lack of overall polish. Combat is stiff and quite mindless, but Jonathan's progression deeper into Vampiredom is handled well and the abilities at his disposal go a long way towards masking some of the more mundane aspects of the battle system.

Antigraviator gets a lot of things right. Its responsive handling and evasive manoeuvres help the racing feel particularly fluid. The boosting system and the lack of a top-speed really enhances the exhilaration factor, too. Managing cells for use between boosting and traps also adds a nice strategic layer. However, the trap mechanic and how it's integrated is disappointing.

While the story is simple, it also fails to add new context to the greater story of the main game, and this seems more like an excuse to jump back into the action and sneak through stages. This is, of course, not a bad thing, as it plays quite well, with the animations providing such a beautiful overall look. For fans of the original looking to jump back in, this is a fun detour that adds new abilities and locations into the mix, without trying to redefine the original point.

Pokémon Quest proves to be a pleasant piece of gaming that is best enjoyed while doing something else, like watching TV or during short trips on public transport, due to the short nature of the experience and limited amount of free play time offered by the base software.

It is easy to dismiss Lil Tanks prematurely because of how simple and shallow it looks as a game. This is, however, what gaming used to be back in the good ol' days, and this is one of few modern retro games that truly captures the feeling of simplicity and pure action many of those games delivered, with no frills. While certainly not for everyone, those who are looking for a classic old school shoot 'em up will find this scratches that itch.

If you are into puzzle-platformers, why are you reading this instead of playing Sling Ming right now? Sling Ming is an extremely creative experience, rivalling many great names in the pure enjoyment stakes, and comes with unique gameplay that is not found elsewhere. It is certainly a must-buy for all fans of the genre, no matter if people want some casual fun or rather prefer brain-teasing puzzles to keep their minds sharp.

Putting a score to a game like Pato Box is painful as parts are worthy of the highest possible score, namely the boss fights that are some of the best seen in ages and truly capture, and even enhance the source of inspiration. However, there needed to be more of those to create a better difficulty curve and less filler content in-between. The story of a game like this does not need to make sense, but the content put into it needs to.

It is difficult to find a more realistic economy simulator than this. All focus is on the core of how a market works, rather than to make it work well as a videogame. The result is a fantastic experience for those who are looking for just that, but few others will do so, and that is fine as Epic Car Factory never claims to do anything else. If this sounds appealing, this is certainly a game to get. If not, it is very unlikely that trying the game out will change anything. It is great for its audience, but not too many others.

If there was ever a bullet-hell shooter that was also a cure for insomnia, Earth Atlantis would be it. Ugly, droning, and tedious to play; it is hard to find anything worse than this on the Xbox Store. While it is a functioning game, it is another example of poor design and miscalculated art direction that undoes any technical know-how the programmers implemented.

Disco Dodgeball Remix could have benefitted from some more thoughtful maps, but it's nonetheless an addictive take on the first-person shooter.

Voxel Shot VR provides some splendid scenarios in this wave-based VR zombie shooter. Meanwhile, the bright colour palette and voxel visuals are charming, the frantic shooting, discarding of weapons, and environmental storytelling is immersive, and it culminates in a fun and exciting experience. However, it's all over with far too quickly.

If there was more attention given towards improving what was already a great game, Dark Souls Remastered could have been perfect. Instead, it falls somewhere in this half-hearted limbo. Finally, it has a very stable and high frame-rate, but the collision and hit-detection is still unfairly off.

As far as throwbacks go, Bloodstained: Curse of the Moon is a worthwhile venture. It captures the essence of yesteryear's classics, while offering numerous options to comfort an audience that might be unfamiliar with that time period. The game is also quite entertaining, and the replay-value is quite high. Still, it is not possible to shake the feeling that something is missing. It's as if the developer decided the safe choice was the right one, and left all of the risk-taking up to the player. Will this game be remembered in thirty years? Only time will tell.

Even when taking into account that some of these games are not very different from one another, the content on offer in Street Fighter II 30th Anniversary Collection presents arguably the best value for money in that specific genre on Nintendo Switch and the bonus features, like museum and sprite viewer, are actually well worth checking out for lovers of the series. However, one of the main components, the online mode, is not really enjoyable in its current state so, unless a fix is on the way, this removes some of the fun that there would otherwise be in playing this on Nintendo Switch.

It's a delight to see that Paradox Interactive is still supporting the PlayStation 4 port of Cities: Skylines and this latest DLC is an essential for any player who thinks they have city building down to a tee. For casual players there is not much beyond childish delight but in the scenario sandbox of destruction and design, Cities: Skylines - Natural Disasters makes a gameplay experience that is tense, trying, and terrifically satisfying.

Focusing the DLC on zooming down to street level and getting into the nitty-gritty of placement of pretty much everything in the park was a stroke of genius, and something it will hopefully implement into future DLC releases. In a genre about building a city, it's interesting to get players to come down from the clouds every now and then and really set up something unique to their town, and serves as just another reason why this game is special among others of its ilk.

Stellaris: Distant Stars is an example of DLC done right. Some of the DLC in the past has not fared well, but this is a clear exception. New content, new balance changes, and a new experience, breathe life into what is definitely a game that is really starting to come into its own light. Fans will want to pick it up for sure, and those who have not touched the game in a while will certainly find a new reason to load it back up.

Both in terms of storytelling, as well as gameplay, Tower of Time sits right there in the middle of the quality scale. A handful of interesting ideas do exist, and, as a whole, this isn't bad or broken, but, from the first to the fortieth hour, nothing in this dungeon crawling RPG will turn out to be exciting, either.