Stikbold! A Dodgeball Adventure Deluxe is a title that is quirky, if nothing else, and seems to pride itself on being silly fun. For those who aren't looking for an authentic dodgeball experience, but would like to throw dodgeballs at friends and family, then this title has some merit and can be an enjoyable time. Those playing in a casual setting will find the most enjoyment out of Stikbold!, but the balance and design overall will leave a lot of people frustrated, bored, or both.

The fighting mechanics are passable at best, and the huge roster of fighters is a great boon, but with its incredibly poor performance and boring story mode, it is just best to avoid JUMP FORCE altogether.

With some polish, Factotum could have become a decent puzzle game.

After the bizarre novelty of Chubbins wears off, the only feeling left is emptiness.

Every now and then, the stars will align and Chocobo GP will provide a fun, frantic, and genuinely fantastic race. A rare moment where the track layout isn't too obnoxious, the item RNG isn't too oppressive, and the monetization isn't too distracting; a brief snippet of a solid racer with tight controls and a colorful world. If the game was like this all of the time, there would be no issue, but the ways in which it fumbles before the finish line cannot be overstated. What could have been a solid, long-lasting Mario Kart alternative has already been tossed aside by the masses and forgotten. Maybe Square Enix can fix it, maybe they won't bother, but at this point, not much of value has been lost.

Lineage 2: Revolution is a reminder that there's a reason some things haven't really been done before. If it weren't for the weird way it approaches IAPs, this would have still only rated slightly higher. It's not particularly exciting, and setting it down almost has a lifting of weights from one's back feeling to it. Grinding gets old quickly, and the micro-managing of so many different things is so overwhelming that many might find themselves not even bothering with half of it. The game gives special rewards just for not playing it.

Ultimately, Cutie Pets Pick Berries feels grossly unsuited for its platform, largely through an input method that doesn't suit its fast pace.

Trapped underneath the horrendous glitches and game-breaking bugs is a very intriguing and - for the most part - pleasing adventure, with a touch of comedy mixed in for good measure.

36 Fragments of Midnight is over far too quickly, and the limited number of traps means players will likely see everything there is too see before an hour has passed. Perhaps for a child or a new gamer, this would be an enjoyable introduction. However, gamers have become used to platformers offering a wealth of content, and that's not what will be found here. Instead, this is the trimmings, the parts of the turkey thrown from the table to the dog without much care. The worst part? It sets up this awful joke. Ready? 36 Fragments of Midnight? More like 36 Minutes of Game! No, that won't do at all…

The abundance of bouncing, wet boobies that Senran Kagura: Peach Beach Splash is full of is, strangely enough, not capable of making this something more than what it is: a subpar, repetitive, extremely grindy third-person shooter that's actually boring (yes, boring) to look at.

Schim isn't without its merits. For players looking for a more casual, low stakes experience, it can be a relaxing time to shut off the mind to, and the art style alone is worth admiring. It's built on a strong conceptual foundation, even if it struggles to make the most of its intriguing premise. Although it doesn't quite hit the mark fully, Schim should be applauded for trying to do something different and unique. There is a certain satisfaction to leaping from shadow to shadow, much like one might imagine as a child looking out from the window and also imagine during a long car journey. Much like those car-imagining journeys, though, the novelty can fade quickly, but at least it doesn't make one feel queasy, like reading a Beano would.

Visuals-wise, Slain: Back from Hell for Nintendo Switch is one of the most '80s Metal videogames in existence. Unfortunately, the actual gameplay just doesn't cut it, as the controls often feel unresponsive and the level of challenge unfair. Want to play a Heavy Metal-powered Castlevania? Just play a Castlevania title with Iron Maiden on the headphones.

Log Away aims for calm cabin-building bliss and reaches it…only to lose it minutes later. While its cosy vibes have some charm, with no pressure to do anything besides crafting the tiny retreat of your dreams, the experience is dragged down by poor optimisation, a lack of settings, and shallow, highly limited building options. With nothing to do after quick completion and no world to explore, relaxation soon turns into boredom.

Days of Doom had a lot of potential, but an utterly unforgiveable amount of hard crashes 'doom' much of its hope for a decent experience. Even when it is not crashing, there were just too many things that really should have been different. Classes are far too boring, plenty of missed opportunities for more weapons, any skills, or any sort of depth. For people looking for a game that had good potential, but blew it so badly, this is a good example to study.

The story is horrendous, hugely convoluted, lacking any sort of pivotal moments, or interesting characters. The combat system is too manic and messy to master, leaving it as a real disappointment, overall.

Lucah: Born of a Dream is the type of game that starts off great, but the more someone plays, the more they realize it isn't really so. Combat ultimately is repetitive, the graphics are bad enough that important scenes are lost, and the largest problem is that the 'deep' story is so vague that this becomes an annoyance every time some dark concept is dropped on the player only to never be seen again. To allow a player to finish a sizable play-through and have zero idea on the story is unforgivable.

Let it Die: Inferno is a gorgeous and highly stylised game that can’t stop tripping over itself. Combat is frustrating and unfair instead of challenging, exploration and item collection are made negligible by timers and resets, and certain characters and music are weakened by AI “enhancements” that don’t enhance the game in any way. Inferno itself is solid, and there aren’t many bugs or glitches, but the game on offer is one that is trying to appeal to a niche of players who certainly can find a lot of fun in its gameplay loop, but working through the design flaws and constant resets will prove as much of a challenge as the combat and exploration of a soulslike are meant to be.

Time Recoil is a mess.

Playing through the same levels over and over again to the same grating music can only stay tolerable for so long.

Super Destronaut DX could've been a lot worse, but it certainly could've been far better, too. If you're extremely attached to space shooters from the late '70s and early '80s, then you might get something out of this. Otherwise, though, there's nothing done here that hasn't been already executed much better by other similar titles, and the fact that it doesn't add anything particularly unique or interesting to the table makes it difficult to recommend, even despite its low price.

If you're just looking for a mildly-amusing journey to help pass the time, Warlocks 2: God Slayers isn't the worst choice. However, if your intension is to play on the highest difficulty and invest a lot of hours, then the game's flaws will become apparent. The projectile spam and frequent stutters are the leading sources of aggravation. This is extremely problematic on the harder difficulties, since everyone's a squishy mage. Without post-game content, there's not enough of an incentive to continue playing either. All in all, this title just isn't where it needs to be.

Attempting to channel that special The Goonies magic, indie metroidvania The Good Old Days borrows its premise and aesthetics (kind of) but stumbles in execution. The muddy level design, punishing backtracking and the especially poor controls are hard to stomach, and despite being made with multiple runs in mind, this ultimately isn’t fun or worth finishing even once.

The Quiet Collection had the potential to be a great title, but a number of questionable design choices steer it away from being an essential purchase.

Xenon Valkyrie+ is playable, but there is just so much left to be desired. Feeling more like an alpha version with tremendous potential, the longer you play, the more you realise everything you want the game to be, it sadly is not, and players will be left with a mediocre platformer/rogue title instead. If this was a demo of what was to come, it would be so easy to sing its praises but, as it is, it only serves as a source of aggravation for what it could have been.

After a few hours of playtime, it is clear that Dynamic Pixels needed to keep this game in the oven a little longer, as the physics bugs, inventory glitches, and poor control explanations make this experience a horrifying one for the wrong reasons. This is a mess of broken mechanics that has a lot of potential, but unfortunately potential is all that it has going for it.

Ultimately, WWE 2K20 is the same old story of good ideas and bad execution. Having both female and male main characters in the MyCareer story mode is great. When presented alongside the "Four Horsewomen" mode/documentary, it shows 2K's commitment towards inclusivity. However, this is frequently undone by a plethora of bugs and glitches. In just a short amount of play-time, you're guaranteed to run into any number of them. Even if you can inexplicably manage to look past these problems, you're treated to original content that's also pretty flawed. Wrestling fans deserve better.

Can cute/sexy anime girls be mixed with the dark fantasy world of Dark Souls and the like? Sure… but that's no promise of a fine product. Now, there are many indies out there that try to sell through fanservice alone, but Lost Ruins is actually not one of those. Yes, it has waifu bosses with big bouncy assets, and they drop swimsuits as the reward, but to be perfectly honest this isn't the main thing here. Actual effort has been made during this title's creation, with the fanservice (or whatever you want to call it) being just the cherry on top of it all. It's just that the end result isn't really a good, or finely polished game, with the slow, cumbersome combat definitely taking the biscuit.

With too few unique features to recommend against its contemporaries, along with control issues, difficulty problems, and a frankly boring, bland and uninspired design, this is a game best left only to shoot 'em up devotees who have exhausted the Wii U's representation of the genre.