Unfortunately for me at least, this is another example of coming close but still being oh so far away. This was a great opportunity Bethesda, and it seems you’ve gone with the safer route yet again.

This seems like the perfect gateway expansion to snag those players who might be on the border about buying WoW.

A variety of fresh mechanics, some excellent music and writing, and a generally entertaining cast of characters and scenarios help remind us why we fell in love with this bizarre little series back in 2005.

Livelock is a flawed top-down shooter. The dialog and its delivery is awful and the game has some glitches to work through, but it also features some well designed, fun gameplay – and ultimately, that is what’s most important. Being able to have two friends join in the adventure via online co-op is also a huge plus. If you enjoy top-down shooters, you really can’t go wrong with Livelock.

This is a very impressive port, which is bereft of notable issues and only experiences the odd hiccup, making it perhaps the best version of the phenomenal survival horror experience to date.

With easy to use controls, gorgeous levels and vectors, and a pleasantly challenging AI, Strike Vector EX has classic arcade shooter written all over it. I wasn’t particularly happy that customizing my vector was limited to online multiplayer, and the thin storyline with irrational character decisions was a bit of a letdown. Had more effort gone into the story and characters, this could easily have been a much more impressive title, and with multiplayer restricted to PS+ it just feels that much smaller for those not interested in buying the service.

Vibration from the controller and the sheer speed and sense of losing control feels great and makes you believe you are in a powerful suit.

If you love an interesting story with some creepy sci-fi elements, then I highly recommend The Final Station. Finding bits of lore and slowly uncovering parts of the mystery was intriguing and kept me moving down the line, but that’s not for everyone. It’s a bit short for the price tag, but well worth your money if you enjoy single-player titles that leave you wondering at the end.

With only a few smile inducing moments and a complete lack of interesting interaction, One Way Trip ends up falling flat and may leave you begging for the credits to roll, if you can even last that long.

The combination of characters, backstory, and gameplay all play its part in making God Eater 2: Rage Burst an enjoyable action RPG. Visuals and audio are both solid and do its job of presenting the game with fluidity and fast-paced action. While gameplay doesn’t necessarily deviate from that of God Eater: Resurrection, you should be playing because you enjoy the gameplay style, but want a new story and more content to delve into.

Bound is a work of art, carefully crafted to give players a memorable experience. If the gameplay had been more challenging, fluid, and present in the game, Bound could have been a title discussed for years. Despite this, Bound is a powerful narrative with a robust camera mode, impressive visuals, and haunting sound.

This simple but very effective visual style is accented by a very fitting original score, which begs to be listened to. Mixing haunting melodies with the keys of a piano, it perfectly conveys the tone of the game and what’s going on at any given time.

What is does get abundantly right is its unique tone, powerful narrative, masterful writing, and a visual style that fooled me into underestimating it makes it worthy of praise.

From last year’s stripped down version of the 2015 F1 game which was the first iteration of the series on the PS4 and Xbox One (a la shades of last year’s furor over the initial bare bones release of the NHL 2015) this year’s release is a definite step in the right direction and hopefully a sign of things to come.

Although there are many interesting non-combat portions of the series that do not appear in Attack on Titan, the game proves itself to be a titan in the anime tie-in genre of video games.

Master of Orion: Conquer the Stars is an homage to its predecessors and loaded with fan fare of the original games. The controls are simple and easy to manage, the graphics pleasing, and once the ball starts rolling you truly feel like the leader of an entire civilization.

Phantaruk is a solid game that makes a great first impression but like that annoying party guest that does not know when to leave, the longer the game goes on the less terrifying it becomes. The game mechanics stay the same throughout which cause the player’s anxiety to become numb like a dentist’s anesthetic prior to filling a cavity.

What stands out to me in this case, is that between how terrible the initial release was, and how the folks at Wolf Brew had to literally crawl out of the abyss to turn Slain into a competent title. Slain: Back From Hell is truly metal in very sense of the word.

Playing this game did give me a lot of nostalgia about middle school, yes, but when it comes to fun to be had in 2016, Worms W.M.D. feels dated, as does the enjoyment you can squeeze out of it.

There is fun to be had in Episode 4, but in the end it wasn’t a memorable gameplay experience.

Kelvin and the Infamous Machine is a hilarious point and click adventure with am excellent look and even better voice acting.

Mutant Mudds Super Challenge is a tough recommendation for those new to the series or the more casual of platforming fans. But for the most hardcore of hardcore retro inspired fans longing for a true challenge, you may have a new favorite on your hands.

A strong narrative and stellar cast manage to hold together an experience that is absolutely rife with bugs and downright questionable design choices.

To say that Okhlos is repetitive is largely true, but it’s that repetitiveness that ultimately makes the game addictive. The narrative, gameplay, visuals, and even the music all combine to make a game that screams “angry Greek mob”. Okhlos is quirky, fun, and unique all under a simplistic and straightforward structure that makes it accessible and enjoyable for everyone.

I cannot help but feel an overwhelming sense of disappointment with Madden NFL 17. With no new modes, visuals that look largely the same, a less than stellar soundtrack and a game that plays nearly identical to last year’s game, Madden NFL 17 feels more like an expansion or upgrade than anything else.

Sean Murray and the team at Hello Games promised us a huge, open universe in which we could live out our dreams of being interstellar explorers. And they pretty much delivered – think about how amazing that is.

Bohemian Killing, with its unique plot and great artistic style, is a great experience for fans of murder mystery, however, it does seem to be a niche game targeting a very specific audience.

Layers of Fear: Inheritance may inherit the technical wizardry of Layers of Fear but it does not recapture the level of tension and dread of its parent game. More proof that you indeed cannot go back home.